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Ophelia was another character in the story that lost her mind because of her father’s death. She was mad acting like foolish and this madness has caused her several psychological damages. Ophelia much like Hamlet has experienced the exact same thing when her father has murdered. The dilemma drove her into madness because she had no control over her emotional pain. She might become depressed because of the conflict between her father and Hamlet. She could not handle traumatic experience when she lost her father; she became insane to ultimately drown herself in the river.…
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Is Ophelia driven mad by her love for Hamlet, or is she the victim of a society that has created impossible expectations for its women? Had she the license to think for herself, Ophelia might have reasoned…
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Joan Montgomery Byles’s view of Ophelia’s behavior in “Ophelia’s Desperation” and Sandra K. Fischer’s view of Ophelia’s behavior in “Ophelia’s Mad Speeches” contradict each other and present opposing explanations. Byles’s view is that Ophelia is defined by the male roles in her life (i.e. her father, brother, and lover). Fischer’s view is that Ophelia is simply grieving the loss of her father and fails to break the hold of the men in her life. These two analyses present opposing explanations because one author is saying that Ophelia simply cracked because she has lost her father and she just could not handle it and the other is stating that Ophelia went mad and committed suicide because she was tired of just sitting around listening to the men in her life tell her what to do and when; with all that built up anger and aggression Ophelia needed an outlet to diffuse the situation and so she took her anger out on herself and drowned. Looking closer it is obvious that Byles’s view is the more accurate of the two.…
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Ophelia was a modern day good girl gone bad. She obeyed her father, Polonius, and brother, Laertes’ wishes to stay away from Prince Hamlet while trying to fight for her love for Hamlet and being herself. Throughout the entire play Ophelia is used as pawn in a game of revenge between Hamlet, Polonius, and King Claudius. Polonius and Laertes forbid Ophelia from seeing Hamlet because they believe that he is only using her for sex, yet Polonius uses her to seek information from Hamlet as though she were his personal spy. Although Hamlet loves Ophelia and genuinely cares for her, he sees the danger he and the royal court pose on her. Hamlet wants to get her away from the corruption while putting on an act for King Claudius to prove that he is really mad, and in that attempt, acts as though Ophelia means nothing to him. He treats her in the same manner he treats his mother and all women for that matter. Hamlet sees all women as ignorant and deceitful. Despite Ophelia’s ability to see through Hamlet’s charade, there is still a sense of pain in the words he speaks to her. “Get thee to a nunnery, go. Farewell...To a nunnery, go, and quickly too. Farewell.” (Act 3.1) This had to have been the largest insult to Ophelia ever spoken, but was not meant in that…
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The dismissive behaviour of Polonius and Laertes dehumanizes Ophelia and keeps her separated from the decision making “adults”. In one instance, Polonius instructs her to “think [herself] a baby”. In her interactions with these characters, Ophelia’s opinion is not asked for or valued she is largely cast aside or used as a tool. In Ophelia’s first appearance she is constantly reminded by Polonius and Laertes of the “danger of desire”, Laertes advises her that he “best safety lies in fear”. (Act I, Scene III). It is made clear early on that Ophelia is being taught to fear relationships, leading to long term isolation. These repressed emotions may relate to her fixation on desire during her madness. Polonius also dismisses Ophelia’s opinions on Hamlet’s behaviour saying, ”Affection? Pooh! you speak like a green girl”. Throughout all of Ophelia’s interactions with her father she maintains formal titles and language, referring to Polonius as “my lord”. By submitting to the perception of her inferiority Ophelia alienates herself from others. Even before her becoming insane, Ophelia is marginalized and removed from others, a the true outsider within…
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Ophelia, a fictional character in Hamlet, is the daughter of Polonius and young lover to the main character. Her father, the right hand of the king, originally requests she keep her distance from Hamlet. Quite soon, the company of Hamlet believes he has gone mad. Polonius, of course, asks his obedient daughter to spy on her lover. Mary Salter stated, “She certainly has a great deal of respect for her father and unquestioningly obeys his instructions…” Ophelia and Hamlet spend an extravagant amount of time together. In the time of Shakespeare, this was nearly unacceptable. One could understandably be under the impression they…
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In every play or book that a person reads the characters are never perfect. They always have a flaw that causes a problem or conflict within the storyline. This is true for Hamlet's character in William Shakespeare's Hamlet. In several of Hamlet's speeches he discloses many flaws in his character to the readers throughout the play. These are aspects that have thus far only been able to be seen as fragments in other speeches.…
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It shows that Ophelia lacks in her own independence of thought and who continually accepts the thoughts of male figures in her life. From the very beginning of the play, Ophelia is compliant to her fathers will. This is represented through Ophelia’s response to her father when she says 'I did repel his letters, and denied his access to me' (Act II, scene I) were Ophelia complies with her father’s orders. Ophelia’s response to her father suggests that Ophelia lacks her own independence and who is under the authority of her father. Ophelia’s actions show how willingly she is able to sacrifice her feelings for Hamlet under the order of her father and that she will give up her happiness in order to please and obey her father. Throughout the play, Ophelia continuously portrays her obedience to her father. In particular, Ophelia decides that she will no longer insist on seeing Hamlet anymore after the request from her father with her response, ‘I shall obey, my lord’ (Act I scene III.) The actions of Ophelia show that Polonius is in control over her as she sacrifices her feelings for Hamlet to satisfy her father.…
