Much of the hyperbole in Shepherd’s story comes from his descriptive narration of a 14 year old boy getting ready for his blind date and the date itself. Excessively wide shoulder pads in his sports coat with a length that almost reached his knees, pants pulled up high enough to chafe his armpits, and a tie with a giant red snail hand-painted on, are some of the details he sets up for us. Shepherd’s essay continues and the scene is painted like something out of a Gone with the Wind movie, as his date transcends a massive staircase making her grand entrance with her beauty to be awed by the audience. During the streetcar ride, Shepherd tries to follow in Schwartz’s steps as Schwartz and his date are locked so profusely together making out that they are nearly “indistinguishable” from one another. To his dismay, Shepherd’s date refuses his advances. Suddenly the most inanimate objects, the…
The Sarbanes-Oxley Act (SOX) was enacted in 2002 as a response to the accounting scandals in the early 2000s. Numbers of major corporate and accounting scandals, such as Enron, Tyco International, WorldCom, and others, shook public confidence and cost investors billions of dollars when companies collapsed. The Sarbanes-Oxley Act is a federal law that set new standards for the United States public company boards, management, and public accounting firms ("Sarbanes–oxley Act", 2013). The two key provisions of the Sarbanes-Oxley Act are section 302 and section 404. According to Section 302, top management within a firm must certify individually the accuracy of financial information ("Sarbanes-Oxley Act Section 302", 2003). According to the Section 404, it requires that management and auditors establish internal controls and reporting methods on the adequacy of those controls. Financial issues are required to be published in a company’s annual reports. In addition, penalties for fraudulent financial activity are much more severe. A CEO or CFO who…
In “The Bass, The River, and Sheila Mant” the main character acts on impulse, because he loves fishing, and when he caught the bass he was overwhelmed with happiness, but he knows that Sheila dislikes fishing, and doesn’t think much…
“The Bass, The River, and Sheila Mant” is about a 14 year old boy who is a victim of a girl's beauty. He tries to win that said beauty, but he fails. The boy's conflict is catch the fish or catch the girl the resolution is he cuts the line, the girl ditches him, and he leaves with regret. He changes from a cowardly lamb to a courageous lion throughout the story. The theme is love can blind you from the beauty within it can also hide the ugliness. “There would be other Sheila Mants in my life, other fish, and though I came close once or twice, it was these secret, hidden tuggings in the night that claimed me, and I never made the same mistake again”(Wetherell 298).…
Having to deal with the problems of the everyday world, “The House on Mango Street” by Sandra Cisneros and “I felt a Funeral in my Brain” by Emily Dickinson provides concepts of insanity in different perspectives. Clearly different forms of reality, the author’s irony are similar. Two distinctive settings appear as visuals of the event taken at different viewpoints.…
After an ellipsis, we find Eloise and Mary Jane deep in conversation about a man named Walt. We learn that Walt was a former love of Eloise, who tries to explain to Mary Jane just how funny he was. “Once,” she says, “I fell down. I used to wait for him at the bus stop, right outside the PX, and he showed up late once, just as the bus was pulling out. We started to run for it, and I fell and twisted my ankle. He said, ‘Poor Uncle Wiggily.’ He meant my ankle. Poor old Uncle Wiggily, he called it…”…
David Mean’s short story “The Secret Goldfish” compares the unpredictable and constantly changing nature of human life to the ups and downs of the fish’s life inside the aquarium. Mean utilizes the symbols of the aquarium and the fish to show us reality, unpredictable and transient, and the outright will to live which guides drives us onward.…
In The Catcher in the Rye, author J.D. Salinger creates a timeless antihero who embodies flawed adolescent confusion and brash teenage skepticism. Holden Caulfield’s two hundred-page testimony to the reader—littered with his colloquial prose and cynical opinion—helps the audience understand his attitudes and identify his yearnings and tendencies. One of the best ways to capture Holden’s imagination—to really understand why he does what he does—is to examine the several daydreams and fantasies that take place in his mind through the course of the book. With some psychoanalysis, it easy to see what the daydreams reveal about Holden’s personality and under what circumstances he allows his mind to daydream. First, Holden sometimes daydreams as a plea to collect sympathy from surrounding people. He fantasizes about his family to vent the regret he has for his stoic family life. Finally, he imagines scenes in desperation to avoid the coming of age he fears so much. Holden fantasizes as a means of collecting sympathy, channeling regret, and stalling adulthood; he always allows himself to do so when he feels uncomfortable or pressured.…
The setting Sammy finds himself in on this particular day contrasts the per usual normalcy at the A&P. His beginning description defines the uniqueness of the occasion “In walks these three girls in nothing but bathing suits” (187). Sammy’s intricate and itemized description of the three girls gives us the first insight into his mindset, and the irony of the artificial environment converse to the natural state of the girl’s attire. At this point, Sammy has directed much attention toward the girls. His focus on the girls sets the stage for itemizing his priorities “I stood there with my hand on a box of HiHo crackers trying to remember if I rang it up or not” (187). His ever-glazed and intricate attention toward the girls births assessments and descriptions itemizing their…
