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Onomatopoeia In Superduperman

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Onomatopoeia In Superduperman
Comic books utilize a singular sense, which is vision. Vision is the only sense required to gain access to various artistic universes. When reading comic strips, the relationship between the panels can be understood as an animation. This is the instance where readers fabricate the concept of space and time. The relationship between panels on a comic book page also reveals the division between temporal length and range. The measure, and notion of time and space, is expressed by the subject matter compressed into the panels. Although, if the dimensions of the panels are great, this can be an expression of time progressing in a faster rate. Given that, if panels are not enclosed within a frame, this can indicate time has broadened. It is also …show more content…
This parody evokes witticism, simply because it is a satirical comic. In the first comic panel above the title Superduperman!, there is a diminutive, and satirical description of who the super hero in question is. There is a great use of onomatopoeia used in the comic panels. The words on the comic strip which imitate specific sounds are, " Ka- Pweeng!, chugachugachuga chug!, Boinngswooosh!, and kof!." Onomatopoeia is used to resemble the sound which is related to a specific action. To further examine this, in the final panel the reader is provided a closer examination of the character, Clark Bent, who has the words " kof, kof" surrounding him. "Kof!" is an indication of the sound an individual makes when he or she is experiencing a muscle spasm in the lung, which can be voluntary or …show more content…
The creators of Superduperman used multimodal texts to appeal to the readers. Multimodal indicates when there is more than one source of communication used. In the comic there are the illustrations as well as words. To emphasize, the panel shapes below the first illustration introducing the reader to the comic are all the same shape. Since the panels are all the same shape, the reading experience does not get altered. As well, the spatial framework of Superduperman only provides the reader with a glance as to where Clark Bent is located, and why he is there. Since there is only the one character being introduced, the reader can assume there is no other environment except for the high-rise office in which Clark Bent is illustrated to be in. Also, colours are conventional and convey a Western depiction of

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