C.S. Lewis, besides being the author of many popular children’s stories, was a professor of medieval literature at both Cambridge and Oxford. Contrary to what might be supposed, he was not an author by career, and much of what he wrote was in the same vein of his area of expertise, literary analysis. “An Experiment in Criticism” is his longest and most complete work, and also the most layman friendly. While the outlook and perspective he takes in his book conforms roughly to the definition of reader-response criticism, it is also very much his own work, and a great number of things he says, and the narrative approach he takes, would not be included in a textbook entry. Nevertheless, C.S. Lewis was, in the words of Rowan Williams, Archbishop of Canterbury, "an exceptionally good literary critic”.…
In Mark Twain 's Huckleberry Finn, the concepts of prayer, religion, and spirituality are introduced early on in the novel, and their influence on Huck 's character and their role in the overall story is evident regardless of the theory of criticism that is employed for interpretation. A New Critic scours the text for conflicts, symbols, and resolutions while examining word choice in an effort to determine the literal meaning (Bressler 45-48). A Reader-Response Critic, particularly a subjective critic who advocates the reader 's worldview over the text, reads the text and then relies on her own past experiences to give it meaning (Bressler 67). When these practices are employed, the Reader-Response Critic and the New Critic find that prayer and religion are essential components in the development of Huck 's character as well as the perception of it.…
Cited: Abrams, M.H. Definition of “criticism” from A Glossary of Literary Terms. 6th ed. Harcourt…
Tucker,N. (1995). ‘Arthur Ransome and Problems of Literary Assessment’ in Montgomery,H and Watson,N.J.(eds) Classic Texts and Contemporary Trends, Milton Keynes, Palgrave Macmillan…
Feminism and liberty is relatively new to history. Fuller was brave and confident enough to step up for the first time in America’s history, to write a full text on feminist movement. She explains in her text that men and women are not different, deep inside our souls. No one is a full-masculine man nor a full-feminine woman. We actually inherit both sides. In her text, she uses variety of ethos and logos to explain her reasons and evidence. Fuller claims that we can win against the social labels, if each of us could choose to become who we want to be. Fuller’s text states that in order to achieve freedom in America, we must overcome the barriers of race, religion, and gender.…
Robert Frost grew up in a state of turmoil. From his tumultuous childhood right up until his death, Frost was a character who could speak at Harvard and live on a farm in New Hampshire. He could dazzle the brightest students with poetic ingenious, but boil life down to, “It’s hard to get into this world and hard to get out of it. And what’s in between doesn’t make much sense. If that sounds pessimistic, let it stand” (Updike 535). Robert Frost’s poems “Mending Wall” and “The Road Not Taken” both exemplify the struggle between individual autonomy and the confines that society puts on it through deceivingly simple speech. Frost specifically deals with the idea that life is no more than a series of relationships and choices, which are never simple to discern.…
References: Guerin, Wilfred L. et. al., 1999. A Handbook of Critical Approaches to Literature. Oxford: Oxford University Press, Inc.…
In the poem To Autumn, it celebrates the rebounding nature. The symbolic aspects of life, in preparation for death; Keats was devoted to poetry due to personal problems. In contrast of the extract, it’s about celebrating and sharing with people about the markets in Italy about the exotic vegetables; he’s excited and wants to communicate with the reader. Both texts are describing what they see like e.g. plumps, hazel shells, vegetables, and a sense of bountifulness – Very enthusiastic about their vegetables.…
Cited: Butcher, S. H., Aristotle, and John Gassner. Aristotle 's Theory of Poetry and Fine Art, with a Critical Text and Translation of the Poetics. With a Prefatory Essay, Aristotelian Literary Criticism,. New York: Dover Publications, 1951. Print.…
"I am bound by my own definition of criticism: a disinterested endeavor to learn and propagate the best that is known and thought in the world;" (Leitch 824) said the Victorian poet and critic Matthew Arnold. Matthew Arnold, an English poet and critic whose work was both a representative of the Romantic ideas and of the Victorian intellectual concerns later on was the primary literary critic of his age. Arnold's critical theories is highlighted mainly through his most important critical prose "The Function of Criticism at the Present Time" in which he examines the role of the critic in society and presents his critical concept. Arnold's contribution to literary theory is his theories on epochs of expansion and epochs of concentration, which throughout the course of this essay will be thoroughly explained. Matthew Arnold, a Romantic poet transformed into a critic of the Romantic Age, contributes to the English critical theories, the concept of epochs of expansion and epochs of concentration.…
John Dryden was born on 9 August in 1631 in a small town in Northamptonshire, England, the eldest of 14 children, was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Walter Scott called him "Glorious John."[1] He was made Poet Laureate in 1668.…
DRYDEN was the first to apply the term to 17th-century poetry when, in 1693, he criticized Donne: 'He affects the Metaphysics... in his amorous verses, where nature only should reign; and perplexes the minds of the fair sex with nice speculations of philosophy, when he should engage their hearts.' He disapproved of Donne's stylistic excesses, particularly his extravagant conceits (or witty comparisons) and his tendency towards hyperbolic abstractions. SAMUEL JOHNSON (the critic) often referred to as Dr Johnson consolidated the argument in THE LIVES OF…
THE FUNCTION OF CRITICISM AT THE PRESENT TIME. MANY objections have been made to a proposition which, in some remarks of mine on translating Homer, I ventured to put forth; a proposition about criticism, and its importance at the present day. I said: "Of the literature of France and Germany, as of the intellect of Europe in general, the main effort, for now many years, has been a critical effort; the endeavour, in all branches of knowledge, theology, philosophy, history, art, science, to see the object as in itself it really is." I added, that owing to the operation in English litera− ture of certain causes, "almost the last thing for which one would come to English literature is just that very thing which now Europe most desires−−criticism;" and that the power and value of English literature was thereby impaired. More than one rejoinder declared that the importance I here assigned to criticism was excessive, and asserted the inherent superiority of the creative effort of the human spirit over its critical effort. And the other day, having been led by an excellent notice of Wordsworth published in the North British Review, to turn again to his biography, I found, in the words of this great man, whom I, for…
John Dryden :his born in 1631- 1700 is an influential English poet , literary critic , and play write who dominated the literary life of the Restoration England to such a point that the period came to be known in literary circle as the Age of Dryden . when the great play of London close the theater in 1665 , Dryden retreated to Wilt Shire where he wrote ' Of Dramatic Poetry ' that in was 1668 , it is the best of his unsystematic prophesies and essays . Of dramatic poetry takes the form of dialogue in which four character , each based on prominent contemporary , with Dryden himself as Neander debate the merits of classical French and English drama . And he is the one who establish the heroic couplet in poetry .…
Dryden as a satirist does not fall in with native English tradition of Langland. Gascoigne, Donne, Lodge, Hall, Marston, Cleveland, etc. which was carried on by his contemporaries like Oldham and Samuel Butler. Just as in his non-satiric poetry he reacted against the "romanticism" of the Elizabethans and the confusion, grotesqueness, and formlessness of the imitators of Donne, similarly in his satire he broke away from the harshness, disrespect of form, and denunciatory tone of the English satirists before him. He seems to have looked for inspiration not towards them but-a neo-classicist as he was-towards the Roman…