Preview

Michelangelo's Statue Of David

Satisfactory Essays
Open Document
Open Document
125 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Michelangelo's Statue Of David
David was a scriptural legend, making him a standout amongst the most famous figures utilized as a part of craftsmanship. David had crushed a monster named Goliath who derided and threatened the Isleari officers. David did this with only a slingshot and after that later utilizing Goliath's sword to complete the battle. David realized that God would secure him in spite of the weapons Goliath had. Since Florence thought of David as being solid, valiant and sure, they needed their city to extend these qualities. Michelangelo's statue of David was to symbolize Florence's autonomy. Michelangelo needed his statue to indicate insightfulness and quality, he needed to showa quiet, engaged personality additionally power and quality. I trust every one
Continue Reading
View Writing Issues

You May Also Find These Documents Helpful

  • Good Essays

    Dutch Republic DBQ
    • 457 Words
    • 2 Pages

    Dutch Republic DBQ

    Humanism, during the Renaissance period not only involved the study of ancient culture, but it also instilled a sense of respect towards human beings. Many artists at the time focused on the beauty and elegance of the human body. One of these artists was Michelangelo, a sculptor and painter. One of his most famous pieces of work was “David”, a 17 foot tall statue of a man. Michelangelo focused on making the statue as realistic as possible, in order to capture said elegance and beauty. Also, due to the context of the statue being directly after David had slain the goliath, Michelangelo chose “David” to be in a victorious pose. This…

    • 457 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Art101 Comparison
    • 520 Words
    • 3 Pages

    Art101 Comparison

    If we add into the comparison the sculpture of David done by Donatello we see some similarities to both Michelangelo’s version and to Bernini’s version and we also notice differences from both other sculptures, as well. The first and foremost major difference of Donatello’s David as…

    • 520 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Michelangelo's David Vs. Verrocchio
    • 1044 Words
    • 5 Pages

    Michelangelo's David Vs. Verrocchio

    Michelangelo and Verrocchio both have incredible artistic talents and show it in each of their David sculptures, yet they both convey a different meaning of David in their own ideal and using their own medium. Michelangelo and Verrocchio both represent David in different ways through the meaning they convey, the skills and techniques they use, and the beauty that they each portray . Michelangelo and Verrocchio are both artists from the city of Florence, Italy. In this piece both artists were trying to portray the biblical scene of David fighting Goliath, and winning. Their backgrounds have a major influence on the way they…

    • 1044 Words
    • 5 Pages
    Good Essays
    Read More
  • Good Essays

    Michelangelo Dbq
    • 315 Words
    • 2 Pages

    Michelangelo Dbq

    There were many great Renaissance artists such as Leonardo, Raphael, Michelangelo, Donatello, and many others but the greatest of these is Michelangelo. He was great at painting, sculpting, architecture, and poetry. He also had famous sculptures and paintings.…

    • 315 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Michelangelo Buonarroti Simoni Research Paper
    • 657 Words
    • 3 Pages

    Michelangelo Buonarroti Simoni Research Paper

    Michelangelo di Lodovico Buonarroti Simoni was a sculptor, painter, and an architect. He was born on March 6, 1475 in the town of Caprese, Italy and was regarded as one of the greatest artists of the Italian Renaissance. During his childhood, he had no interests in having a real education and actually going to school. Instead, he went local to churches and copied the paintings there and talked to the painters. Later on during adulthood, he went to the monastery and examined the corpses. Michelangelo would even dissect them to learn what it was like under the human skin and how the muscles worked. This is how he made his sculptures, like The David, so lifelike.…

    • 657 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    research paper
    • 496 Words
    • 2 Pages

    research paper

    I am comparing Bernini’s David of the Baroque era and Michelangelo’s David from the Italian Renaissance. Michelangelo was considered the greatest living artist in his lifetime, and ever since then he has been held to be one of the greatest artists of all time. He was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Michelangelo’s David was a masterpiece sculpture, created between 1501 – 1504 that is a marble statue, of a standing male nude. The 17 foot statue was placed in Galleria dell’Accademia, Florence. The statue represents a Biblical hero named David, after he made his decision to fight Goliath but before the battle has actually taken place. A moment between conscious choice and action. Gian Lorenzo Bernini was an Italian artist and a prominent architect who worked principally in Rome. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture. Bernini’s David is a life-size marble sculpture, created between 1623-24, located in Galleria Borghese, Rome. This statue represents the biblical David, about to throw a stone at Goliath, which will allow David to behead him. The biggest difference in the two sculptures is the moment represented. Michelangelo chose the moment before the fight while Bernini chose the split second when David is launching the stone from his sling. Bernini’s body is violently twisting bursting with energy while Michelangelo had stored in his figure. Bernini has literally created an event frozen in time during the fight and Michelangelo’s was before the fight. The statues are similar because they both were innovative with respect of the ancient tradition that created works that were perfectly balanced, but not as perfectly evocative. The statues represent the same character, the David who beats Goliath, and they both embody the ideal of male form in a natural setting rather than posed.…

