A modern woman in her late 20’s named Dana time travels back in the nineteenth century when the 13th amendment did not exist, yet. Based on her knowledge, she firmly presumes the reasonings for her voyages is due to her ancestor, Rufus. It seems to be that whenever Rufus is in a troubled situation, Dana goes back in time. On one of her perilous journeys, she brings her husband, Kevin Franklin. But, Dana did not want Kevin to be apart of this horrendous trip. While, Dana was getting dizzy, Kevin held her. She tried pushing and shouting at him to get away. But, it was too late. Once, they arrived at Rufus’ time period, she stated, “ In this place, he was probably better protection for me than free papers would have been, but I didn’t want him…
This literary analysis will be of Octavia Butler’s 2005 novel, Fledgling, exploring the role of the narrator and protagonist, Shori Matthews. The question to be examined is whether or not the voice of the sympathetic character comes across as reliable, or unreliable to the reader. For Shori’s role to be properly analyzed, it is important to become acquainted with the author. Ms. Butler is a master storyteller, extraordinaire. She is also a black feminist, known for spurring conversations in book clubs and classrooms across America. In Fledgling, like many of her books, women hold an esteemed place of authority. Women rule. Women dominate. Women in Butler's stories have an audible voice,…
In Octavia Butler’s novel Parable of the Sower, Lauren, the protagonist, tells us that “God is Change”. What exactly does this mean in terms of science fiction? Perhaps religion and science fiction are not as opposing as many would traditionally believe. The traditional understanding of time, for example in terms of creation/apocalypse driven narratives, is that time moves in a forward linear motion; there is a beginning, and ultimately, an end. A linear timeline asserts the “cause and effect” concept, and gives our actions a sense of permanence and purpose. In terms of other sorts of science fiction narratives, the idea of time becomes so great that it may deviate from the traditional beliefs of always moving in one motion, and may find itself…
In Olivia Butler's novel, Kindred, an African American woman, Dana, is unexpectedly pulled back to the Slave Era where she struggles to face the inequalities that existed at that time. After moving into her new apartment with her newly wedded husband, Dana is unexpectedly pulled back in time to finds herself in 1800, Maryland where she sees Rufus drowning in a river. After rescuing the young white boy, she is then terrified by the father of the boy, threating to take her life, which literally scares her back to the future.…
As her mother waits outside the bathroom door, Ruth Anne Boatwright, nicknamed Bone, is being beaten by her step-father, Glen. She looks into his menacing features and thinks, “it was nothing I had done that made him beat me. It was just me, the fact of my life. Who I was in his eyes and mine. I was evil” (Allison 110). Bone, the main character in Dorothy Allison’s Bastard Out of Carolina, comes to this irrational, self-deprecating conclusion as she is being abused one day and blames not her abuser, but her mere existence instead. However, it is Glen’s own insecurities that makes him resort to the physical violence aimed towards his step-daughter. This violence reinforces Bone’s self-blame and thus creates a never-ending vicious cycle as Glen…
Octavia Butler’s Kindred was an astounding book written in 1979 about a character name Edana Franklin, who is simply called Dana, is pulled continuously back into the 19th century by a boy name Rufus every time his life is in danger. This book is an unconventional tail about slavery, sexism and racism. Not only is it entertaining but it stirs up deep emotions inside of you about your history. This story makes you feel love, compassion, hate, and sorrow all at once. Octavia Butler wrote this book to bring knowledge and emotion to our pass time, as well as showing the reader how the past should and does effect our present time.…
The threat of violence hinders all of the character’s decisions, as well as, shapes their personalities. The white characters in the novel, predominately the males, believe it is their born right and duty to inflict harm on the African American slaves they control, and in which they view as nothing more than a piece of property. This fear of violence provides the African American characters the knowledge that any act of rebelliousness, independence, or cleverness will result in a wide degree of…
