Camera And Computer Arts:Some key topics for this chapter would inculde: the Phtography,Film,Video,The Internet,Camera Obscura,Camera,Pictorialism.Photography: involves light passing through an opening into a darkened chamber. The image that is formed inside is an upside down replica of the outside world. which is a Camera Obscura{Latin Word Fpr}(Dark Room) The still Camera And Its Beginnings: A Camera is a light box and one end admits light and a lens captures gocuses and refracts the lights to the image on a light sensitive surface.Heliograph: which is "sun-writing"; the first permanent photograph Daguerreotype: whcitch was a light sensitive copper plate coated with silver lodilde that captures a photographic images it processes positive images. Negative Image: its a light and dark values appear in reverse and can be used to create repeated copies and images. Photograph and Art: The western artist began to explore the artistc potential for photography to create both formal and abstract images rather than simply documentry. Pictorialism: which are tequniques who used and were used by photographers to create images and more patientry. Pure/Straigh Photography:which was a practice of photography in which the artist dows not cut (crop) or minipulate theire photographs to form any way. Photography And Art: which are consisted by found images and rayographs. the Found images are images and letters in which are clipped from the other priunted sources onto the other sources.The Rayograph on the other hand are images created by placing the objects on top of th elighti sensitive paper and making shadows on those papers.This form of art was inspired by artist (DADA)Film: its being dependend on a phenomemon called persistence of visions . In 1878 the photographer Eadweard Muybridge was to use a series of cameras set off by the triggers to create the first forerunner modern film making camera Film and art was intended to create cinematic movies that do…
Thomas Cole was born on February 1, 1801 at Bolton, Lancashire in Northwestern England and immigrated with his family to the United States in 1818. Throughout the early years, Cole lived in Philadelphia, Ohio, and Pittsburgh where he worked as a traveling portrait artist. Thomas Cole was primarily self-taught, however, he stilled worked with members of the Philadelphia Academy, and his canvases appeared in the Academy's exhibitions. In 1825, Cole’s exhibition of small paintings of landscapes in Catskill came to the attention of important figures on the New York City art scene. While still in his twenties, Cole was made a member of the National Academy. Looking to expand his education, Cole returned to Britain in 1829-1831 to study, attend to family business, and travel to France and Italy.…
I think that the point of the reading, “In Our Glory: Photography and Black Life” is seeing the struggle the black people had to go through involving the image people thought they represented, and also how photography has become an important aspect in their life. A long time ago black people had to deal with the fact that white people thought they weren’t equal. The whites were perceived to be better than the blacks. Images can be looked at in the same way. Once photography came out, black people were able to capture themselves for who they were and not for an image of them that everyone thought were unequal. These days though, things are becoming more and more equal.…
Gregory Smith in his essay, “Shaking up Japan: Edo Society and the 1855 Catfish Picture Prints”, focuses on the state of political consciousness among the Edo commoners in 1855, which is when the Ansei Earthquake struck Japan. The author explains the social and political devastation the Japanese society experiences. The traumatic event led to a Japanese Urban Society politically and socially weakening. Subsequently, within the following twelve years, caused a social awakening and proto-nationalism: the Meiji Restoration. Under the Tokugawa Shogun and Bakufu, social class with principles indistinguishable…
In this reading, Shawn Michelle Smith writes about W.E.B. Du Bois’ The Souls of Black Folk and Du Bois’ photographs. Smith argues that “Du Bois’ photographs challenge a physical, and biological, paradigm of white supremacists racial differentiation.” Throughout the reading Smith compares and contrasts how whites and blacks look at photos, mainly of lynching, and can see two separate things in the same photographs.…
In the novel Invisible Man, Ralph Ellison uses the contrasting yet connected settings of Liberty Paints plant, the Brotherhood, and the underground sewer to communicate that becoming a self-actualizing human being, or the Emersonian “Man Thinking,” involves being proactive and contributing to society in order to break free of the stereotypes that society confines one to. However, how successful a person is in doing this is dependent upon whether he or she is part of the dominant culture (white) or subordinate (non-white) culture. Although this task may be painstaking, one must not let racism and society’s prescribed roles limit his or her individual complexity.…
The article then goes on to talk about actual photography. Photography was relatively new at the time but still detailed an image much more effectively than would a painting or drawing. Photographs at the time were very bland. They only recorded what was there. The camera was given the nickname, “the mirror with a memory.” People who viewed a photograph were occasionally not able to see any aesthetically pleasing images. Later on, developments were made and cameras that were previously large became smaller and more portable. An example is the Kodak camera that shot higher quality shots.…
