Jonathan Swift establishes credibility through rewording few of his acquaintances: “…a very knowing American of my acquaintance in London… a grave author, an eminent French physician… a very worthy person, a true lover of his country, and whose virtues I highly esteem… the famous Psalmanazar, a native of the island Formosa.” However, because the information he gathers are from people that others would not know of, his credibility is questionable. Nevertheless, he also gives very detailed and specific facts that help support his argument. Basically, Swift appeals to his audience through rhetorical literary techniques—logos, ethos, and pathos. The entire proposal is a measurement of Swift’s ethos and logos. The way he presents…
To begin with, I personally found both Swift and Ellison’s stories to be revolting, whether it be for the literal or figurative ideals they were trying to betray. I’ll start with Swift and when he spoke of the different ways a child’s flesh could be cooked (Swift 502). As a vegetarian and decent human, I was appalled. He also discussed with strategic flippancy of how he did not care to give thought to the old because they dying off quickly due to starvation and disease (Swift 503). Other examples of ghastly topics he wrote about include: voluntary abortions of frightened, poor mothers, using the skin as boots and gloves, and how husbands would beat his wife to induce a miscarriage (Swift 501-505). The issues Swift was alluding…
Thesis: Swift uses rhetorical devices to convey a message to the government and citizens to change the law and help Ireland’s economy. Swift uses exaggeration to make his real plan sound like common sense compared to his fake plan and also to show how ridiculous other plans are. Throughout the passage swift explains that many people in Ireland have pamphlets containing plans that are absurd. He mimics ridiculous ideas of other people by using fake, exaggerating and dumb ideas and using it on the passage to show how bad it sounds. An example is “The skin of which artificially dressed will make admirable gloves for ladies and summer boots.”…
A major theme for both of Orwell’s works is the idea that people, ignorantly, don’t care about what they say or think, and then because they don’t have minds of their own they are easier to manipulate. In his Politics and the English Language, Orwell says how people don’t think about what they are writing and how they have no control over their own mind as ready-made phrases fill their paper and their mind. Then in 1984, Orwell takes this idea a step further showing how easy a civilization of thoughtless ignorance can become one of mindless devotion towards the government. In the book the characters lose their sense family ties, lose sense of time, they lose emotions, they lose their individuality, they lose their ability to remember the past,…
Swift effectively satirizes the political situation in which he shines light on England’s unconcerned attitude towards the poor Irish natives. His work contains depth as it depicts Ireland’s submissive condition in the 18th century. Although Swift’s proposals presented to, alleviate Ireland’s poverty, are highly unsettling, a deeper analysis of the effectively expounded satire helps understand both the dwindling political climate of the time and the aim to improve, overcome, and…
The aim of this essay is to demonstrate how eighteenth-century texts are engaged with political radicalism of that era. For this purpose, I will focus on two writers who have the same background but different styles: Swift (political pamphleteer, poet and novelist) and John Gay (English poet and dramatist). First, I would like to introduce Gulliver’s Travels written by Jonathan Swift. Moreover, I would like to provide and analyse some passages from the first part of Gulliver’s Travel: ‘A Voyage to Lilliput’ in order to reflect political radicalism through satire, descriptions of characters, humour and mockeries. Secondly, I would like to introduce and expose John Gay’s The Beggar’s Opera on the whole in order to demonstrate that political radicalism differs from Gulliver`s Travel satirizing Robert Walpole’s figure. However, before making reference to the previous two points I will explain briefly the meaning of ‘political radicalism’ and comment on the background of the eighteenth-century period in England in order to have a good understanding of the writings of these two authors.…
He felt England was raping Ireland for all it was worth. While the people of his home country begged in the streets and died of starvation in the gutters, England and her people sat idly by and grew fat on wealth garnered from Ireland (Read npg). The indignation and resentment Swift felt towards the English can be seen not only in A Modest Proposal. The Majority of Swift 's work is jeering at best, indignant and bitingly cynical at worst. In 1727 Swift made his final trip to England. What he saw on this trip was the straw that broke the figurative camel 's back. The English insensitivity to the Irish plight impelled Swift to embark on his most mocking and derisive works (Norfolk…
One way Swift is able to encourage the reader that the persona he creates is a creditable source he attempts to convince the reader that his persona is a worthy person of his country. He appeals to…
As it is mentioned in the beginning of "Politics and the English language " that "George Orwell (1903-1950), one of the most brilliant social critics of the twentieth century...", Orwell states that English Language is losing its identity. He illustrates six solutions to improve language and the language usage for explanation is manipulative. In "Politics and The English Language", George Orwell is trying to tackle the issue of English Language decline due to bad language usage, but the six solution that Orwell stated are being broken by him that weakens his argument on English Language destruction that leads an individual to have sense of manipulation.…
1. The persona in which Swift adopts for the modest proposal is that of someone concerned for the greater good of the land, Ireland, on the very outskirt of reading. Although as one dives into this proposal, they become bombarded with irrational means of dealing with this assumed problem; the plentiful source of beggars in Ireland. One becomes consumed with disgust yet intrigued by its soundness in reasoning. Swift creates a tone that juxtaposes its message, which further confuses the reader in his irrational yet balanced argument. On one hand he seems psychotic, on the other he appears to be a profound visionary.…
Jonathan Swift, a celebrated name during the eighteenth century, was an economist, a writer, and a cleric who was later named Dean of St. Patrick’s Cathedral in Dublin. Although Swift took on many different roles throughout his career, the literary form of satire seemed to be his realm of expertise. Because satire flourished during the eighteenth century, Jonathan Swift is arguably one of the most influential political satirists of his time. In one of his famous essays, A Modest Proposal, Swift expresses his anger and frustration towards the oppression of the Irish by the English government. In order to gain attention from his audience, Swift proposes the outrageous thesis that the solution to Ireland’s problem of poverty is to feed children of the poor to the wealthy, aristocratic families. To whom Swift is directing his satire…
George Orwell wrote “Politics and the English language”, in his essay he talks a lot about how nowadays in his time the writers and politicians use really long and complicated ways and words of saying things he even called the language of his time “ ugly and inaccurate”, when really they should just be short and straight to the point. His argument made so much sense that’s just so understandable.…
Although, Swift presents his arguments in this essay his overall purpose is to not persuade the reader into agreeing with him, instead his purpose is to entertain his audience through the use of satire. His proposal to kill and eat newborn children sounds so incredibly morbid and wrong that the reader will not be able to take Swift’s arguments seriously. For example, at the beginning of this essay he talks about a beggar’s lifestyle…
Beadle, Gordon B., “George Orwell and the Victorian Radical Tradition.” Albion: A Quarterly Journal Concerned with British Studies, Vol. 7, No. 4 (Winter, 1975), pp. 287-299, The North American Conference on British Studies…
No book is genuinely free from political bias," Orwell wrote. The idea that "art should have nothing to do with politics is itself a political attitude." Political purpose, George Orwell claims, is inherently present in all works of literature. Orwell states this as one of the four great motivations for all writers to have, and even his own pieces explicitly contain his own political opinions. Within "Why I Write", George Orwell inputs his own beliefs and tries to sway the audience over to his side with his past experiences.…