Writers utilize their literary abilities in order to create a piece of work that transmits a meaningful message to their audience and create an impact on them. This is the case of Octavia Butler’s Kindred, a historical science-fiction novel evolving around a twenty six year old woman named Dana living in 1976. What makes the story unique is the fact that the plot alternates between the past and the present as Dana travels through time from the commodity of her house in 1976 Los Angeles to Maryland during the antebellum period. The catalysts for these trips to the past are the near death experiences of the son of rich southern planter, a boy named Rufus, who is one of Dana’s ancestors. Every single time Rufus is put in a situation where he…
Saidiya’s journey starts in the Yale library, where, as a graduate student, she encountered a reference to her great-great-grandmother in a slave testimony from Alabama. She was filled with excitement at finding this, for it was a sign of her family’s past. It was then shortly interrupted by her great-great grandmother’s response when Saidiya asked her what she remembers about being once being a slave. She replied with, “Not a thing.” Hartman, while saddened to hear this, turns this negation into a possibility. Years later, Hartman began to work on this book. While doing research, she returned to interviews and could find no sign of the reference she remembered seeing years before.…
In "Two Kinds," Amy Tan writes a coming of age story about a young girl in…
In modern society, violence is unquestionably looked down upon. With any type of inhumane abuse, there is a strict set of laws in place to protect victims. However, this was not always the case. In Octavia Butler’s book Kindred, she does not hesitate in intensely describing the unjust and violent exploitation of power by white people against blacks within the 1800’s. Even more so, she uses violence as a dominant theme throughout the entire novel. As always, a sensitive topic like full out physical abuse is hard to handle for some readers, and that makes people question whether the prevalent violent theme in Kindred was truly necessary. Without violence, the novel would never of become such an accurate and view changing story. In fact, removing the violence in the book would of toned down reality and created a misrepresentation of historical fact. The necessity of violence in Kindred was to accurately educate the reader about the never ending abuse which blacks were forced to submit themselves too during the early 1800’s, and without it the novel would of been nothing more than pure fiction.…
The novel Fledgling by Octavia Butler analyses race relations and eugenics in society. Through the use of another intelligent species Butler lets the reader experience what happens when humans are not at the top of the food chain. While making the reader question the controversy over the use of eugenics and genetic engineering, Butler uses the story as a parallel of race relations in America.…
The narrative voice in these three works cannot or will not delineate the boundaries between "mad" and "sane." As a consequence, the question of fact -- of what really happened -- remains vague and contradictory. Because the facts are indiscernible, it is impossible to make an informed judgment about whether or not the consciousness that provides these facts is, indeed, "mad." As I will show, the disjuncture of facts, coupled with a convoluted, sometimes unchartable cause-and-effect sequence and with often ambiguous characterizations, is not so much a function of the madness within the text as it is of the slave narrative as an informing…
‘Beloved’ is definitely ‘a saga of black bodies in pain’, but then again it is not ‘just a saga of black bodies in pain.’ Beloved is not just a novel, but a prayer, a healing ritual for a country's holocaust of slavery. There is so much more to ‘Beloved’ than just the pain & agony of the black bodies. The horrors of slavery are unmasked, the aftermath of slavery on African Americans the endless suffering & anguish which spills over to the leftover lives of the slaves, the identity crisis the slaves go through, the denial of community life, in fact the very denial of being humans is depicted in ‘Beloved’, a novel that relentlessly draws one in. The story is perfect for all who did not experience nor could imagine how it was to be an African American or a ‘Black/Nigger’ as they were called, in America circa the 1860's. The novel is set in post Civil War Ohio, when the war has been won and slavery has been abolished, but not the memories of…
The details, as gruesome as it is ever possible for us to imagine, were not particularly troubling to the people of the age in which it occurred; for this was the age of fear, the age of oracles, of ancestor worship, of 'protection magic', and of dark revenge. It was the age that had not known the existence of other races, especially, the white races; the age that recently had suffered from, and grappled with, the menace of the white Slave raider and Slave dealer.…