My name is John Foulcher, renowned Australian poet. I have recently been surfing the World Wide Web and by accident I come up with your site, "Online Anthology of Australian Poets". The subject matter of poetry attracted me to wonder around your website.…
Three social issues that are in this case are that one, social issue in this case was Ford claimed the reason for the recall of the 1.9 million Ford Pintos was not for safety but for “reputational” reasons. This is a social issue because, after all the evidence was piled up on their company for being unsafe and hazardous, they couldn’t just admit they made a mistake and recall the vehicles to make them safer. No, they had to use the reputation card to help their company’s image in the long run so they wouldn’t lose profit. In this issue, there is no utilitarianism because there mindset in making this decision isn’t for the right reasons. There not doing it to intentionally increase the safety of everybody. One version, rule-utilitarianism, considers that, “a rule or code of behavior is morally right if, by its application, the consequences are more favorable that unfavorable to everyone.” They weren’t being moral when they made this decision. The citizens and people had nothing to do with the recall. It was their own self-pity and arrogance. Another social issue in this case is that in June of 1978, Ford knew that its fuel tank did not meet Federal Safety Standards, yet they didn’t do anything to warn the owners of this. It’s a fact that if people were warned of this issue, thousands and thousands of people wouldn’t want to buy the Ford Pinto. Being that this was a social issue, Ford was all about making a profit and hid crucial information for the public. The third of many social issues in this case are that when Ford was being prosecuted in the courtroom, they defended themselves against negligence by claiming its car was comparable to other subcompacts at that time.…
O'Brien gives great meaning to these details by embedding them in this way. When skimming through these lists, the reader becomes desensitized, but by interspersing these mundane items with profound events O'Brien punctuates them. Detail after detail, the reader is lulled into a state of near-submission, until a bombshell is dropped on the reader, such as when we discover in the second paragraph of the book that Ted Lavender has been shot and killed. These landmark events then become…
Margaret Laurence's A Bird in the House is a collection of short stories that is rich in symbols and similes. Descriptions like "claw hand", "flyaway manner" and "hair bound grotesquely like white-fingered wings" are found abundantly in the writer's novel. The Oxford English Dictionary defines symbols as, "something that stands for, represents, or denotes something else (not by exact resemblance, but by vague suggestion, or by some accidental or conventional relation)" (reference). Yet, there is nothing coincidental about Margaret Laurence's diction and her usage of symbols in "A Bird in the House" and "The Mask of the Bear". These revealing titles effectively foreshadow the plot and character conflicts that occur in their stories.…
Statements like “Somebody can take my children” (Kozol, page 307) and “the manager…Mr. Tuccelly…He had a gun” (Kozol, page 307) draws the audience into her fear. The author also uses the fact that the children do not get anything for Christmas, “Christmas, they don’t got” (Kozol, page 310)”, The author uses the description of the horrible living conditions in the hotel to make the audience more aware of the situation. “The bathroom plumbing has overflowed has left a pool of sewage” (Kozol, page 305) and “The carpets, they was filthy” (Kozol, page 306) and “greenish paint smeared over with sludge draining from some one’s plumbing” (Kozol, page 306) are descriptions the author uses to show just how bleak the living conditions of Laura and her children really…
The bunkhouse is also portrayed as not being a hygienic place,”a small yellow can”. The reader can infer from Steinbeck’s description that it is a pesticide. Steinbeck does this to symbolise that the inhabitants had to cope with the depressing reality of the effects of the Great Depression as they were living in it. It indicates that they were living with pests such as, “lice” and “roaches” to show that the inhabitants’ lives was full of bad events that they had to face up to. As they were living in the bunkhouse, it shows that they were surrounded by those pests with no hope of escape from it. The little problems of their lives accumulate because it is a shared problem, they had to learn to work together to face off these problems. Steinbeck conveys to the reader the importance of co-operation despite the lack of individuality in the bunkhouse.…
By understanding symbols, you get a better picture of the novel “Lord of the Flies” and the hidden messages and references to human nature and a criticism of society.…
The theme of loneliness is shown through Crooks’s character. The items in his room show that he is lonely. For example, all the books show that he has a lot of free time of his own to read. This shows solitary confinement for a big chunk of Crooks’s day. “And scattered about the floor were a number of personal possessions; for being alone, Crooks could leave his things about, and being a stable buck and a cripple, he was more permanent than the other men, and he had accumulated more possessions than he could carry on his back” (pg. 66-67). Crooks is also isolated by his race. "S'pose you didn't have nobody. S'pose you couldn't go into the bunk house and play rummy 'cause you was black. How'd you like that? S'pose you had to sit out here an' read books. Sure you could play horseshoes till it got dark, but then you got to read books. Books ain't no good. A guy needs somebody-to be near him. A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he's with you. I tell ya, I tell ya a guy gets too lonely an' he gets sick" (pg. 80). Since Crooks is an African American, the guys complain about his “stench” and use that excuse for why he cannot sleep inside like everyone else. Finally Crooks is isolated by his…
