Oscar Wilde was an Anglo-Irish playwright, novelist, poet, and critic. He is regarded as one of the greatest playwrights of the Victorian Era. In his lifetime he wrote nine plays, one novel, a number of poems, short stories, and essays. He was born on October the 16th, 1894 in Dublin to Sir William Wilde and his wife Jane. Oscar 's mother, Lady Jane Francesca Wilde was a successful poet and journalist also (Gregory Brdnik 2012). Oscar had an elder brother, Willie, and a younger sister, Isola Francesca, who died at the early age of 10. Wilde educated himself in Trinity College, Dublin and also in the Magdalen College in Oxford. While at Oxford, he became involved in the aesthetic movement and became an advocate for 'Art for Art 's Sake’. (Teiresias 2001). After he graduated in 1879, he moved to Chelsea in London to begin his literary career. He became one of London’s most popular playwrights in the 1890’s. (Coakley, Davis (1994). On the 29th of May Oscar Wilde married an Englishwoman named Constance Lloyd in whom he had two children with, but later was arrested for being gay with a man named Lord Alfred Douglas. (Rictor Norton 1998).
In 1888 Oscar Wilde began a seven year period of creativity in which he produced nearly all of his great literary works (Merlin Holland 1997). Wilde’s most notable plays were ‘A Woman of No importance ‘(1893), ‘An Ideal Husband’ (1895), and ’ The Importance of Being Earnest’ (1895).
Wilde emerged from prison in 1897. He came out physically depleted and exhausted while also being completely broke. He began hiding in France where he briefly reunited with his former gay lover Lord Alfred Douglas. (Douglas O’ Linder). During this time Wilde was writing very little. He then went on to die of meningitis on November 30th, 1990 at the age of 46. He is buried in the Le Pére Lachaise Cemetery, Paris, France.
VICTORIAN SOCIETY and THE NEW WOMAN DEBATES
In Victorian society, the conventional norms of
Bibliography: Ian Small, Oscar Wilde Revalued: An essay on New Materials and Methods of Research. 1993 Michel Foucault, The History of Sexuality, Volume.1 Brandon, Ruth. The New Women and the Old Men:Love, Sex and the Woman Question, London. 1990 Patricia, Ingham: The language of gender and class:transformation in the Victorian novel Punch. Quoted in Sally Ledgr, The New Woman: Fiction and Feminism at the Fin de Siécle. 1997 W.R Eliza Lynn Linton, ‘The Wild Women as Social Insurgents’ Nineteenth Century. 1891 Gail Cunningham, The New Woman and the Victorian Novel Richard Ellmann. Oscar Wilde (London) 1987, pg355 Dr David Stanley, Clash of Cultures, London, 1920 Oscar Wilde, A Woman of No Importance, The Importance of Being Earnest and Other Plays. Edited by Peter Raby. Oxford. 1998 Deborah Gorham Kaplan and Stowell. 1996 Christopher Nassaar, Into the Demon Universe: A literary Exploration of Oscar Wilde Mona Caird, The Daughers of Denaus. 1948 Regenia Gagnier, Idylls of the Marketplace: Oscar Wilde and the Victorian Public Richard Ellmann, Oscar Wilde. London. 1987 Douglas O Linder, The Trials of Oscar Wilde, 1999 Angela Carter, The Sadeian Woman: An Exercise in Cultural History London 1996 Matthew Lewsadder, “Removing the Veils: Censorship, Female Sexuality, and Oscar Wilde’s Salome,” Modern Drama (2002) Kaarina Kailo, “Blanche Dubois and Salome as New Women: old lunatics in modern drama,” Themes in Drama 15 1993 Teresias, produced by Lometa, 2001 Rictor Norton, A gay guide to West Minster Abbey, 1998 Gregory Brdnik, The Literary Gothic, 2012