Both the Montagues and the Capulets have religious adornments, proving that only religion unites the two families. Baz Luhrmann creates a symbolic image when the Capulets go into the station the nun comes out. This demonstrates that as evil goes in, good comes out.…
In Tartuffe (1664), as in his other plays, Moliere employs classic comic devices of plot and character. Here, a foolish, stubborn father blocking the course of young love: an impudent servant commenting on her superiors’ actions; a happy ending involving a marriage facilitated by implausible means. He often uses such devices, however, to comment on his own immediate social scene, imagining how universal patterns play themselves out in a specific historical context.…
In Edmond Rostand’s Cyrano de Bergerac, Roxane and Christian’s romance plays a key role in teaching us about the consequences of judging others superficially. He does this by telling a story about a love triangle comprised of Christian de Neuvillette, Roxane, and Cyrano de Bergerac. Christian and Roxane initially fall for each other due to physical attractiveness. However, Roxane only chooses to love Christian if he is eloquent. To prove his eloquence to Roxane, Christian teams up with Cyrano, and we watch as Roxane and Christian’s relationship blossoms through a series of romantic love letters. However, when the truth is revealed that it was Cyrano who truly loved Roxane, and wrote…
“Monsieur Baptiste, The Con Man” is an original play by Jean Baptiste Moliere; the plays script itself is originally known as "Tartuffe.” The play has been adapted into a more modern version by Roger Furman and featured at the University of Louisville’s playhouse on south 3rd street, by the African American Theatre Program (AATP), and directed by Lundeana Thomas. The play was run through November 20th to November 24th, 2013. The particular play that I attended was on Sunday, November 24th, at 3pm.…
The titular character of Edmond Rostand’s 1897 play Cyrano de Bergerac is a deeply complicated man, a hero with many insecurities and many desires he hides behind a facade of bravado. However, there are no soliloquies to help understand these motivations and personality. Instead, the audience learns this information through his interactions with several minor characters, with each showcasing a part of Cyrano’s personality that remains unseen when the bombastic polymath is on stage, challenging the rest of the world, helping Christian woo Roxanne, and showing off to his fellow cadets. The most prominent of these minor characters are Le Bret, whose interaction with Cyrano helps the audience understand the sensitive and insecure side of Cyrano,…
Voltaire goes after religious hypocrisy in chapter three of Candide. An orator asks Candide whether or not he supports “the good cause”. Candide, being a man of reason, responds by saying “there is no effect without a cause”. The orator, feeling challenged by Candide’s reaction challenges him right back by asking Candide if he believes the Pope to be the Anti-Christ. Candide doesn’t know and changes the subject bringing up the fact that he’s hungry. The orator declares that Candide does not deserve to eat because of his lack of affirmation toward believing in the Anti-Christ. The orator’s wife suddenly enters the scene and sees Candide as one who does not believe that the Pope was Anti-Christ. She proceeds to pour trash on his head. This is an example of Voltaire jabbing at Protestants and Catholics of the world. He is explaining his views, through the use of satire, on religion.…
4. In Tartuffe, Moliere uses dialogue to express irony in the play. When Orgon tells his brother-in-law, “You do not know the man of whom you speak,” it is ironic because although Cleante has never met Tartuffe in person, he does know that he is deceiving everyone. It is also ironic because Orgon is saying this even though he does not know Tartuffe’s true intentions. It is also ironic when Orgon says “Under his[Tartuffe] tutelage my soul’s been freed from earthly loves, and every human tie: My mother, children, brother, and wife could die, and I’d not feel a single moment’s pain,”( 276-279) because Orgon thinks that Tartuffe has taught him to free himself of human ties including family, but in actuality, he is placing Tartuffe so ahead of his family that he no longer cares about his family.…
The role of violence is evident within the play. Thoughtless violence is undoubtedly one of the driving factors behind the tragic outcome of the play. The first instance of its impact is demonstrated during the violent riot between the Capulets and Montages during Act…
During the Enlightenment Period authors found their roles in life were to teach and entertain their audience. In Jean-Baptist Poquelin Moliere’s Tartuffe and Alexander Pope’s An Essay on Man, both artist achieve the Enlightenment’s goal, to teach and entertain. Both writers use satire, optimism, and emphasis on reason to inform and keep the attention of their audience. There are some regards that Moliere and Pope sacrificed art, creativity, or entertainment just for educations. Readers of both works will realize that there are no other works like the two and the two works are entertaining and teach audiences valuable lessons. Therefore, both Moliere and Pope effectively fulfill the…
