Now, as we’d expect from the southern gothic setting, Mr. Jones is indeed a great example of the grotesque. He is not only physically abnormal but also a character capable of fantastic transformation. Jone’s is described as “blind, and crippled”(Capote 14). His “legs had been denied him by a childhood accident, and he couldn’t move without crutches” (Capote 14). This abnormal physicality set him apart from the norm. He is not only unable to move “without crutches” but he is also unable to see where he is going. Of course, this physical abnormality fits the description of the grotesque in its entirety, but the gothiness of Jones is not over yet. Jones is seen by Capote later in the story while he is on a subway car in Moscow. Capote recognizes…
King Richard’s ability as an actor within a play explores how this type of villainy was entertaining in the era of Shakespeare. Richard’s evil is immediately established as his moral deformities are clearly embodied in his physical deformities. In justifying his premeditated meddling, he personifies war in his first soliloquy. ‘Grim visag’d war hath supported his wrinkled front’ and moved to caper ‘ nimbly in a lady’s chamber!’ Richard’s nature: ‘Deform’d, unfinished’ thus justifies his evil as he cannot participate in the war -lovemaking atmosphere. This was obviously a form of entertainment to the Shakespearean audience who had known of the war of the Roses and Richard’s deformities.…
What is the relative humidity when the air temperature is 75 degrees Fahrenheit and the Wet Bulb temperature is 65 degrees Fahrenheit?…
One major theme of the novel is ‘just because someone looks different, doesn’t mean that they are incapable.’ This is a large theme of the book because although Philip has a deformity that makes people think he isn’t capable of doing anything; Philip is still very much capable and just wants to be treated like a normal boy his age would be treated. This theme is shown through my collage because I included a picture of Stephen Hawking. Stephen Hawking has a motor neuron disease which leaves him almost completely…
The poem takes the form of a sonnet, most typically known as a gesture of love. However, in the poem Harwood mocks this love-theme. The woman is loved for her “softness”, “mane” and her “smell” by the beast that personifies a man. These are purely physical qualities. Insight into who the woman is beyond her body is intentionally omitted from the beat’s reminiscing. The attraction felt for woman is only skin deep and is misguided by the beast’s “rank longing”. The sexualisation in the first stanza is developed by the image of an evocative “thigh”. A carnal motif that is hidden behind the idealised ‘true love’ that is divulged shamelessly by Harwood. Subsequently the beast’s ‘love’ is only the lustful thoughts of her body. By unveiling the undertones of the couple’s erotic relationship, Harwood is being critical of the false notions of innocent attraction - replacing them with the “love feast” that is sexual desire. It is Harwood’s challenge against the orthodox expectation ‘purity’…
On page, 3 paragraph, 9 it shows restraint in talent and personality, “She must of been extraordinarily beautiful, because the mask she wore was hideous. And it was easy to see that she was the strongest and most graceful of all the dancers, for her handicap bags were as big as those worn by two-hundred pound men.” This is important because using descriptive language restrained the dancer so that she couldn’t perform her talents. By being covered with a mask and having handicap bags that are worn by two-hundred pound men, restrains her from being a beautiful and talented dancer. Another piece of descriptive language shows jealousy and anger to cause this restraint on people. On page, 5 paragraph, 15 the text states “It was Diana Moon Glampers, the Handicapper General, came into the studio with a double-barreled ten-gauge shotgun. She fired twice and the Emperor and Empress were dead before they hit the floor.” This proves that Diana Moon Glampers was filled with jealousy and anger that she reacted in a harsh way because, when Harrison Bergeron removed the handicaps from people it make everyone unequal, and they started to express their real talents and personalities. The Handicapper General was jealous of everyone’s talents so she forced handicaps upon people to restrain their talents and personalities. When using descriptive language it helped get the author’s point of view…
In addition to camera work and lighting, Mel Gibson as Hamlet emits a body language and vocal stress that brings a creative side to the scene. As he begins to give his speech of to be or not to be, the camera pans out giving a glimpse of Hamlets stature. His body language gives the appearance of stress and concern. Hamlet frantically paces around the room until he drops on the concrete cast of a body. His facial expressions and demeanor allows the audience to feel the concern he himself feels.…
