Preview

Museum Artifact 737

Good Essays
Open Document
Open Document
729 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Museum Artifact 737
Museum Artifact 737 likely represents a bichrome, wheel-made kylix fired during the Cypro-Geometric III period of the Cypriot Iron Age. The kylix, a drinking vessel shaped like a stemmed bowl or cup and possessing a height of 5.5 cm, resembles a chalice with a disk base of 3 cm connected to a bowl measuring 8 cm across its widest point. Marked with two sets of concentric circles on the interior of the bowl, the kylix draws strong influence from greek design during the Late Bronze Age. Joanna Smith, a prominent Cypriot archaeologist, describes the pictorial image, vivid colors, and complete symmetry of greek ceramics in the Late Bronze Age; for this reason, it is clear the kylix draws influence from Mycenaean pottery (The Social Impact 8). Separating the two sets of concentric circles, a layer of red paint showcases the bichrome color scheme, red and black. On opposite sides of the exterior of the bowl, two black swastika designs …show more content…
1995.10.591, containing sets of concentric circles on the interior and similarly shaped as a stemmed bowl, stylistically resembles the relic (Semitic Museum No. 1995.10.591). In addition to the circles, the black swastikas found on the exterior of 1995.10.591 further showcase the similarities between the two vessels. Clearly, the two artifacts are related in terms of style and shape; thus, the black and red color scheme of 1995.10.591, listed as bichrome and wheel-made, provides more evidence of 737’s ware. Although the artifact seems to be much taller and wider with lengths of 16.8 cm and 12.0 cm respectively, the object, marked as a Cypro-Geometric kylix, only possesses a few stylistic differences-- increased red and different imagery (Semitic Museum No. 1995.10.591). For this reason, 737 likely represents a smaller version of a kylix made during the Cypro-Geometric

You May Also Find These Documents Helpful

  • Good Essays

    The Harvest Vase, Hanga Triada, Crete, New palace Period, c. 1950- 1450 BCE steatite diameter 4 ½” the lower half is missing so it was reconstructed. It was carved of steatite witch is a brown and greenish soapstone.…

    • 408 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In the Ancient Gallery in the Chazen Museum of Art, there is a bell krater from Attica, Greece that was made around 460-450 BCE. It is a ceramic vase that is in excellent condition with the exception of a few chips on the red-figure decoration. The Bell Krater (figure 1, figure 2) stands under two feet tall and is just over one foot in width. Overall, the scene and design style on this krater is mostly consistent throughout the entire body of the vase, but there are a few formal elements that separate the scenes on Side A (figure 1) from Side B (figure 2). The three main elements that will be discussed include technique, space, and line, as they all have a significant impact on how the viewer sees the artwork. While the Bell Krater is cohesive as a whole, the different use of formal elements on each side would have created individual impressions for the viewer in Ancient Greece as they surveyed both viewpoints while dining in their home.…

    • 1581 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Sheramy D. Bundrick article titled: Athenian Eye Cups in Context is extremely insightful when it comes to terms of Athenian eye cups in the late sixth and early fifth century B.C.E., in addition to how it plays a role in exports and market selling. There are numerous types of Athenian pottery, eye cups are a unique and a perplexing topic that still has uncertainties when determining the functions and designs. Some of the main points brought up by Bundrick are: questioning if eye cups are purposed to be masks for Symposion, eye cups functions in Etruscan tombs, as well as eye cups in Vulci tombs and beyond. The curiosity towards Etruscans and their practices with eye cups and similar vessels is highlighted throughout. Eye cups functionality…

    • 1472 Words
    • 6 Pages
    Good Essays
  • Powerful Essays

    Ancient Greek vases attract us not only for their significant aesthetic and narrative appeals, but also for their value as bridges connecting today’s viewers to the ancient Greek world, an advanced civilization richly influenced by myths. My museum object, a late sixth century black-figured hydria that depicts the beginning and the end of exploits of the hero Herakles, is reflective of a major vase painting development and the rapid circulation of myths of Herakles in its period. In this paper, I am going to explore my vase in detail by placing it in its historical context with comparison to both textual and artistic sources, and by investigating the continuing influence of Herakles’ Labors beyond the ancient times.…

    • 1904 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    The Octopus Flask

    • 342 Words
    • 2 Pages

    The marine life design or painting was done with black paint which greatly contrasts to the ceramic’s light-toned…

    • 342 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    • 13­19: Moche Portrait Vessel / Peru: Moche culture / c. 100­700 CE / Clay…

    • 514 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    The desire for the finer things in life is eternal, and the strive for beauty and elegance can be seen in all ages. In regards to Islamic pottery, the elaborate and decorative nature of pieces from Kashan cannot be beaten. Now I will analyze a specific production from Kashan, a lustre bowl produced during the Seljuq Period (11th to 13th centuries), labeled as “Object D-12” in the UCSB Jewel Room and depicted below: In this image one can see the same line of eyebrows, drawn out eyes, and thin lips on the center figure that can also be seen on the polo player of Object D-12. Both men also have a halo surrounding them, enshrining them with a sense of importance and holiness. In this piece, dated at the early 13th century, the center figure appears…

