of another king named Odysseus, who after a major war, sets out to return home. While on his journey he encounters situations which prolong his effort to get home. He and his shipmen must face encounters from Cyclops to Siren to even Poseidon the sea god himself! When he finally reaches home he now must face suitors who have been trying to claim Odysseus’ kingdom by marrying his wife. Although Gilgamesh and Odysseus are both heroes in ancient literature, they use different methods to overcome their problems. The differences are only to the extent of their problem solving but extend to their character traits, their reasoning, special abilities, and even character development. In the tale of Gilgamesh, Gilgamesh is an overly confident character. Because he is two-thirds god and one-third human he feels as though he is superior to others. As a result Gilgamesh treats his people in a very cruel manner. (quote here) Even though Gilgamesh starts off treating his people badly, his character begins to change through the presence of Enkidu. Much more than a sidekick or a servant, he is Gilgamesh’s soul mate, brother, and equal, even his conscience. Gilgamesh becomes more supportive of Enkidu and encourages him in various circumstances. Gilgamesh also exhibits his sensitivity when Enkidu dies. He says, “For Enkidu, for my friend, I weep like a wailing woman, howling bitterly... an evil has risen up and robbed me” (pg?). As a result of Enkidu’s death, Gilgamesh also shows that he is afraid of death. At the end of the story Gilgamesh becomes wise and instills harmony in his kingdom.
Odysseus
Both The Odyssey and the Epic of Gilgamesh are two incredible stories written long ago.
Everyone knows this but what a lot of people don’t is that these two epics share many of the same concepts. Such as the nostro (the Greek term for homecoming), xenis (guest/host relationship), oikos (household), and aganoriss (recognition). In both epics these themes are illustrated.
In The Odyssey the theme of nostro is very prevalent in this epic. Basically the whole story is based around this concept. The main character, Odysseus’ whole goal in the book is his homecoming. Along his journey he faces many challenges separating him from his home (Ithaca) and his family. The main thing that keeps Odysseus going is the thought of one day being home with his family, no matter how many setbacks he faces.
In The Epic of Gilgamesh the theme of nostro is more or less established - the only difference between the two epics is nostro is not the main focus in this one. The main character in this epic is the great and powerful King Gilgamesh. Gilgamesh is not affected by the theme of homecoming until the end of the book, after his best friend Enkidu is killed by the Bull of Heaven and he goes looking for eternal life. Unfortunately he is not successful in his quest and realizes he is mortal and how important his family is and returns to Uruk to be with
them.
The next theme that is incorporated into the Odyssey is the theme of xenis. This theme is also well incorporated into this epic. It seems wherever Odysseus goes he is welcomed with open arms. For example when he arrives in Scheria the home of the Phaeacians the princess Nausicaa and her handmaidens bath him and take him to the palace of king Alcinous where he is invited to a banquet. This is very important in his successes after all without the help from all these people he would not be able to make it home. The relationship between guest and host is something missing from this epic.
Xenis is represented in the Epic of Gilgamesh after Enkidu battles with Gilgamesh and they become friends and he accepts him. He then stays with him and is treated like a guest. It seems in this epic xenis does not play as an important role as it does in The Odyssey. Therefore, this is where these two would differ. Much of the Odyssey is based upon this theme.
Another theme, oikos, is integrated into the Odyssey. The household in this epic seems to be an important structure in the relationship between Odysseus, Penelope, and their son Telemachus. After all it is their household that is threatened by the suitors and leads Telemachus to search for the truth about the whereabouts of his father. Also, the peril of the suitors exhausting Odysseus’ resources and household drive him to kill the suitor, which also plays into the story well. To me it seems as though these themes play more of a role in this epic.
Okios is represented differently in the epic. It is apparent that in this epic the household is held as less important due to the fact that Gilgamesh corrupts other households by sleeping with the virgins before they are married an abuse of power. It is not held to as high a standard as it is in the Odyssey. Not say Odysseus does stray from his wife but Gilgamesh makes a point of it. It is not until the end when he realizes the importance of family and the household.
The last of the themes that appear in the Odyssey is the theme of recognition, or aganoriss. Recognition is essential to Odysseus when he appears before kings, gods, and goddess. Why? When people or gods recognize who he is they treat him differently, all except Poseidon (where recognition is Odysseus’ downfall). Also, had it not been for aganoriss King Nestor would not have supplied Telemachus with a chariot for his travel to Sparta where he could learn more of his father location and welfare. And finally Odysseus needs to be recognized as the ruler of Ithaca to gain back control of his kingdom from the suitors. Again without aganoriss this story would not be complete.
In the Epic of Gilgamesh aganoriss is basically Gilgamesh’s life. The arrogant king needs recognition to exist it seems. He wants everyone to recognize that he is very strong, very courageous, and very good looking (almost godlike). The recognition contributes to his narcissism, which is his whole character. Without it he is not Gilgamesh - he is more like his counterpart Enkidu who does not need recognition.
In Conclusion,