Never has a man left the embrace of nature once he found himself enamored by it; this infatuation is found in both John Muir’s and Aldo Leopold’s writing, a sense of wanting to protect this deity they call Mother Nature, a moral and ethical responsibility which every human being has to this Mother. Both John Muir and Aldo Leopold recount their almost romantic encounter with Mother Nature in their books Our National Parks and A Sand County Almanac, respectively. However, in both books it is notable that each man carries instilled in the very fiber of their being a sense of dissatisfaction toward the process of mechanization and industrialization; processes which unfortunately…
Nature being important part of everyone’s life is something both Emerson and Muir can agree on. Emerson shows how nature isn’t there to judge or influence one’s…
These two writers have different styles of writing, however, both of them have obvious relationships with nature. William Wordsworth believes that nature should be taken on as a state of peace and a place where you can relax. Whereas John Muir takes a different approach. Sometimes he believes nature is on his side and good things come of it. Other times he believes that nature is evil and has turned against him. Those are the two different writing styles of two different authors.…
A giant field of daffodils or a single Calypso borealis in a murky swamp, both equally beautiful but vastly different. John Muir and William Wordsworth have two very different way of describing things that are very similar to each other. Both are capable of portraying beautiful stories but in two completely opposite ways. Wordsworth uses intriguing syntax to portray his story while Muir uses profound connotation and diction.…
B. Thesis: Wordsworth and Muir convey their deep connection and passion for nature by utilizing similes and hyperboles to assert the reader how much nature has affected their life.…
The sublime natural world, embraced by Romanticism (late eighteenth century to mid-nineteenth century) as a source of unrestrained emotional experience for the individual, initially offers characters the possibility of…
John Kenneth Muir analyzes the issue over the post-apocalyptic destruction, in which he studies the effect on human civilization by asking the viewer, “How many would act in the same fashion; refusing to trust "strangers" until they knew that the risk was passed?” One of the effects Muir mentions throughout the reassessment is the loss of hope for the greater good of a social club. Still, too much hope in society can be dangerous in the wrong hands, and will most likely lead to a catastrophic result.…
“, the sight of what is beautiful in nature... could always interest my heart.” – VF was (he is recollecting his childhood, here) a Romantic. Now, he has gone against nature and created something unnatural, P.114…
Nature is commonly used throughout the Romantic period. Romantic poets looked to nature as a way to show lessons, such as the organic cycle of birth, growth, death and rebirth. The reader can easily relate to this, whether it be comforting or disturbing. Two authors, Henry Longfellow and William Bryant express their attitudes and feelings about nature in similar ways. Longfellow's "The Tide Rises, the Tide Falls", and Bryant's, "Thanatopsis" show that they view death in a good way.…
In every walk with Nature one receives far more than he seeks.” - John Muir Nature does not only show the beauty of the Earth, but it shows the beauty within us. So then, is it not easy to say that both of these authors have great beauty within them? After reading both “Calypso Borealis,” -John Muir and “I Wandered Lonely as a Cloud” -William Wordsworth, I can boldly state that with their loving choice of diction, tone, and use of syntax they clearly show that they truly admire nature and their surroundings.…
From the bitter, cold winters in Antarctica to the blazing, hot summers in Africa and from the ugly, thick swamplands of Louisiana to the beautiful, clean coasts of Hawaii, nature plays a pivotal role in life on this wonderful planet. Nature is extremely dangerous but it is also a beautiful component of the earth. People view nature in unique ways that are displayed through actions and words. Jack London, author of “To Build a Fire”, and Henry David Thoreau, author of Walden, both value nature and view it in a unique way that is translated to their works of literature. These two authors apply a unique perspective of how nature can apply to everyday life. The aspects of interacting with nature and human emotions analyzed and examined in the works of Jack London and Henry David Thoreau.…
The writers of the Romantic period portrayed nature as a celestial source. In many Romantic works, nature's beauty is praised with pantheistic, almost pagan, terms. To these writers, the natural world was a direct connection to god. Through appreciation for nature, one could achieve spiritual fulfillment. The contrary, failure to surrender to natural law, results in punishment at the hands of nature. Mary Shelley, as well as her contemporary, Samuel Coleridge, depicts the antagonistic powers of nature against those who dare to provoke it.…
Human experience within nature is a broad, ever-expanding subject of study, wherein one is limited to either divulging personal experience or interpreting the validity of the experiences of others in order to gain insight. As such, nature writing takes innumerable forms, with each approaching the task of describing experience within nature in a unique way and each emphasizing a different intent. As a result, there exists a tendency to denote nature writing to an all-encompassing category and furthermore, to neglect the subtleties that serve to differentiate one nature essay from another. These…
The child’s imagination allows them to form an intense bond with nature. In Tintern Abbey, Wordsworth has several boyish encounters where his emotions are prime as opposed to intellectual endeavours. As a boy, he thought of and imagined the mountains and woods. Their appearance manifested to him as “an appetite” or “a feeling and a love” (line 80). These raw emotions, which Wordsworth experiences is not due to external influences but because of the child’s imagination. Having “no need of a remoter charm” (line 81), nature appears to Wordsworth solely based on his youthful imagination and senses. It is an ecstatic exchange, in which all of nature seems holy and sacred to Wordsworth. This allows him to immerse himself in nature and truly become one with it.…
The Romantic era of literature brought a reverent attitude towards nature, writes utilizing the external elements of their characters to ease emotional distraughtness and connect them with humanity. This interaction between people and their natural environments is attributed to ecological thinking, which is the recognizing of the natural world and its effects on the relationships and thoughts of humans. Throughout Mary Shelley’s Frankenstein, William Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey”, and Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden, Norway, and Denmark, the characters’ internal struggles with reason are silenced by the sublimity of their ecological thinking, which also serves to connect…