· Page 40: "I can see. And you're frightened. I'm on my own also. In my own way." - aware of how he is feeling and relates her own experience with his,…
“The overseers wore dazzling white shirts and broad shadowy hats. The oiled barrels of their shotguns flashed in the sunlight. Their faces in memory are utterly blank.” Black and White men are the symbol of ethnic abhorrence. “The prisoners wore dingy gray-and-black zebra suits, heavy as canvas, sodden with sweat. Hatless, stooped, they chopped weeds in the fierce heat, row after row, breathing the acrid dust of boll-weevil poison.” The narrator expresses the unforgiving situations the slaves worked in; they didn’t even have a choice which is the saddest part. Yet the slave masters lived a different elegant life.…
The text elucidates the boy’s conformity to the wishes of white man. His acceptance of the scholarship symbolizes his acceptance of separation between the two societies as “it was a scholarship to the state college for Negroes.” Although the boy realizes that whites and blacks are restricted to societal confines that can never merge and never become equal, the boy fails to see the force exercised by the whites that lock him into this box. When he prioritizes materialistic wealth, “smelling the fresh leather” of the brief case over his own dignity, he resigns himself to the desires of society in that he blinds himself with affluence and thus becomes incapable of realizing his own visions. This is further strengthened by the boy’s quote “I felt an importance that I had never dreamed” because it implies that he no longer needs his dignity in order to achieve a feeling of success. It provides him with self-respect and happiness that prevent him from questioning the advantages of conformity. Stripped from his pride and naively reaching for wealth he contributes to his own confinement as he goes to “attend college” in order to “shape the destiny of [his] people” and thus fulfills the plans of whites. While the boy puts his destiny in the hands of white society, he conforms to the rules of white control.…
D’Aguiar’s central purpose is to make us reflect upon American society during the slavery era and to acknowledge its realities so that we understand the capability for evil that exists in society. D’Aguair has used Whitechapel and his memories to encapsulate the brutality and inhumanity of slavery. The succeeding narratives further our understanding of the society and these are presented in a manner that forces the reader to accept D’Aguiar’s judgements. The characters represent all of the voices of the society including people from different races, social status’s and both genders so that the reader can see the position society imposed upon all citizens. The forms of the individual narratives help us to understand the reality of society because they allow the characters to emerge as individuals, telling their own stories with undisguised honesty. The Longest Memory is told from the oldest to the youngest character showing how society instilled its ideals on each generation in an uncompromising manner and so the stories overlap and intertwine, to illustrate this D’Aguiar has used an overwhelming tone of sadness and despair to emphasise the negative feelings that society created.…
The threat of violence hinders all of the character’s decisions, as well as, shapes their personalities. The white characters in the novel, predominately the males, believe it is their born right and duty to inflict harm on the African American slaves they control, and in which they view as nothing more than a piece of property. This fear of violence provides the African American characters the knowledge that any act of rebelliousness, independence, or cleverness will result in a wide degree of…
The diction in this poems fits in with the identity of the persona. The poet uses “cool” (1.6) and “gangsters” (1.10) to fit in with the language used by teenagers and to create the persona the speaker wishes to show.. She also mimics their speech pattern, like “Syn/co/pa/ted” (1.4) which shows the beat teenagers talk in. “Strut and slide” impersonates how they walk, showing how arrogant these teenagers are. The appearance of the sixteen-year-old girls is reveal by the vivid description of the “nylons sassy black heels” (1.12) and “two inch zippered boots” (1.13). The poet uses the simile “paint our eyes like gangsters” to express how adolescent girls put on heavy make up so that they would be unidentifiable. “Never to be mistaken for white” conveys the idea how the wish to be seen as something they are not, something they…
At the start of the book a naïve, young and innocent African American girl lived life almost oblivious to the socially constructed issue of race. She did not see the difference of skin color and believed it was perfectly normal to socialize with whites. As far as she was concerned raced did not exist. This view was quickly altered and changed as the little girl named Essie-Mae Moody grew up fast in a society dominated by racial boundaries involving whites, blacks and a hierarchy of people who had parts of both. Essie’s first encounter with race which initiated her first change, from being oblivious to being confused, occurred early in life. When she was young, she was friends with and often played with white children. This all changed when an unknowing Essie-Mae tried to sit with her white friends in a white’s only section of a movie theatre. After being harshly corrected of her errors by her mother her eyes were opened for the first time to a world with race. “I knew that we were going to separate schools and all, but I never knew why.”1 At this point her innocence was lost and confusion took hold of her. At this point she realized the bigger picture, that she and her friends were different because of their skin color.…
