subtler, yet very poignant, details that perhaps went unnoticed previously. Suddenly Tadeusz’s narration comes alive in a different way.
For one, it is very easy to mistake the author as the narrator; but, it is important to distinguish the two (something that becomes more clear upon the second read). There seems to be a certain duality in this tactic: on the one hand, one cannot help but assume that these acute details indeed happened to Borowski himself. Yet, by introducing a separate narrator that is not the author, the audience is left to question why. The answer to this question becomes more obvious when inspecting the narration and language of the text. The uncertainty that might have occurred during the initial read, where one finds himself confused by Tadeusz’s sparatic thoughts and actions, becomes clearer when we question why the narrator exhibits such a rollercoaster of emotion. The scattered thoughts mark a man who struggles to grasp and control his situation. There is the inherent need to survive: he knows he will not be killed, but finding the mental, physical and emotional capacity to continue on is exhausting. What I found most interesting about the story was coming to understand the way in which Tadeusz grapples with each horror. His coping mechanisms are necessary and
deliberate. There is an instance during the unloading of passengers where he feels disdain and hatred for the Jews coming off the ramp. At first it is easy to be disappointed with him for this, we half expect our hero to be a moral crusader. Yet the reality of his emotions perhaps convinces me that, were I in his position, I would most likely act the same. The biggest thing that strikes me about the story is the thought of mutuality. Here is a man trapped in hell, witnessing the torture and murder of thousands around him. He is an obvious member of the suffering community, where they are dehumanized and morally defeated. Yet Tadeusz is also required to be a participant in the suffering of others, and he is burdened with the responsibility of carrying out the SS officer’s orders. He flip flops between these roles, as willing participant and horrified witness, struggling to find some resolution in either one. On some deeper level, he understands the inherent evil that exists within the camps, yet consciously seeks to distance himself from the cruel reality. This tactic of separating himself from the other prisoners brings some comfort to our narrator. He can place himself on parallel with the officers, who find satisfaction with their roles. Or he can sympathize with the other prisoners, which, despite being morally right, makes