To escape from their individual constraints, Jane, the narrator in “The Yellow Wallpaper,” and Dave, “The Man Who Was Almost a Man,” become fixated on objects that eventually lead to their destruction. Striving to get well from a sickness that her husband John does not believe exists, Jane begins to become engrossed with an unappealing wallpaper. Treating her like a child with an overactive imagination, John forces her stay in a room “with windows [that are]barred” (747), and a “great immovable bed” (750). Symbolizing the stereotypical 19th century marriage, the wallpaper becomes a hated entity, one that must be demolished. Gilman writes:…
The narrator describes her illness and her husband’s take on her treatment. Her thoughts give detailed insight into her mind as the narrator enters the state of a psychotic breakdown. The narrator’s thoughts describe her reasoning for not getting well faster. “John is a physician, and perhaps-(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind) –perhaps that is one reason I do not get well faster.”(224) The narrator expresses her concerns on paper and wonders if this has any effect on her wellbeing. John has confined her to a room in which she initially dislikes the yellow wallpaper. “I’m really getting quite fond of the big room, all but that horrid paper.”(226) The narrator’s initial thoughts on the yellow wallpaper are that it is horrid. She is confined in a room, picked by her husband, and for some reason she is unable to figure out the pattern to the yellow wallpaper. “It makes me think of all the yellow things I ever saw-not beautiful ones like buttercups, but old foul, bad yellow things”.(226) She continues to look into the pattern, without actually figuring it out. The narrator is becoming used to the yellow wallpaper and its qualities. She smells the wallpaper everywhere in the house and even so, when she is out of the house. Unbeknownst to her, the smell of the wallpaper begins to creep around her the more…
As one traverses through the journey of life, he becomes confronted with many obstacles. One such obstacle becomes apparant through the illusion that society has taught him that all men are created equal. However, there comes a day in every man's life where he is discriminated by his peers, and he learns the reality that all men are not created equal. It may be because of his behavior, or even just because he has a disability. His actions can cause an inconvenience to his peers, and to society as a whole. At times, the way he communicates can be frustrating to those who he deals with. In John Steinbeck's Of Mice and Men, the author portrays how people with disabilities have to learn how to blend into the society that mocks their differences. In his Of Mice and Men Steinbeck portrays characteristics of people with disabilities to be outcasts to society. Steinbeck conveys this theme by using symbolism, and parallelism. One example of parallelism is shown by this quote "I been around him so much I never notice how he stinks." Herndon 2 "Well I can't stand him in here," said Carlson. "That stink hangs around even after he's gone." Parallelism is shown between the Candy's dog and Lennie. People mock the dog's horrible stench, which is symbolic to people mocking Lennie being an idiot therefore the dog's death foreshadows Lennies death.…
Dramatic irony in the story takes place when the woman thinks the room was used as a nursery when it has bars on the windows and the bed is bolted to the floor, clearly it was not a nursery. Verbal irony is also used when the narrator contradicts herself by saying she is glad her case is not that serious but then says that the nervous troubles are dreadfully depressing. After that she states how John does not know how much she really suffers but it is like she is arguing with herself about it because she thinks it is only nervousness as if it is really no big deal. John thinks that the room is doing her good when really she is seeing a woman in the wall-paper. So situational irony is the point of the story, John tries to cure his wife by ordering her to rest and trapping her in the room and it actually makes her worse and drives her insane, literally.…
Besides John treatment she is stuck in a room surrounded by yellow wallpaper. The yellow wallpaper becomes her obsession the only thing to occupy her time. Willing to follow the pointless pattern to some type of conclusion (Gillman Pg.534). Even though the pattern has no meaning she will make it have meaning. The paper eventually causes her to go mad becomes it not only consumes her, but represents her.…
Another is, when Irwin is in the Headmasters office, and the Headmaster is talking of how he could have had the opportunity to go to Oxford, like Irwin, but instead went to Hull to study geography. This is seen as funny because the Headmaster is clearly wanting to make an impression on Irwin, as if he had the opportunity to go to Oxford he would of, and the time the play was set, Geography wasn’t seen as a valued subject. The function of this is to show the headmasters drive to succeed and that he wants Irwin to think highly of him.…
Untidy and unorganized, promise themselves that they will get around to doing those tasks someday, however, they have other things going on that are just as important. Britt goes on to say that “sloppy people” save everything. The last letter they received from a relative who has passed away, post cards from travelling relatives, locks of hair from their children along with the newspaper clipping telling about how one of their children was the team hero at the football game. They have good intentions of putting together that scrapbook to keep their prized possessions organized. They even tell themselves that they will sit down with the old magazines and read them so they can be tossed out.…