Throughout the world literacy and photography have inspired individuals by how they point their message across to the viewers. They have the power to attract and inspire others in how skillfully they write or in how they draw and take photos. In the article “Picture Imperfect” by Jed Perl, he explains photography is not one hundred percent accurate evidence for their spectators. Due to this, both literacy and photography connect to each other by depending on their audience for judgment. But in the other hand, the role of literacy exceeds the role of photography because it helps the audience target the final analysis in ways that pictures cannot as noted in the article “The New Literacy” by Clive Thompson. Before…
This investigation will contain an examination of The Book of Photography,…
Robert Gray is a weaver of images, at the loom of the mind. He creates sensual images that elicit and evoke responses from the responder. His poems 'Meatworks' and 'Flames and Dangling Wire', both social commentaries, exemplify techniques he calls upon in order to reproduce the personas feelings, emotions and thoughts through powerful images.…
Sobieszek, Robert A. Photography and The Human Soul 1850-2000. Los Angles: MIT Press and Los Angles County Museum of Art, 1999…
The impact of the camera, invented shortly before the mid-19th century, was revolutionary. The camera was a revolution of visible objects and, among other uses, became a very useful tool for recording. People became intrigued with the ease of capturing the moment and the accuracy these images could provide. The middle class especially welcomed the modern form of art because it cost less. Photography was a significant accomplishment that changed the public’s perceptions of ‘reality’.…
During the nineteenth century photography was a very popular pursuit. Social and cultural circumstances as well as scientific interests spread the invention and use of photography. Not all people embraced photography, especially some artists who did not consider photographs to be a form of art, but many found it to be a very useful tool. Photographs served as documentation for wars and furthered scientific research, creating new technologies that we take for granted today, making it a useful tool for people of all occupations, quickly spreading all around the world.…
world press photo Report The Integrity of the Image Current practices and accepted standards relating to the manipulation of still images in photojournalism and documentary photography A World Press Photo Research Project By Dr David Campbell November 2014 Published by the World Press Photo Academy Contents Executive Summary 2 8 Detecting Manipulation 14 1 Introduction 3 9 Verification 16 2 Methodology 4 10 Conclusion 18 3 Meaning of Manipulation 5 Appendix I: Research Questions 19 4 History of Manipulation 6 Appendix II: Resources: Formal Statements on Photographic Manipulation 19 5 Impact of Digital Revolution 7 About the Author 20 About World Press Photo 20 6 Accepted Standards and Current Practices 10 7 Grey Area of Processing 12 world press photo 1 | The Integrity of the Image – David Campbell/World Press Photo Executive Summary 1 The World Press Photo research project on “The Integrity of the Image” was commissioned in June 2014 in order to assess what current practice and accepted standards relating to the manipulation of still images in photojournalism and documentary photography are worldwide.…
In the book “Practices of Looking: An Introduction to Visual Culture” written by Marita Sturken and Lisa Cartwright, the myth of photographic truth is addressed. Sturken and Cartwright stated that “photography[…] was developed in Europe during the mid-nineteenth century, when concepts of positivist science held sway” (Sturken and Cartwright 17). Positivism is a philosophy deems that “scientific knowledge is the only authentic knowledge and concerns itself with truth about the world” (Sturken and Cartwright 17). This philosophy suggests that machines are more dependable than humans that they can record reality more precisely. “There have been many arguments for and against the idea that photographs are objective renderings of the real world” (Sturken and Cartwright 17). Some argue that cameras present the world in a subjective human point of view; some argue that photographs reflect the the real word directly. The French theorist Roland Barthes says “[a] photograph, unlike a drawing, offers an unprecedented conjunction between what is here now (the image) and what was there then (the referent, or object, thing, or place)” (Sturken and Cartwright 17). He thinks photograph has the role of studium and he also thinks the truth of photographic is a myth. To him, truth is “always culturally inflected, never pure and uninfluenced by contextual factors” (Sturken and Cartwright 18). Photographs have deep emotional connection to the objects around us which can be ones we like or dislike. Although we know that images can be modified easily, they still lie in the belief of objectivity. “Trolley-New Orleans (1995)”, is a black and white photograph taken by Robert Frank, portraits a group of people on a trolley in New Orleans. Sturken and Cartwright suggest that “a white matron [looks] suspicious, a white boy in his Sunday best, a black man looking mournful” (Sturken and Cartwright 19) in the photograph. Some suggest that this photograph has a connotation of segregation in…