Thus, he became active in the New York School and Abstract Expressionism. New York’s Willard Galley represented Lewis and hosted his first solo exhibition in 1949, and in result he went on to have nine solo shows within a decade at the Galley. The works exhibited included his signature calligraphic line, suggestive of figural groups engage in frenetic move and energy. Because his art sales alone didn’t support Lewis and his family, he concurrently taught alongside friend and ally, Reinhardt. In 1950, Lewis was the sole African-American participant in the famous, closed-door symposium at Studio 35 set to defining abstract art. The following year, MoMA included Lewis's work in the influential exhibition Abstract Painting and Sculpture in America. While a member of this coveted inner circle of leading abstract artists, because of his race Lewis was paradoxically an
Thus, he became active in the New York School and Abstract Expressionism. New York’s Willard Galley represented Lewis and hosted his first solo exhibition in 1949, and in result he went on to have nine solo shows within a decade at the Galley. The works exhibited included his signature calligraphic line, suggestive of figural groups engage in frenetic move and energy. Because his art sales alone didn’t support Lewis and his family, he concurrently taught alongside friend and ally, Reinhardt. In 1950, Lewis was the sole African-American participant in the famous, closed-door symposium at Studio 35 set to defining abstract art. The following year, MoMA included Lewis's work in the influential exhibition Abstract Painting and Sculpture in America. While a member of this coveted inner circle of leading abstract artists, because of his race Lewis was paradoxically an