Objective Correlative

Understanding Objective Correlatives A theme is a vital part of any story. However, to establish a developed theme it is best to use a series of objective correlatives. Objective correlatives are objects that repeat that are connected to the story of push the plot forward. These meaningful objects give much greater depth to your story than without their presence. They allow the author to show the reader details instead of outright telling the reader the details. Additionally, these objects give organizational power such as Jon Gingerich’s farm story. Objective correlatives are used in these methods in all types of text, with T. S. Elliot being one of the best users. Therefore, objective correlatives expand the depth of unspoken communication an author can have with their readers without having to plainly say things. Objects that repeat with meaning are important in having a story that engages its readers. When I write poems or stories, I typically do not use objective correlatives on purpose. I feel like it would require too much effort to include and use them properly. However I do see how these objects would give more depth to any writing. Therefore, I agree with the author’s perspective on objective correlatives but I would not actually use them like he does. When analyzing various texts, there is a clear use of objective correlatives. One fairly recent example is the Disney movie Frozen that was released on November 27, 2013. In Frozen there were several objective correlatives. One significant example is the magic of creating snow and ice that Elsa possesses. In the beginning after learning its dangers it is something that is unknown, dangerous, and controllable. This leads to Elsa hiding away from everyone and becoming a shy person who is ashamed of herself. But as the powers grow to their strongest she becomes comfortable with both her powers and herself as a person. So Elsa’s powers would be considered an objective correlative due to how they push