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Oedipus the King and Dead Again

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Oedipus the King and Dead Again
Oedipus the King and Dead Again The play Oedipus the King and the movie Dead Again share almost no similarities at first glance. One is an ancient Greek play, while the other a murder horror movie made in the 1990s. However, taking a closer look reveals that some main themes exist that both works share throughout their storylines. One key similarity found throughout the play as well as the movie is the concept of fate and the terrible consequences of believing that one is powerful enough to cheat or escape one’s fate.
In Oedipus the King, the main character Oedipus as well as his parents Jocasta and Laius were fated by the gods. It was prophesied that the child of Laius and Jocasta, Oedipus, would kill his father and marry his mother. Afraid of this prophecy coming true, Jocasta and Laius sought to avoid their fate by piercing a spike through baby Oedipus’ ankles and leaving him on a mountaintop to die and therefore preventing the events the prophecy predicted from occurring. However, because of the actions they took to avoid their fate, they actually caused the prophecy to come true. Oedipus is rescued and put in the care of an adoptive family who he believes are his real parents. Because of this, Oedipus runs away from home after hearing the prophecy several years later because he does not want to kill his father or marry his mother. However, his action actually causes the prophecy to come true as he kills his real birth father, Laius, and marries his birth mother, Jocasta, unaware that he was adopted after being found abandoned on the mountainside. In this way, by trying to avoid their fate, Oedipus, Jocasta, and Laius actually cause it to happen.
In the movie Dead Again, the characters are also fated. Grace and Mike are the present-day reincarnations of Margaret and Roman Strauss. In the 1940s, Margaret was stabbed to death by someone with a pair of old antique scissors and her husband Roman was convicted of the murder and sentenced to death. In the

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