Both vases are about the same shape and have images of men on them. There different are that on is based on planting and harvesting the other worriers. There are made from two different materials and the images are put on in different manners.Aegean Art." History of Art: Architecture and Sculpture. Web. 08 Feb. 2012. <http://www.all-art.org/Architecture/4.htm>.…
The sculptures' color is natural granodiorite. The detail level is high, which makes the sculpture appear more realistic. They have carved the details out and worked with them to make them as smooth as possible. It is detailed; you can see the female shapes in the breasts and in the hip area. When you go down to the detail level, especially the face and hands are prominent. The head is a lioness head and the eyes are small and intense. It is easily to spot that there is lionesses’ head, because of the high detail level. You can see all the shapes, from the ears to the mouth. When you the face on profile you can see that it looks very lifelike. Her hand also looks lifelike, together with her feet. The knees are prominent an easily noticeable through the clothes. The artist have made a sculpture that has several female attributes such as her sitting position, with a straight back and narrow shoulders. Whereas her hips are wider than they would have been on a man. Also her torso are seen as thinner than on an average…
For example, the statue of Khafre sits lifeless and majestic on his throne “flanked by lions” (3), which stabilizes and connects him to the original stone, out of which it is carved. He is eternally unmoving and has an expressionless face. This statue of Khafre was created as a vessel for his Ka and presents…
The Guan Ware Vessel depicts a beautiful, delicately crafted form of art, mainly used for imperial purposes during the Southern Song dynasty in the 13th century. This chinese artwork is made of gray stoneware with crackled grayish-blue glaze, giving it balance, and stands at a height of 16.8 cm. These types of vessels were created for people of royalty.…
Engraved, chased, and etched, the interlacing Celtic-like scrolls and knots wrap delicately and symmetrically around the vessel. Serpentine handles flank the widest and uppermost portion of the vase while twin stylized bird head figures frame the rim. In the center of the vase sits a stylized Viking-like mask or helmet. Symmetrically placed gemstones adorn the vase from the rim to the foot, while contrasting matte lavender, light green, and golden yellow enamels sit just behind the gleaming silver scroll patterns and echo the colors of the gemstones.…
I do believe that the proposal should be accepted. The reason being the Clark project has a positive NPV. The net present value method offsets the present value of an investment's cash inflows against the present value of the cash outflows. If the present value of cash inflows exceeds the present value of cash outflows, then it clears the minimum cost of capital and is deemed to be a suitable undertaking. On the other hand, if the present value of cash inflows is less than the present value of cash outflows, the investment opportunity should be rejected.…
The church was designed in such a beautiful way that people come just to see the decorated chapels. There are two of these chapels - the lower chapel and the upper chapel. The lower chapel is highly decorated, and is dedicated to the Virgin Mary. During the reign of King Louis IX, this area of the cathedral was reserved for palace staff. The architecture in this chapel is stunning; the ceiling is painted to appear a starry sky, the walls hold representations of the Apostles, and even the floor holds tombstones of reverends and treasurers of the Sainte-Chapelle. The one negative thing about the lower chapel is that it is quite dark. This is a contrast to the upper chapel. The upper chapel is light and full of color, and is known as the “Highlight of the Monument.” The decorations show art and religion working harmoniously, and there is a sense of holiness in this area because this is the chapel in which the Holy Relics were kept. Although both of these chapels are very beautiful, perhaps the most beautiful thing of all in this cathedral are the stained glass windows. Appearing in dominant colors of blue and red, there are about 600 square meters of these stained glass windows. The art dates back to a long time ago - the twelfth century craftsmanship is ancient, yet so perfect to the cathedral. What is even more stunning about these window panes is that they can be read in arches that go from left to right. In fact, they tell…
The King statue is a larger than life representation that looks different from the back and the front. The base of the statue has four panels, each with a different scene depicted on them. This makes the viewer motivated to walk around to each side and look at the panels. It is difficult to make a personal connection to this work because it is a lot higher than the viewer’s line of sight. It makes the viewer feel underneath the statue and not at eye level. However, the statue’s lifelike quality and naturalistic appeal provide a more personal experience.…
The desire for the finer things in life is eternal, and the strive for beauty and elegance can be seen in all ages. In regards to Islamic pottery, the elaborate and decorative nature of pieces from Kashan cannot be beaten. Now I will analyze a specific production from Kashan, a lustre bowl produced during the Seljuq Period (11th to 13th centuries), labeled as “Object D-12” in the UCSB Jewel Room and depicted below: In this image one can see the same line of eyebrows, drawn out eyes, and thin lips on the center figure that can also be seen on the polo player of Object D-12. Both men also have a halo surrounding them, enshrining them with a sense of importance and holiness. In this piece, dated at the early 13th century, the center figure appears…