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“When it came to property, a woman gave up all of her rights to own land and such things to her husband. He became not only the owner of her physical possessions, but of her as well.” (“Rights of Women” 1). In the play, Ophelia has been under the control of male characters by being used for her possessions, status and lust. "Come, go with me: I will go seek the king./ This is the very ecstasy of love,/ Whose violent property fordoes itself/ And leads the will to desperate undertakings/ As oft as any passion under heaven/ That does afflict our natures.” (2.1.101-106) as mentioned by Polonius. Here it is evident that Polonius uses his daughter for his own desires. When Ophelia talks about Hamlet's unusual behaviour towards her, Polonius immediately depicts this to his advantage. He speculates his daughter's description as madness from love which is in his advantage because it can mean that Ophelia will marry into royalty which would bring him up in status. Polonius's intentions are seen through his desperate actions. Secondly, when Ophelia sings a song "Before you tumbled me,/ You promised me to wed.", he answers: "So would I ha' done, by yonder sun,/ And thou hadst not come to my bed." (4.5.62-66). Ophelia's song indicates the mistake she made of losing her virginity to Hamlet. With the loss of her father, virginity and…
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The character in a tragedy will always have a big downfall. It is sometimes causes by the any setting of the historical background, family background, or any tragic flaws of the character. In The Tragedy of Hamlet, Prince of Denmark, the protagonist, Hamlet, although is a very smart, philosophical, enthusiastic, and manic person, but he is also indecisive, inflammatory, high key, and arrogant person. All these flaws contribute a hard life to him through out the play and they also lead him to his own destruction at the end of the play.…
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Hamlet, himself, exhibits faults in his personality, often acting volatile and reckless in situations beyond his control. In Act 1, Scene 3, Ophelia describes Hamlet as an admirer who had ‘made many tenders of his affection’ to her but later on, in Act 3, Scene 1, when they confront each other about their feelings, Hamlet angrily shouts ‘Get thee to a nunnery’, insulting her and not realising the possible consequences of his actions. Ophelia isn’t without flaws, herself, as shown by her tendency to be influenced by the men around her. Whilst it was common for the women during Shakespeare’s time to be obedient to their men, Ophelia’s submissiveness eventually drives her to insanity and leads to her suicide. Furthermore, Ophelia’s father, Polonius, is also a fatally flawed character, with his peripeteia being his nosiness and propensity to pry, which then leads to his death. Shakespeare uses the weaknesses of each character to emphasise that human beings are flawed to warn his audience that if these flaws are not recognised, they may, and often will, bring…
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The relationship that Ophelia shares with her father, Polonius, is rather dogmatic to say the least. Throughout Hamlet, Polonius demonstrates almost absolute control over Ophelia as if she were a tool with the sole purpose of serving Polonius. As a result of a weakness of mind and will caused by a lack of independent thought, Ophelia does not oppose Polonius; for instance when Polonius challenges Hamlet’s intentions with Ophelia, she can only muster “I do not know, my lord, what I should think.” (I,3,104) Ophelia allows herself to be controlled, even rebuffing her love for Hamlet simply because Polonius suggested that she not “give words or talk with the Lord Hamlet,” (I,4,135) which illustrates the importance Ophelia places on her familial obligations. The structure and guidance that Polonius provides for Ophelia, leads her to affirm that she “shall obey” him. (I,4,136) Following the death of Polonius, Ophelia, who is already distressed over hearing Hamlet say “I lov’d you not,”(III,1,119) has beyond a shadow of a doubt, lost her purpose. The stability that Polonius once offered has now disappeared, leaving Ophelia in a state of confusion. Even after death, the profound loyalty that Ophelia has to her father, prevents her from…
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Hamlet by William Shakespeare is a revenge tragedy play that primarily focuses on Hamlet’s quest to avenge his father’s death. The tragedy of Hamlet, while mostly revolving around Hamlet himself, also concerns the character of Ophelia, and Hamlet’s relationship with her throughout the play. Despite of her absence from all but five scenes, Ophelia manages to receive a considerable amount of attention, as her character becomes truly tragic with her realization that she is powerless politically, socially, and psychologically amongst the men in her life, and without them. As a woman with limited options in a patriarchal society, this realization drives her mad, ultimately resulting in her death.…
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Also, Ophelia has also shown obedience towards her father Polonius. Her obedience is shown when Polonius has asked her to get away from Hamlet. Polonius speaks to Ophelia about what is going on with Hamlet and her; she obeys and tells him…
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Ophelia has been known as "the good daughter." She does whatever is asked of her by any male figure in her life. In the list of characters found in the lay she is simply listed the "daughter of Polonius." This implies that she is a minor character who still "belongs" to her father. Amanda Mabillard believes that it is out of love that Ophelia obeys her father's and brother's every desire (Mabillard, "Ophelia"). However, many believe that it is not out of "love" that prompts her obedience, but fear. When Laertes tells Ophelia to distrust Hamlet, she willingly obeys him and gives him the authority over her heart. In many of the exchanges between herself and her father, she simply responds with, "I will obey." For instance, in act 2 scene 1, Polonius asks Ophelia if he had denied contact with Hamlet and Ophelia tells him, "...but as you command , I did repel his letters."…
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