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Works Cited
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De Beauvoir, Simone. The Second Sex. New York, Random, 1974. Print.
Humphreys, A. R. Introduction. Much Ado about Nothing. By William Shakespeare. Ed. A. R.
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½” Humphreys. London: Arden, 2002. 1-84. Print.
---. “Preface.” Much Ado About Nothing. By William Shakespeare. Ed. A. R. Humphreys.
London: Arden, 2002. ix-x. Print. [dashes indicate repeated author name]
Lehrer, John. “Much Ado About Something.” The New York Times. New York Times, 11 June
2003. Web. 14 Aug. 2003.
McDonald, Russ. The Bedford Companion to Shakespeare. 2nd ed. Boston: Bedford, 2001.
Mowat, Barbara A. and Paul Werstine. “Shakespeare’s Theater.” Much Ado About Nothing. Ed. …show more content…
Barbara A.
Mowat and Paul Werstine. New York: Washington Square P, 1995. xxxvixlv. Print.
“Much Ado About Nothing.” Wikipedia. Wikimedia Foundation, 17 Oct. 2003. Web. 26 Jan.
2004.
Orgel, Stephen and Sean Keilen, ed. Shakespeare and Gender. New York: Garland, 1999. Print.
Shakespeare: The Critical Complex Ser. 2.Rackin, Phyllis. “Engendering the Tragic
Audience: The Case of Richard III.” Ed. Barker and Kamps, Shakespeare and Gender.
London: Verso, 1995.
Rackin, Phyllis. “Engendering the Tragic Audience: The Case of Richard III.” Orgel 265-80.
Shakespeare, William. Much Ado About Nothing. Ed. David Stevenson. New York: Signet
Classic, 1998. Print.
- - -. Othello. Eds. Barbara A. Mowat and Paul Westine. Folger Shakespeare Lib. New York:
Washington Square-Pocket, 1993. Print [dashes indicate repeated author name]
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- - -. The Tempest. Eds. Virginia Mason Vaughan and Alden T. Vaughan. Walton-on-Thames:
Thomas Nelson and Sons, 1999. Print [dashes indicate repeated author name]
Stevenson, David. Introduction. Much Ado about Nothing. By William Shakespeare. New
York:
Signet Classic, 1998. Print.
Traub, Valerie. “Jewels, Statues, and Corpses: Containment of Female Erotic Power in
Shakespeare’s Plays.” Orgel 89-112.