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To make Othello question Desdemona’s love for him Iago uses rhetorical questions. When Othello says “…than answer my waked wrath!” Iago comes back with “Is’t come to this my lord.” Later he goes as far as to say “Are you a man? Have you a soul or sense?” This puts the idea of Desdemona having an affair with Cassio in his head, this also serves to make Othello question much of what he held true. Othello believed that Iago was an honest man. Iago acts very sympathetically towards Othello and in doing this he creates the illusion that he knows what he is talking about. This leads Othello to sense that Iago knows more than what he is sharing. Iago’s questioning ways lead Othello into thinking the worse about Desdemona and Cassio, Iago gains exactly what he wanted, manipulation.…
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There are many ways d in to fill Othello’s mind with images of Desdemona naked with Cassio. This makes Othello’s jealousy grow. Iago sald be what hey seem; or those that be not would they might seen none!" (3.3.126-127). He is saying that if a man is not trago, but should talk with Desdesuch harsh actions. Iago is mon, logos, or logic. Tmonly used today, and by Iago, and works very affectivel looks, she loved them most" (3.3.206-208). Iago eason for his wife's infidelity. He is trying to say that if Desdemona betrayed him once before, she !" (3.3.416-417). Iago is claiming that Cassio admitted his love for Desdemona in his sleep.…
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| Iago ‘only loves’ Desdemona out of revenge and jealously of Othello as he believes he has slept with his wife. The ‘infidelity’ that is occurring behind is back is eating him alive and so he plans to manipulate Othello in beliving Desdemona is having an affair with Cassio. ‘Deception’ aids him to accomplish this task…
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Othello’s prestige (that of a dark, tall, African Moor), joined with his particular charisma, aids him in achieving the admiration and loyalty of the Venetian people and senators. Othello, subsisting as a soldier for a large interval of his life, is viewed as an exceptionally honourable gentleman. His status as a governor-general itself displays an aura of aristocracy, poise, and potency. The identity portrays someone who is sustained in tremendously high reverence by the people of Venice. In addition to him exhibiting pronounced characteristics and courage, Othello also exhibits pride. He retains his composure during the initial confrontation with the senators when he is accused of witchcraft when Desdemona's father faces Othello about his courting his daughter: “Most potent, grave, and reverend signiors,/ My very noble and approved good masters,/ That I have ta'en away this old man’s daughter,/ It is most true. True, I have married her./ The very head and front of my offending/ Hath this extent, no more,” ( I.iii.76-81). Though Iago is the venomous serpent of the play, it is Othello’s tragic faults of gullibility and jealously that convert him from an aristocrat into a venomous creature himself, which inescapably carriages him to his demise. Although Iago fuels the fire that is Othello’s jealously through his tactics of…
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Othello's jealousy against Desdemona is perhaps the strongest emotion incurred in the play. The jealousy he experiences turns him insane with rage, and he loses all ability to see reason. The first instance that instills doubt in Othello's mind is Brabantio's warning "Look to her, Moor, if thou hast eyes to see:/She has deceived her father, and may thee" (1.3.292-293). This early seed of doubt allows Iago to play on Othello's jealous nature, and concoct a plan to take advantage of Othello. Iago slowly leaks his poison into Othello and soon has the result he desires, Othello is overcome with jealousy. Othello continuously denies his jealousy, but it is apparent that he is losing his mind with the thought of Desdemona's unfaithfulness. He speaks to Iago saying "No Iago;/I'll see before I doubt; when I doubt, prove;/And on the proof, there is no more but this,--/Away at once with love or jealousy!" (3.3.189-192) The fact that he believes that his wife is unfaithful with only insinuations put forth by Iago shows the fact that he is prone to jealousy. Soon after, with Iago's "help" he believes to see undeniable proof that Desdemona is unfaithful with the loss of the handkerchief. Othello experiences jealousy so strong that he delves…