    • 496 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    A Comparison of the Three Davids
    • 574 Words
    • 3 Pages

    A Comparison of the Three Davids

    During the Renaissance there were many influential sculptures. Artists during the Renaissance experienced a renewed interest in classical Greek and Roman civilization. Christianity played a major role in Renaissance art. David was an important figure in more than one religion. In the Christian religion David was depicted as the youngest son of Jesse, who was a descendant of Jesus Christ, that was sent o the battle lines to bring new of his brothers. While at the front of battle he heard the giant Goliath’s defiance instill fear in the men of Israel. David unexpectedly offered to fight Goliath and actually killed him using only his sling shot and a pouch full of stones. Three artists depicted this biblical story in the Renaissance and those artists were Michael Angelo, Donatello, and Bernini. Donatello’s depiction of David best illustrates the story of David.…

    • 574 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Michelangelo Vs David Research Paper
    • 517 Words
    • 3 Pages

    Michelangelo Vs David Research Paper

    Michelangelo’s David is very large in size, over fourteen feet tall. This makes him seem to loom over his admirers, and makes him a rather imposing figure. It is more than obvious that this David is naked, has no flaws, and seems to be in perfect health. The perfect man, if you will. All of this is typical of the Renaissance period in which he was carved. Michelangelo’s David seems to be pondering something very important, perhaps the meaning of life? He is not in a hurry to do anything, and he is not rushing off to do anything. In fact, he hardly looks like the famed warrior who slayed…

    • 517 Words
    • 3 Pages
    Good Essays
    Read More
  • Powerful Essays

    Renaissance Art Influence
    • 1347 Words
    • 6 Pages

    Renaissance Art Influence

    Therefore, “David,” is a fit symbol of courage and civic duty to guard the city. Standing 13’5″ tall, the double life-sized David is depicted patiently waiting for battle, prepped with slingshot in one hand and stone in the other. Michelangelo, in his mid twenties, carved the David after he had already carved the Pieta in Rome. He carved this sculpture from a huge block of marble that had been abandoned decades earlier by another sculptor: Michelangelo took on the challenge of living up to Donatello and other precursors who had sculpted the same heroic figure. Instead of creating David to look relaxed and confident after his victory, Michelangelo's David looks tense and ready for combat. His brow is furrowed, the tendons in his neck are taut, as are the muscles in his nose and lips, and his eyes are focused on something in the distance. Despite this mental concentration, he stands in a relaxed “contrapposto” position, with his sling casually thrown over his left shoulder. This combination of intense expression and calm pose is intended to capture the short period between the decision to fight and the fight itself. The statues hands and head appear to be disproportionally large for his body, possibly because they were deemed more visually important for viewers who would see the statue high up…

    • 1347 Words
    • 6 Pages
    Powerful Essays
    Read More
  • Good Essays

    Comparison Of The Davids
    • 595 Words
    • 3 Pages

    Comparison Of The Davids

    This rendition does not represent David as a hero but as a young man in his mid to late twenties, fully developed in his masculinity before he engages with Goliath he is holing a sling and not a sword. Also the facial expression and body language shows David contemplating his first move using intellect and wit to defeat the enemy over use of strength this statue is the most perfect heroic representation of David as compared with the other statues. The statue's right-hand side is smooth and well…

    • 595 Words
    • 3 Pages
    Good Essays
    Read More
  • Good Essays

    Art 101 Week 8 Checkpoint
    • 363 Words
    • 2 Pages

    Art 101 Week 8 Checkpoint

    Bernini’s David has the shape of a human body in motion. He is strong like Michelangelo’s David and appears to be ready for action like Donatello’s. Rather than being posed before the battle, this David is already in action. This sculpture represents more than just David, it represents his actions because of the pose this sculpture seems to tell David’s story. Looking at the figure I can see that David is preparing to hurl a stone, his step and the position of his arm imply the force behind the release of the stone and the energy David felt. The energy, in fact, is what pulls me into this sculpture. As beautiful…

    • 363 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Renaissance Comparison
    • 453 Words
    • 2 Pages