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate and have control over social order. Mariane's strong obedience to her father (Orgon) supports the Neo-Classical element that the individual is not as important as society. Moliere discusses logic and reasoning by blindfolding Orgon to the reality of Tartuffe's intentions that causes him to make dumb decisions. In the process, Orgon disregard's his family when told of Tartuffe's intentions. After Tartuffe cons Orgon into believing that Damis's accusation is false Orgon replies, "I know your motives, I now you wish him ill:/Yes, all of you - wife, children, servants, all - /Conspire against him and desire his fall." (Moliere 341-342,46-48) Orgon then excommunicates his own son, indicating that his reasoning is deferred due to his ignorance. This in due course challenges the Neo-Classical belief that logic and reasoning is more important than emotion because Orgon acts solely on his emotions. He feels as if his family has turned against his friend so he operates upon his feelings. When Damis returns home and Tartuffe (instead of Orgon) gets locked up, order is restored. At the end, the family commends the officer for apprehending the true criminal by saying, "Heaven be praised! / We're safe.…
In his work, Candide, Voltaire uses satire as a means of conveying his opinions about many aspects of European society in the eighteenth century, a period known as the Enlightenment. This Age of Reason swept through Europe, offering differing views on science, religion, and politics. The following essay will outline the philosophical theory of Pangloss, a character of the novel and suggest how his optimistic worldview is challenged by numerous disasters. I will also justify the reasons Voltaire attacks hypocrisy, most prevalent in religion, and displays the cruel actions of the priests, monks, and other religious leaders. In the novel his anger becomes obvious towards the church and the nobility. I will relate to findings how Voltaire expresses his views about society. His belief that the separation of class, hypocrisy of organized religion, rampant materialism, lack of Free Will, and deficiency of compassion for others, all contributed to the lack of human liberty in the eighteenth century.…
Throughout the book, Candide, the main character, is introduced to a number of religious characters including the Protestant minister, the Grand Inquisitor, and the Jesuit Baron. Voltaire uses these characters to relay the absurdities displayed by many religions. The Jesuit Baron, whom strikes Candide across the face with the back of a sword, exhibits the arrogant attitudes some religions contain. The violent action of the Baron is not because Candide steals the virginity on the Baron’s sister, but due to the fact that Candide belongs to a lower social class than they. This action clashes with the pious character the Baron is supposed to encompass as a priest. Another character Voltaire uses is the Protestant minister who is introduced in to the book preaching about the need to help others. However, when Candide asks for help in the form of food, the minister shows him no kindness based on their varying views on certain religious aspects. The hypocrisy in which the religious institution is presented in this example is perhaps the most blatant example in the entire book. However, yet another situation is presented after Candide plays witness to an earthquake in Lisbon. After the earthquake, the Grand Inquisitor orders for an auto-da-fe, or act of faith, to prevent any more natural disasters from happening. Voltaire uses this “act of faith”, in which innocent people are sacrificed, to show the…
In the play Tartuffe, Moliere comically portrays how religious hyporites preyed on innocent individuals of the French society for their own benefits to demonstarte how corrupted a theocratic government can get. Moliere uses common characters to effeicently illistrate his argument: Tartuffe satirically represents the church or rather the Charlatans (hypocrites) of the church, and Orgon represents a typical god fearing individual. The plot of Taruffe describes how attuned Orgon becomes with Tartuffe, who in return sees his commmitment as an advantage to make Orgon believe anything. Once Tartuffe had Orgon 's full trust he starts to make his moves. In the end Tartuffe double crosses Orgon, swindles his property,…
This is a story of betrayal, a question of loyalty, and of family. Tartuffe betrayed the friendship he had with Orgon. From the beginning it was based off of lies for his own selfish gain. Orgon believed he had found a loyal companion, one who he could trust and keep around his family; this too, was all a hoax. The biggest issue of all, however deals with that of family. Orgon’s family was merely torn apart by the actions of one man; for the simple fact that Orgon believed Tartuffe more than his own wife and daughter. That alone shows how trusting Orgon was of…
Prioress and friar: Criticizes the church – revealing the corruption of the actions of some characters…