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Iago's second soliloquy is very revealing as it offers further insight into his motives. The extent of Iago’s hatred and contempt is suggested. It is weakness of his that he allows hatred to consume him in this way, using it as a driving force behind his action. It shows him shaping a plan out of the confusion of his emotionally charged thoughts. Iago examines his own thoughts, especially his hatred for Othello, "The Moor, howbeit that I endure him not" and finds a common thread in the "poisonous mineral" of jealousy that still swirls around the rumor that Othello “hath leaped into my seat”. Iago says that he thinks it likely that Cassio does indeed love Desdemona, and believable at least that she might love him, “That Cassio loves her, I do well believe’t; That she loves him ‘tis apt and of great credit”. Iago, however, also suggests that he could get his revenge by seducing Desdemona, "Now I do love her too . . . / But partly led to diet my revenge...”. Iago uses the word "love" here in a very cynical way, making it a combination of lust and power seeking. At first he sees his seduction of Desdemona as his revenge, "Till I am evened with him, wife for wife". Yet, Iago then realizes that the unsubstantiated jealousy that torments him is the very weapon he can use against Othello, who will be even more susceptible as it is seen that Othello is naive and almost foolish when it comes to love and women. He reasons that at least the confrontation he has engineered between Roderigo and Cassio will implant the seeds of mistrust and doubt in Othello as he begins to suspect Desdemona of infidelity and thus, Iago will lead Othello, via jealousy, to madness, "Make the Moor thank me, love me, and reward me, / For making him egregiously an ass, / And practicing upon his peace and quiet / Even to…
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In this passage, the Duke of Venice asked Othello why he loves Desdemona, he tells him that his love has grown as Desdemona would listen to his stories about war and pity them. By Othello saying this it provides evidence that there is no fundamental foundation binding this relationship together. Othello is basing his love on pity instead of the strong affection and feelings that is necessary to hold or keep a relationship together. This clearly lays out that the relationship between the two is not really based on much. Albert Gerard discusses how Othello 's lack in self- knowledge contributes to his poor judgments.…
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Othello is the almighty, respected, and victorious General of the Venetian forces, but finds himself defeated in his most important battle. Othello past triumphs are proof of his strength and reputation, “For since these arms of mine had seven years’ pith” (Act I, Scene 3). Othello loyalty to the people of Venice is shown throughout the play, and the trust he…
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Othello portrays himself as frank and sincere, while on the other hand Iago acts as the good guy but in the end backstabs the people who trust him. Othello demonstrates to his self and others his honesty. For example, when Othello explains to the Duke about their nuptials between him and Desdemona he nobly says, “That I have ta’en away this old man’s daughter, It is most true; true that I have married her” (I iii 93-34). Othello delineates his trustworthiness because he doesn’t try to keep the marriage a secret and tells the Duke up-front when he asks. In addition, he is straightforward to others when Iago warns Othello about Brabantio finding out about the marriage and tells him to go inside and he says, “Not i. I must be found. My parts, my title, and my perfect soul Shall manifest me rightly. Is it they?” (I ii 35-37). The general of the Venetian army is confident in himself that his service and stately fall will cause everything to calm down, he is also certain of his worthiness to Desdemona and that he deserves to have her and her love. Iago is pleased with his deceitful plans and sits back and savors the many lies he has told. For example, Iago shows his despise in integrity by whispering to himself that, “I am not…
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This deception makes Othello abandon reason and language, which allows his inner chaos to take over. For example, the emotional collapse within Othello begins to develop when Iago informs Othello that the handkerchief in which Othello had given to Desdemona in the past was in the hands of Cassio, and he is led to believe that Desdemona and Cassio were perusing a secret relationship. In Act 4 scene two, Othello tells Desdemona " Come, swear it; damn thyself; Lest being one of heaven, the devils themselves should fear to seize thee. Therefore be double damned;" which demonstrates that Othello begins to doubt Desdemona's honesty. Despite them trusting each other throughout the play, Iago's manipulative tactives trigger Othello’s doubt. Another piece of evidence supporting Othello's rage is seen in the following quote from Othello in Act 4 scene 1, when he claims" Get me some poison, Iago, this night. I’ll not expostulate with her, lest her body and beauty unprovide my mind again—This night, Iago!” Thus, Othello had again been encouraged by Iago’s mischievous actions so convincingly that he is pushed to act and kill Desdemona.…
