speak. At times, Junior will jump from topic to topic without much of a transition, but that is because Alexie is writing as a fourteen-year-old boy who is telling his story, not formally writing it.
Alexie makes Junior into a very realistic character, who can be a profound teenager, but also an immature one. One moment, Junior and Rowdy climb to the top of a towering tree. They are reflective, and Junior thinks, “We could see our entire world. And our entire world, at that moment, was green and golden and perfect” (226). In the next moment, Junior describes Rowdy’s pass of gas just as vividly, “He farted. A greasy one. A greasy, smelly one that sounded like it was half solid” (226). While Junior’s thoughts may not always flow connectedly into one another, his thoughts are always consistent and in keeping with his character. Additionally, as evidenced, he leaves little to the imagination, so he always makes his visions clear for his readers. Whatever he feels he cannot say, he draws. When his sister passes away and his father takes a long time to pick him up from school, Junior fears that his father has died as well. When his dad arrives, Junior is so overjoyed that his happiness turns into delirium and he cannot stop laughing. Instead of describing the contrast between him and his father, he draws
it. In the car, Junior draws himself with his head upside down was splashes of bolded “HA HA’s” across his side of the page. On the driver’s side of the car sits his father, shoulders hunched, face stoic, and holding the steering wheel. Alexie does not use images to replace a description. Instead, his images enhance Junior’s experiences.