At one point, Jackson showed Gregory Exhibit No. 60—a photograph of an Iron Maiden poster that had hung in Willingham’s house—and asked the psychologist to interpret it. “This one is a picture of a skull, with a fist being punched through the skull,” Gregory said; the image displayed “violence”…
A significant characteristic of Marshall’s paintings is unequivocally black skin tone of his figures. It is a development the artist says that came from an investigation into the invisibility of blacks in America and the unreasonably negative inferences associated with darkness. Marshall believes that you still have to catch people’s attention whenever you make something. The absolute beauty of his work speaks to an art that is simultaneously formally demanding and socially engaged. (Kerry James Marshall, PBS) Kerry James Marshall also shows the daily plight of socially planned public planning and critique this failed social engineering and how but still showing the daily pleasures and possibilities of the people who live there. (Smith, E., Marshall, K., 12) I chose him because I was intrigued by his accomplishments. There’s still minorities who are growing up and believe that they can’t achieve their goals because they believe it’s not possible or they gave up. Society needs to acknowledge minorities in order to restore hope in minorities. I believe that Kerry James Marshall has inspired minorities to reach for their…
The Greco-Roman tradition is our own. To understand ourselves we need to understand the forces that shaped the ancient Greeks and Romans. They are both similiar and different when it comes to development and their traditions. I will discuss the ways in which the society, military, and political forces have caused these two cultures to develop.…
People often toss around the notion that “art is subjective.” We have heard the phrase “beauty is in the eye of the beholder” one too many times growing up. We all understand that everyone holds different perspectives, but maybe we have become numb to the actual meanings behind these words. We are the ones who succumb to the aesthetics of art without truly understanding the contexts in which it arises from. We seem to think we know all about a culture once we possess or even create a certain “stereotypical” work of art. We get so caught up in the beauty of it all, but we need to question what exactly aesthetic values do in creating a false sense of reality. Writers like Teju Cole understand this urge and give us a wake-up call that we are living…
With the closing of the “post-racial” America of the Obama years and the inauguration of the Trump presidency the untreated wounds of American society have attained new levels of visibility. The “dog-whistle” racism which forms the base of the New Jim Crow is rapidly crumbling, exposing a virulent white supremacy no longer able to legitimize itself behind the fiction of racial “colorblindness.” In such periods of social unrest the power of racial representation is critical. Beyond providing a snapshot of the prevailing attitudes and morality of the artistic culture, in their most subversive form such representations challenge dominant sectors of society to interrogate the myths they have constructed to oppress despised populations.…
Peter Malion was an underappreciated portrait artist and bachelor who lived in Queens, New York. He never was famous for his works, even though was good at what he loved, and had a natural talent for art. When he wasn’t at work, he devoted his time at home to a project of his own—a portrait of a young woman. He spent hours of time putting an intricate design in places he saw fit such as her posture, cheekbones, and neckline. He had never been emotionally connected to any of his works, but when he painted his favorite portrait he always said: “One day, you will be complete, and you will be perfect.” After two months of dedicated labor toward the figure, He had finished all of his work which he thought to have reached perfection. He admired…
Richard Jackson is an American contemporary artist born in 1939 and raised in Sacramento, he spent his free time hunting on a 2,000-acre ranch in Colusa County with his family, who are descendants of President Andrew Jackson. He studied engineering and art at Sacramento State College. He held down odd jobs like Christmas tree farming and mining for gold in Sierra City before getting his first gallery shows in L.A. in the 1970s. He now has a studio where he does all his work in Sierra Madre, California. It looks more like an auto body shop, complete with power tools, welding and woodworking equipment and milling machine. Outside he keeps two black labs, inspiration for Bad Dog and favorite hunting partners. Jackson is a devoted American maverick who has redefined and expanded painting over a forty-year period. From the beginning of his career he as driven by a relentless desire to build on the advances in painting by Jasper Johns, Jackson Polluck, and Robert Rauschenberg. Jackson is known for his large-scale, site-specific wall paintings, room-size painted environments, monumental stacked canvases, and more recent his painting “machines”. Jackson’s wild inventive, exuberant, and irrelevant take on painting has dramatically extended its performance dimensions, merged it with sculpture and architecture, and has made it as an art of everyday experience rather than one of heroic myth. Jackson has had over 30 solo exhibitions and group exhibitions throughout his career.…