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In Othello's last speech he is speaking to Lodovico, who will be bringing the news of what happened in Cyprus regarding Othello to Venice. Othello asks Lodovico to stay and hear what he has to say, he believes he deserves to speak because he has helped out the state of Venice in the past. He asks Lodovico not to speak of Othello as he really is. He tells him not to downplay things and make them seem less serious then they are and not to exaggerate.…
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Outside of a brothel, Iago and Roderigo wait. Roderigo is preparing to ambush Cassio. After a few moments, Iago leaves the scene, even though Roderigo asks him to stay close in case something goes wrong with the ambush. Cassio then enters and Roderigo stabs at him, failing to pierce Cassio’s armor. Thus, Cassio defends himself and stabs Roderigo. Iago quickly returns to the scene and in the commotion stabs Cassio in the leg and exits. Cassio, unaware of who stabbed him, falls to the ground. Othello enters and hears Cassio’s cries. Therefore, he draws the conclusion that Iago has killed Cassio. Enraged by what he believes to be Iago’s successful vengeance, Othello runs to his bedroom to kill Desdemona.…
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Another time where Iago acts in a way to get Othello into a bad situation is when Iago is trying to suggest that Desdemona has been unfaithful to him;” She did deceive her father, marrying you” At this stage Othello does not suspect anything at all as he has just gotten married to her and has no proof of any misdoings on her part. Since Iago is Othello’s right hand man, and Othello has no idea that Iago is out to get him, he does take heed from his advice and is cautious towards her, considering whether it was possible that she has been unfaithful. At this time in the play, Othello is still acting in and honourable and he decent from this stage is matched by his change in view towards Desdemona.…
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She is a warm-hearted woman who is bold at the same time, as she revolts against the traditional standards of her society when she secretly marries Othello. She bravely announces her love for Othello, claiming that her “heart’s subdued / Even to the very quality of my lord” (1.3.285 - 86). Desdemona is also a compassionate character, which is illustrated in the scene when she tries to mend the friendship between her husband and Cassio. Furthermore, her dialogue is never insulting in the play, as she does not adopt Iago’s vocabulary like Othello does even when the latter is excessively abusive to her. Here, it is Desdemona's impeccable purity that is her tragic flaw, as it prevents her from resolving the misunderstandings with Othello in a more practical way. For example, when she tries for their reconciliation, she innocently misuses romantic language to describe her platonic feelings for Cassio, augmenting her husband’s suspicions of her. When Emilia asserts that women will inevitably suffer inequities in marriage, Desdemona sternly advises her to “not to pick bad from bad, but by bad mend” (4.3.81). Desdemona's positive outlook on the world blinds her against Othello’s abusive behavior. She does not show signs of resistance against her husband’s accusations until the very end when he is about to kill her. Only then, she pleads with Othello for him to spare her. Desdemona is seen as a…
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Naivety and ignorance is shown constantly by Othello when he foolishly accepts Iago’s ‘proofs’ of Desdemona’s infidelity without question. He is so enraged and jealous at the notion of his wife sleeping with someone else that he looses his sense of judgement and rationality. This could be considered a relatively natural reaction to such a situation, but it ultimately shows a weakness in the human psyche. Again Othello shows poor judgement by not confronting Desdemona about these claims and instead contents himself with Iago’s word. He convinces himself that he is acting in Desdemona’s best interests and wrongfully assumes her to be the “cunning whore of Venice”.…
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