    • 1089 Words
    • 5 Pages
    Good Essays
  • Satisfactory Essays

    Gallows Hill Site

    • 472 Words
    • 2 Pages

    Charred wood from this feature was radiocarbon dated to sometime between 2010 B.C. and 1850 B.C. (more on this below). It had also been suggested that there may be a house foundation somewhere on the site which would more than likely date to the historic past (Wiegand, personal communication, 2002), and about 75 artifacts from the late 18th and 19th centuries, such as nails, redware, saltglazed stoneware, whiteware, and glass, most of which were found in the top 20 cm of soil, may support the idea that there was definitely such a structure on the site. But these analyses are not included in this report; we are more interested in what happened…

    • 472 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Cobb Museum

    • 1329 Words
    • 6 Pages

    In the section of ceramics form Israel’s Iron Age II, there were a lot of pots and vessels. A four-room house in the Halif settlement is where the Archeologists found the pieces of ceramics. The armies of King Sennacharib from Assyria burned this settlement. Experts believe that the artifacts in this section were made around 700 B.C. (Cobb). I did not think the bottom of this pot would be able to keep the top stable considering that the top is much larger than the bottom. One pot had four handles, a flat bottom, and a very wide opening. It looked like a very practical piece of pottery. I am sure it was useful in distributing water or other substances. Another vessel in this section was a very small vase with a wide base and a single handle. It looked like it would have been used to pour water. Another piece was a very large bulb shaped piece of pottery. I believe it was also used to carry water. The lid displayed in the Israel’s Second Iron Age section was slightly different from most of the other pieces. It had small holes drilled in the top. This decoration made it stand out more than the other ones. One other piece of pottery in the area had decoration. One of the medium sized pots had lines etched around the top close to the handles. All of the other pieces were void of decorations. There were nine different vessels in this area of the museum. None were fully complete, but it was easy…

    • 1329 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Abstract: Egyptian canopic jars function as funerary pottery and a symbol of the protection offered by the four Sons of Horus. Although Egypt gets the most recognition, several other ancient cultures have similar pottery used for the dead’s benefit. Greek kraters functioned both as wine mixing pots and pots for liquid offerings for the dead. Both of these ceramics allow the viewer to observe key pieces of their respective cultures’ values, religion, and technology.…

    • 1098 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Sabazius Essay

    • 1202 Words
    • 5 Pages

    This artifact research was basic to the object named “the hand of sabazius “and analysis this artifact from several aspects such as background, material, function, evidence of use, manufacture process.…

    • 1202 Words
    • 5 Pages
    Powerful Essays
  • Powerful Essays

    Art 203 Museum Report

    • 1766 Words
    • 8 Pages

    The reddish strokes in the space above the hat could represent anxiety or uncertainty, which is what his facially expression seems to present to the viewer as well. The grayish paint strokes represented in the negative space outside van Gogh’s image sharply contrasts with the orange, yellow and reddish colors in the facial area and hat, which adds to the overall boldness and vibrancy of the painting. In addition, the space appears to be illusionistic, as the painter depicts an illusion (van Gogh himself) of the three-dimensional spatial world on a two-dimensional…

    • 1766 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Herakles And Kykno

    • 574 Words
    • 3 Pages

    One of the first pieces we observed was the black figure, red storage jar dated 515-500 BC from Athens. The shape was an amphora with a lid, and the size was comparable to a large vase. The subject matter on the front side depicted a fight scene between Herakles and Kyknos, with Herakles bearing over Kyknos and Ares, the God of War, standing on the outside ready to defend his son. What appears to be a woman (Athena?), as she is the only white-skinned figure in the scene, stands on the other side of the battle, directly behind Herakles and looking as though she is either solemnly watching as he bears over Kyknos, or as though she could possibly be guiding him or holding him back, concerning her very close proximity to Herakles. The figures are very detailed—very defined lines for the muscular figures of Herakles, Kyknos, and Ares, and the armor (such as Herakle’s lion skin) and weaponry are precise in design. For instance, Ares is holding what looks like a hoplite shield, and it contains patterns of white perhaps made with an incision tool. The patterns surrounding the scene look almost oriental in style—flower like patterns align the neck of the amphora, and leaf-like designs wrap around the bottom.…

    • 574 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Minoan Artwork 2

    • 260 Words
    • 2 Pages

    Artwork 2 shares several stylistic features with Minoan pottery art. Specifically, it resembles the form and style of the Minoan vases made in the distinct Marine style. In regards to form, as noted in the lecture, Minoan pottery began to resemble the large, ornate jars from Akrotiri. Similar to the design of Artwork 2, the Akrotiri jars were slender and tapered toward the bottom. In terms of style, Artwork 2 has the four main characteristics of the Minoan style.…

    • 260 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    In this article, Ruth Glynn sets out to explore the mysterious and oft misunderstood iconography of a select group of images. Specifically those depicting the hero Herakles as he grapples with the sea god Nereus who was later replaced with images of Triton. Her goal, is to explain why this change took place as well as the significance. This she does though a study of the iconographical significance of the figures and their attributes. She then moves on the a detailed study of Attic era vases, marking out three different groups based on the imagery.…

    • 571 Words
    • 3 Pages
    Good Essays