As well as studying classical artist of his own day. In 1627 he painted The Death of Germanicus this painting showed a heroic deathbed scene. It was one of the first paintings of a heroic leaders death this lead to countless other artist painting similar scenes. That same year Poussin became in contact with Casino dal Pozzo who was a collector at the time. And a year later Pozzo helped him secure the commission for The Martyrdom of St. Erasmus and the altarpiece for St. Peter’s. This altarpiece didn't meet the criteria this lead to the end of his public painting career in Rome. Poussin devoted much of his art of the late 1620’s too romantic mythological stories where he took inspiration from Titian and other contemporary
As well as studying classical artist of his own day. In 1627 he painted The Death of Germanicus this painting showed a heroic deathbed scene. It was one of the first paintings of a heroic leaders death this lead to countless other artist painting similar scenes. That same year Poussin became in contact with Casino dal Pozzo who was a collector at the time. And a year later Pozzo helped him secure the commission for The Martyrdom of St. Erasmus and the altarpiece for St. Peter’s. This altarpiece didn't meet the criteria this lead to the end of his public painting career in Rome. Poussin devoted much of his art of the late 1620’s too romantic mythological stories where he took inspiration from Titian and other contemporary