George Harvey is always depicted as the vile, relentless murderer behind the rape and death of Susie Salmon, the protagonist of the novel Lovely Bones. It is easy for the reader to show absolutely no pity for this character. However, in Chapter 15, the author Alice Sebold converts this heartless soul into an individual that urges the reader to offer him sympathy instead. Sebold begins the chapter by reflecting on the tremendous amount of hardships that George Harvey endures in his childhood. As a child, George and his mother depend on each other, as they struggle through life in poverty and dread the presence of his father. Alongside his mother as her accomplice, they turn to theft as a method to receive food and resources behind his father’s back. In success, George receives the one thing he always longs for, a mother’s love. Furthermore, Susie Salmon suggests, “he did it because she wanted him to,” (Sebold, 188) which proves George’s dependence on his mother. Soon, their theft from stores shifts to graves. As George and his mother falls into a deep slumber after a night of grave robbery, they are awakened by a noise from the exterior of the truck where they had slept for the night. As they open their eyes, they stare into the eyes of three drunkards, who are there for George’s mother. With quick reaction and precise planning, George’s mother (with George’s help) runs over a man and rears onto him again. In the end, George only learns “how life should be lived: not as a child or as a woman” (Sebold, 190).…
Playing a large symbolic role, the environments that surround the protagonists in their main struggles reveal the American fascination with physical or material goods. In “A Perfect Day for Bananafish,” Seymour and Muriel Glass return to a beachfront resort in Florida, where they spent their honeymoon several years ago. While on the beach itself, Sybil Carpenter asks her mother, “Did you see more glass?” (11). Using wordplay and symbolism, Salinger connects Seymour’s mental state to a material item that can be found on a beach. Glass is extremely fragile and easily damaged, just like Seymour’s mind. Meeting Sybil on a beach, where people sometimes go to look for sea glass, symbolizes how Seymour is like a broken piece of sea glass.…
One spends a large amount of time with friends and family and as a result their influences and own discoveries can affect an individual’s view. In ‘Away’, Coral is the wife of the local school’s principal and mother of their deceased son. Tom, a student at the school, brings her attention to the beauty of life. During a conversation between Meg and Tom, they discuss Coral’s mental issues and when asked if she’s “a real lunatic” Tom responds with the colloquial dialogue, “She might have been for a minute or two”. This is used to highlight Tom’s laid back attitude and awareness of Coral’s situation. While he is aware of her hardship he does not treat her as if she is crazy, he treats her like she is grieving. This treatment helped Coral realise there is life after the death of her son. Similarly, in ‘Dead Poets Society’ John Keating, the school’s new English teacher, played by Robin Williams, helps his class discover the true meaning of literature. The close-up, tracking shot at an eye-level angle, displays the cohort’s faces with a focus on Keating behind them, as he explains the meaning of the term ‘carpe diem’ otherwise known as ‘seize the day’. Weir has chosen this direction to reveal the student’s’ discovery while also acknowledging who is influencing it. Through his teaching he explores the meaning of life and…
“Take This Fish and Look at it*” by Samuel H. Scudder is the most compelling essay for this week’s reading assignment because the author wrote in an organized, laughable tone; therefore, allowing its audience to perceive the lesson as the professor intended it to be learned. Likewise, Scudder used three different apparent modes in his essay, these include: comparison / contrast, narrative, and description. I particularly liked this essay because it relates to the great significance that in every scenario, even writing, that things can be overlooked and need to be re-examined to find better, more sufficient details. Scudder also uses humor throughout his narrative, which compared to some essays, is quite enjoyable. Overall, every individual…
Judging from the view of his skill in employing metaphors in A&P, John Updike is certainly a professional of short sarcastic story. Throughout the story Updike maneuvers the art of metaphor pretty well, from the symbolization of characters, the period and the cultural background, to the allegorical meaning of the story as a whole. Also, he imitates many details from Hawthorne’s Young Goodman Brown, for example, the place where the story takes place, metaphors of the color of Queenie’s two-pieces, and the fruitless outcome of the labor of the protagonist, nine-teen-year-old Sammy. In addition, Updike meticulously describes the attitude of teenagers toward their contemporary society in the sixties and religious values by sculpting the characterization of the characters.…
In the short story “For Esme With Love and Squalor”, J.D. Salinger tells of an American soldier in England during 1944. He explains how this solider meets a young girl, Esme, that makes a profound effect on his life. By the end of the story, the reader can see the effects the war can have on an individual, and how important Esme really is. In this salinger story, the love of a young girl saves a man from a life of squalor.…