Orphan Stories

Throughout our lives we move from one story to the next. Whether we are listeners, readers or writers "we live our lives immersed in stories.' From the many stories we encounter, both fiction and non-fiction, the orphan figure stands out as one of the most prominent figures in literature. Orphan figures have prevailed in the literary arena for centuries, from ancient poetry, folktales, and myths to modern day novels. This constant recurrence of the orphan figure in literature emphasizes the need to understand the significance attached to it. However, according to the editors of Bastardy and its Comparative History literatures great interest on the orphan figure is poorly reflected in literary criticism. It is further stated that if at all criticism on the orphan is dealt only as an element in the commentaries on the literary works in which they appear. Thus far the orphan has failed to seek out a treatment of its own in most literary criticisms. Since the extent of literary criticism dedicated to the orphan is diminutive, this thesis undertakes the task of filling this critical gap by examining the thematic and formal importance of the orphan hero in the works of three major eighteenth century British novels.
Although the orphan has existed in the literary arena for centuries, the representation and attitude towards the literary orphan figure has transformed over time. Alison Findley's research on the portrayal of the orphan figure in English renaissance drama assert that fifteenth and sixteenth century literature positions the orphan along with the thief, the beggar and the prostitute that symbolized the malfunctioning social institutions. Her research further states that the orphan figure is an embodiment of the illicit relationships and degenerating moral values of society. Unfortunately, it was the child who was born fatherless or abandoned by the parents that was deemed responsible and punished by the social institutions for threatening the existing