The children believed that the jury would acquit Tom Robinson. There was exculpatory evidence but that was not enough to prove his innocence. The jury's judgment, obscured by chauvinism, deemed Tom guilty. The children, due to their oblivion, couldn’t see that infectious racism. Their inability to see through that shows the ignorance that comes…
This passage, told from the viewpoint of a character, describes said character’s walk to a station. On the way, he encounters a group of dying black people, overworked and starved, as well as a spotless white man. The passage is mainly concerned with giving thorough descriptions of each, and thus establishing a direct contrast between the two appearances.…
On the Amtrak from Boston to New York City is an emotionally provocative poem by the Native American Indian writer, Sherman Alexie. It describes a train journey from Boston to New York City in which an elderly white woman excitedly points out historical sites to her fellow passenger, a younger Native American Indian. The poem demonstrates how narrow minded the American Indian finds the white American culture; for, it does not go beyond any history prior to their coming to America. The white woman is only able to have a limited understanding of her surroundings; however, the Indian’s perspective is far greater and is able to incorporate over 15,000 years of history into his thinking. The poem has a tone of bitterness to it, as we follow the Indian’s thoughts of what he thinks of the white woman’s site seeing antics and how clueless he finds the white American people as a whole. This bitterness lends an undercurrent of sadness to the poem; for, it also displays how the White Americans and Indians seem to live past one another. The poet invokes various forms of imagery and symbolism in order to demonstrate the stark reality of the poem to the reader.…
I believe the subterranean architecture in George Tooker’s “The Subway” (1950), creates an atmosphere of fear and depression that convey to the dominant expression of the painting. A fearful and depressed looking woman dressed in a red dress with a blue trench coat is standing in the middle of a subway. However, this endless subway looks very easy to get lost in, with concrete walls and bars like a prison. The lack of signs in the subway creates a feeling of no connection and isolation. The men in long brown and tan coats, buttoned to the throat behind the woman’s shoulders have a suspicious-look; they look very cold, anxious, and indifferent.…
One more thing that I liked about the essay is the clear description of moments he had in the train. He described about person, building, streets and many more and they are full of imagery. Also about the wide ethnic mix. Even things that wasn’t very pleasing. He talks about violence too. He tells about seeing a woman pull a knife. Then goes on to talk about women who talked about slapping someone silly and putting them into the hospital.…
The poem’s setting lacks a clear view of any physical details of its setting. Knowing the narrator is an oppressed African American of the time, gives some details. Yet, the poem itself gives no physical location. However, the poem is a reflective gathering of knowledge the speaker has observed over time to develop the mental setting. Giving the poem an oppressed mood. A reader could identify the narrator’s mood when reading the figurative language. Since the poem expresses the narrator's deep feelings as an oppressed black, it also expresses a paradox. On the one hand, it hides its central issue not mentioning blacks or racial prejudice. In other words, the poem itself wears a mask. On the other hand, it openly parades feelings as a frustrated black across the page. The poem conceals everything and reveals everything at the same time. Then there is the abundant imagery. Such as the “mask” of Line 1 and identifying it as the false emotional façades blacks use to avoid provoking their oppressors. Another example is “long the mile”, referring to the journey to freedom for the African American community. All of which created a mood of oppression. There is also the universal symbolism of…
Olds uses imagery for the readers to imagine two different worlds and how one reacts to the other. She does by explaining the appearance of the white woman to convey how she was wealthy for example, “I am wearing old fur. the whole skin of an animal taken and used” and the black boy who looked suspicious by saying “He has or my white eye imagines he had a casual look of mugger, alert under lowered eyelids. He is wearing red, like the inside of the body exposed.” The author shows that the two are completely different and live in two different worlds that is why the white woman feels intimidated. She feels as though since the black man doesn't have what she has he should just take her life or simply steal from her as she says “and I don't know…
IN A RESTAURANT WAITER: CAMARERO CLIENT: CLIENTE W: GOOD MORNING, CAN I HELP YOU? C: YES PLEASE, I'D LIKE A TABLE FOR ONE W: FOLLOW ME, PLEASE. HERE IS THE MENU C: THANK YOU. I'D LIKE FOR STARTER A BIG SALAD W: WHAT WOULD YOU LIKE FOR MAIN COURSE? C: I'D LIKE FISH & POTATOES, AND FOR DESSERT A BIG APPLE CAKE W: WHAT WOULD YOU LIKE TO DRINK? C: I'D LIKE A WHITE WINE W: OK., THEN, A BIG SALAD, FISH & POTATOES, A BIG APPLE CAKE AND A GLASS/ A BOTTLE OF WHITE WINER ************ C: CAN I HAVE THE BILL, PLEASE? W: YES, £5, £5, PLUS £2,5, PLUS £2,5 EQUALS IT'S £15 C: OK., HERE YOU ARE, AND THE TIP GOODBYE W: THANK YOU VERY MUCH, GOODBYE! BUS STOP • − HELLO! • − CAN I HELP YOU? • − YES, WHAT TIME DOES THE BUS LEAVE? • − WHICH BUS? • − THE BUS TO LONDON, PLEASE • − AT FIVE O'CLOCK • − THANK YOU, AND HOW MUCH IS THE/A SINGLE TICKET, PLEASE? • − £2 • − HERE YOU ARE • − OK. THE LONDON BUS IS NUMBER 10 1…