The abrupt opening of the play, with Betty Parris laid “inertly on a bed” and Reverend Parris knelt weeping and praying, instantly creates tension and suspense for the audience who are unaware of the situations, which have led to this strange occurrence now portrayed before them on the Stage. Parris’s concern and fear of what is happening to his daughter alerts the audience to the seriousness of Betty’s condition and so causes for a sense of drama and tension to further grow in the audience’s minds.…
Civil disobedience is the act of disobeying the law but in a peaceful manner while accepting the consequences. Many people feel it is wrong and disruptive; however, it is what makes people free and true to themselves and what they believe in. Peaceful resistance to laws positively impacts a free society because it is truly giving the people their freedom. It does not harm anyone, since it’s only done to prove one’s point or to let them stand up for what they believe is right.…
In John Marsden’s adaptation of the classic novel ‘Hamlet’, Hamlet’s mental state is a controversial topic. Hamlet, from the beginning of the novel is probably not the most mentally sound person. He is an unconventional character who never really seems to fit in with those around him. As a person living in the renaissance, he acts far ahead of his time. Hamlet’s many struggles and burdens definitely had an impact on him psychologically. Due to this, Hamlet’s temperament is often inconsistent and erratic. The author purposefully portrays Hamlet in this way to portray the complexity of the human mind. ‘Crazy’ may not be the most appropriate way to describe Hamlet, rather, he seems depressed. Hamlet is often misunderstood, and although he may…
Dignity of choice is a key conflict that is conveyed throughout the play. Ken is a paraplegic resulted from an accident which stripped him from his dignity of choice, unable to make decisions himself. Throughout the play, dignity of choice has been portrayed effectively in many key scenes which lead to the tension of the issue of euthanasia. A key incident where Ken has had his dignity of choice removed was when he was forced to take the injection as one of a series of measures to keep him alive. The author utilises dramatic techniques to further enhance the conflict of dignity of choice. Contrast is employed to portray the two conflicting ideas in the play between Dr Emerson’s concept and Ken’s notion of the right to be discharged. Ken’s quote: ‘’Don’t stick that thing in me!’’ suggests his lack of authority over his own decisions as he is powerless against Dr Emerson.…
William Shakespeare’s play Hamlet includes many themes and motifs but one of the major motifs that occurs is appearance of a character contrasted with the characters true nature. Many characters put on appearances to deceive others into believing their lies and hide their true motives. The main characters in the play that hide their true appearance are Hamlet, Claudius and Polonius.…
But on reading the text we notice that this man changes right in the middle of it. There’s a description of a strong muscular and willful man in the beginning. And a description of a weak, tortured with the dreadful pain, helpless, scared man. It was made to create a contrast in the story.…
Throughout the beginning of Frederick Treves’s The Elephant Man, the character of John Merrick was simply a man that never got the chance to live a normal life. From the day he was born, his unfortunate physical deformities led him through a never ending cycle of ridicule, repudiation, and distress. This “monster” was considered to be a “burden that must be rid of” (185) for the greater portion of his being, compelling him to prefer a life of isolation rather than choosing to experience the everyday joys that most of us take for granted. That being said, one particular scene that was dramatically effective in opening Merrick up to a whole brighter side of life was when his wish to go to the theatre was granted.…
Another way that Shakespeare discusses appearance versus reality is when Portia and Nerissa disguise as a doctor of law and a clerk. They go to the court in an attempt to save Antonio from his problem with shylock. Portia asks shylock to be merciful “the quality of mercy is not strained.” (4.1 82) Portia was trying to defend Antonio however it went on to shylocks favour.” The court awards it and the law doth give it.” At the last moment, a flaw in the bond was revealed which saved Antonio’s life.” This bond doth give these here no jot of blood.” (4.1 304)…