Artists throughout time are subjected to changing their practice due to context and issues within this time period. Artists that center around performance art, who use shock to convey their artworks, are subjected to change. Changes within the world inspire artists to create artworks that reflect these evolving aspects. Different developments in terms of practice have changed the world that we know. Advancements with technology, science and environment have influenced performance artists such pioneers in performance art Yves Klein, Stelarc and Ron Mueck who creates life like figures artworks that in their own way perform for the audience. These influences have shaped the performance artists practice, Klein’s use of monochrome art to represent the empty space surrounding the earth; the void, by using his own mix of the colour blue; Klein creates artworks to represent the empty space in the environment. In Klein’s later years he began to work with naked female models to create body prints. Likewise to stelarc’s use of incorporating technology within the body to make a hybrid or cyborg to reflect of what humans will become in the future, Stelarc looks at the body’s ability to expand or be altered as well as the mental capabilities of being fused with the cybernetic world. Technology has had a dramatic influence on Stelarc’s practice. Mueck creates life like sculptures often altering the size of the figures. Mueck’s use of creating grotesque, eerie life like sculptures shocks the audience, sometimes thinking that they would be real if they were the proper size ratio. Mueck’s art work ‘Dead Dad’ shocked audiences into believing that there could have been a real dead man lying on the floor. If the artwork were to be resurrected, friends and family would recognise the sculpture straight away, and to the…
This article brought up many interesting philosophical ideas regarding art and the artist. It shared common themes with previous articles and concurrently expanded on these ideas. By brining up the idea of Manifest Destiny I was able to think about it in two different ways: one regarding the definition as it related to American history, and one regarding a psychological struggle within an…
Dylan Thomas’ poem Do Not Go Gentle into That Good Night simultaneously comments on how people should die and how they should live. This poem serves as a statement that every life should be meaningful and impact others, and we should refuse to accept death and cling to this life.…
My reason for working around such a controversial subject is my huge fascination for the complexity of the human body, I feel that the abnormality in recent contemporary art is a feature worth recognition and the great step of progression within art culture shows no boundaries for what is considered ‘real art’. In many forms, art is requested for more than something to admire, over the years many movements such as Cubism, Abstract, Surrealism and Contemporary have evolved into visual language to communicate with their audiences and share a universal belief or experience. Many movements are formed through people’s life influences and usually become the embodiments of people’s pieces. I actively agree that art is a method of revealing emotional…
Modern Art and Fine Art (2005), A Rational Juxtaposition retrieved Jan. 04, 2006 from the Rationality website: http://www.rationality.net/art.htm…
Four renowned artists who have explored both the visual and emotional qualities of their art have been Pablo Picasso, Jackson Pollock, Claude Money and Piet Mondrian. In this essay The Frames and The Conceptual Framework will be used to gain a greater insight into their art and explore how the thesis statement is relevant to each of them.…
On October 25 I found an eccentric style of artwork. As I was walking through the Nerman Museum looking for a piece of artwork that spoke to me. I wandered through many sculptures made from different types of material, and gazed upon clay pots with vibrant colors and engravings. All were beautiful and extravagant, but, as I looked nothing caught my eye. I rounded one of the very last rooms of the Nerman museum and there it was. Instantly I knew that's the artwork I want to tell others about. For me this artwork shows that you can turn the most lifeless unappealing material into something full of worth.…
This essay discusses the sculpture Balloon Dog (yellow) (1994-2000) by American artist Jeffrey Lynn Koons (b.1955). I will explain how Koons uses the Balloon Dog (yellow) to talk about both childhood experience and sexuality, and uses these ideas to manipulate the viewers’ emotion.…