Much Ado About Nothing - the Importance of Noting
<center><b>Discuss The Importance Of Noting In Much Ado About Nothing</b></center>
<br>
<br>Noting, or observing, is central to many of the ideas in Much Ado About Nothing. The word nothing was pronounced as noting in Elizabethan times, and it seems reasonable to presume that the pun was intended by Shakespeare to signal the importance of observation, spying and eavesdropping in the play. As a plot device, these occurrences propel the action and create humour and tension. The perils of noting incorrectly are portrayed and this leads naturally to the investigation of another major theme, the discrepancy between appearance and reality. Shakespeare uses the problems of illusion, deception and subjectivity of perception to examine the Elizabethan patriarchy, and he shows how adhering to convention can distort the views of society's leaders.
<br>
<br>Plot development and comedy in Much Ado rely heavily on the use of noting. The play appears to have a simple plot; the romantic couple, Claudio and Hero, are denied marital joy by the evil Don John while the sub-plot, Beatrice's and Benedick's resisted but growing love, provides us with some humour until order and happiness are re-established in Messina. However, Shakespeare cleverly employs the many forms of noting (observation, misunderstanding, misreporting) to move the dramatic action forward. The main plot and the sub-plots are laced together with this device and, to emphasise the importance of noting, the audience is denied viewing the vital episode where Claudio and Don Pedro witness what they think is Hero's debauchery we observe the watch eavesdropping on Borachio recounting the event to Conrade. This eavesdropping reminds us of the orchard scenes where Beatrice and Benedick are tricked into loving each other. They both come closer to a position of self-knowledge and this enables the "merry war" of Beatrice and Benedick to move a step further to its conclusion.
<br>
<br>The orchard scenes, along with the scenes
<br>
<br>Noting, or observing, is central to many of the ideas in Much Ado About Nothing. The word nothing was pronounced as noting in Elizabethan times, and it seems reasonable to presume that the pun was intended by Shakespeare to signal the importance of observation, spying and eavesdropping in the play. As a plot device, these occurrences propel the action and create humour and tension. The perils of noting incorrectly are portrayed and this leads naturally to the investigation of another major theme, the discrepancy between appearance and reality. Shakespeare uses the problems of illusion, deception and subjectivity of perception to examine the Elizabethan patriarchy, and he shows how adhering to convention can distort the views of society's leaders.
<br>
<br>Plot development and comedy in Much Ado rely heavily on the use of noting. The play appears to have a simple plot; the romantic couple, Claudio and Hero, are denied marital joy by the evil Don John while the sub-plot, Beatrice's and Benedick's resisted but growing love, provides us with some humour until order and happiness are re-established in Messina. However, Shakespeare cleverly employs the many forms of noting (observation, misunderstanding, misreporting) to move the dramatic action forward. The main plot and the sub-plots are laced together with this device and, to emphasise the importance of noting, the audience is denied viewing the vital episode where Claudio and Don Pedro witness what they think is Hero's debauchery we observe the watch eavesdropping on Borachio recounting the event to Conrade. This eavesdropping reminds us of the orchard scenes where Beatrice and Benedick are tricked into loving each other. They both come closer to a position of self-knowledge and this enables the "merry war" of Beatrice and Benedick to move a step further to its conclusion.
<br>
<br>The orchard scenes, along with the scenes