    Renaissance Comparison

    Donatello was an artist in the early Renaissance. His interpretation of David is the earliest known life-size bronze nude European art (Stokstad and Cothren 321). The sculpture stands over five feet tall. Originally it was documented in the courtyard of Medici Palace in Florence in 1469. Florentines thought Donatello’s David to represent heroism and virtue (Stokstad and Cothren 321). During high Renaissance in 1501, Florentine commissioned Michelangelo for a statue of David (Stokstad and Cothren 344). Originally sought to display atop a cathedral, the sculpture was placed beside the Palazzo della Signoria for better viewing by the city (Stokstad and Cothren 344). Upon completion, Michelangelo’s David stands seventeen feet tall out of marble. Both statues are representation of biblical story of the giant Goliath and David is sculpted nude. However, Michelangelo sculpted David as in the story before defeating giant, standing for right over might. The artist positioned body (tall, muscular definition, and larger right hand), facial expression (staring off with brow as to be in thought) with just weapon (slingshot) on shoulder to show viewers the psychological preparation for upcoming battle (Stokstad and Cothren 344). Florentines used this as a symbol in their own military pressure. Looking back, Donatello’s David was sculpted as in the story after conquering the giant Goliath. He portrays David’s facial expression to show liberation, body is more slouched and less defined as Michelangelo portrays, holding sword in right hand with no apparent difference in size as Michelangelo, and also wearing helmet. Overall, both statues are significant to…

    • 453 Words
    • 2 Pages
    Good Essays
    Read More
  • Good Essays

    Cultural Artifacts In The Renaissance
    • 852 Words
    • 4 Pages

    Cultural Artifacts In The Renaissance

    This statue in particular portrays different examples of humanism. The statue of David originated from a biblical story of David and Goliath; he is considered a hero and champion. It was his greatest victory and an ideal situation for a human. Therefore the sculptor, Michelangelo depicts David in the most idealistic form of a human; where he represents a strong being, exuding concentration and self-confidence. Michelangelo sculpted what would be considered the perfection of a human and this was largely attributed his own study of the human form. Giorgio Vasari, from his Lives of the most excellent painters, sculptors and architects, states “For in it may be seen most beautiful contours of legs, with attachments of limbs and slender outlines of flanks that are divine; nor has there ever been seen a pose so easy, or any grace to equal that in this work, or feet, hands and head so well in accord, one member with another, in harmony, design, and excellence of artistry”. (Michelangelo's…

    • 852 Words
    • 4 Pages
    Good Essays
    Read More
  • Good Essays

    Donatello Research Paper
    • 1695 Words
    • 7 Pages

    Donatello Research Paper

    Donatello rapidly matured his art and soon began creating his own style. In 1408 he finished the life-size sculpture of David. The figure was made out of marble. The figure follows a Gothic style, popular at the time, with long graceful lines and an expressionless face. The work reflects the influences of sculptors of the time. It's very well executed, but it lacks the emotional style and innovative technique that would mark Donatello’s later work. Originally, the sculpture was intended for placement in the cathedral. It was set up in the town hall as a symbol of defiance of authority to Florentines. Michelangelo’s admiration for Donatello is documented for the time of the marble David by a sketch after Donatello’s David. The statue of David would become the most famous body of work by Donatello. He developed his own style of relief known as schiacciato. This technique involved extremely shallow carving and utilized light and shadow to create the full pictorial scene(web). Observations were made that Donatello refrained from giving his works a high finish ,even at the risk of making them seem less attractive at close range ,in order to preserve the vividness of his “artistic handwriting” (Janson 20; vol.2). The harmony of his work melts as in a “fiery glow”, and his personality grows demon-like into his gigantic proportions out of the sturdy workshop tradition of the middle…

    • 1695 Words
    • 7 Pages
    Good Essays
    Read More
  • Good Essays

    Michelangelo's David
    • 779 Words
    • 4 Pages

    Michelangelo's David

    When thinking of sculptures, one of the first that comes to mind is David. This statue was created of marble between 1501 and 1504 and stands over 14 feet high. David is a symbol that represents strength and anger. The statue had intended political connotations for the ruling of the Medici family. Michelangelo used David as model of "heroic courage" to demonstrate that "spiritual strength can be more effective than arms". Michelangelo insisted that David should stand as a symbol of the republic and act as a warning that Florence shall be governed justly and bravely". This was the first time since antiquity that a large nude statue be exhibited in a public place.…

    • 779 Words
    • 4 Pages
    Good Essays
    Read More