Puabi’s golden headdress, from Ur, Iraq and made around 2550-2450 B.C.E., has political significance. The elaborate piece is comprised of a wreath, earrings, coiffed hair, necklaces, and body jewelry. Puabi was a queen in her own right and this object has political significance because it demonstrates the importance of hierarchy in early Mesopotamia. The decadence of the headdress shows that it was meant to display dominance. This object is art because people can appreciate it visually and aesthetically. It does not have much practical use since it is very ornate and hard to wear. The headdress was presented in the middle of the gallery and was a definite focal point of the exhibit. Therefore, it was meant to be a piece that was admired for its beauty and grandeur.…
The legs “that was similar to those found on a throne chair, namely legs terminating in animals’ feet” (Boger, “Guide to Furniture Styles” 5), are usually in the form of chimera, lion, eagles, and swans. The carvings are earthy with leaf patterns and extended curved lines following the over arching “sweeping curves and scrolls” (Boger, “Guide to Furniture Styles” 5) that resembles the work of Duncan Phyfe in America. They are realistically carved sometimes with “medley of and human heads, sphinxes with upraised wings, dolphins, swans, ringed lion’s mask, and the lion monopodium (Boger, “Furniture Past & Present” 364). Today, the additions of wheels are sometimes added to the legs of the couch to give it mobility.…
The art pieces I choose to analyze are two paired Star Tiles with Vegetal Motifs and Inscriptions. The evolution of the purpose of an artifact reveals the development of complexity within Islamic empires as time progresses. The first Islamic dynasties controlled large unified Islamic states and religious pieces served as the main type of art within their empires. The goal of the gallery layout is to display to an uninformed viewer the evolution of Islamic art over the course of a millennium, and to reveal the four unifying characteristics that emerged, figural representation, geometric patterns, vegetal patterns, and calligraphy (The Met). The first artifacts are the oldest and are only decorated with calligraphy. The pieces eventually progress to geometric and vegetal patterns. The last element to appear is figural representations, because they are the most complicated. The tiles contain three of these main characteristics; calligraphy, vegetal patterns, and geometric patterns.…
“The Narmer Palette is a double-sided carving made of green siltstone,” and often referred to as a cosmetic palette. A cosmetic palette that Egyptians used as make-up, ranging in different colors. It was created most likely around c. 3100, during the Archaic Period (Early Dynastic Period) and while the palette was discovered in the year 1897 by archaeologists in the temple of god Horus at Nekhen, the capital of Upper Egypt it is unknown of who the actual author is. Even though, the creator is unknown to us, we can likely say that the person was likely from Egypt, either the Upper or Lower. Could have served under King Narmer, recording his triumphs or his princess Neithheotep of Lower Egypt. With that, he or she political, economic, social, and religious status remains unknown as well. Though, one can concur that it is similar to other Egyptians unless they were a part of a hierarchy. The intended audience of the Narmer Palette was most likely his followers, those to come after him, for others to know of him, and/or for the afterlife. The purpose of…
The design in the corner is a piece of the full design that includes many small floral designs and geometric patterns throughout. There are also floral designs included throughout. The signature Safavid blue on the tile is used throughout the piece. The Safavid style for tile making was developed in Iran from the 1500’s. It depicted human being and floral scrollwork, but human figures only became important after the empire was established. When the court moved from Isfahan, style changed because of Riza-i-Abbasi. Slim, standing figures were replaced with short, sitting figures. Floral work was most common in their time though because of the simplicity and beauty it could bring. I also included some red, yellow, and green in the art in the corner because throughout the empire, they added other colors that were influenced by their neighboring empires. Some of the flowers have actual petals and others are outlines of flowers because they weren’t as important in the design. Although the Safavids evolved their tile making, tiles in Persian architecture remained closer to traditional designs of flowers and floral patterns with geometric shapes. The persians had an infinite pattern which was a major element in tile making. It is thought to give an expression of profound belief in the eternity of all true being. They then used whole tiles as a faster method of decorating large public and religious buildings. Tile making was a very important art in Safavid culture and provided much…
Both the Stele and Palette were narrative relief sculptures that depicted the kings beheading someone, whether it was an enemy or . The people were depicted in composite view (head in profile view, body in frontal view) so that we’d see the most human features only. Hierarchy of scale was applied so that the king would be the first figure you look at in both works. The gods of the two cultures are also present, being associated with the rulers. Both kings are depicted with crown-like structures on their head, standing on ground lines. Lastly both works were made in the River Valley Civilization Era.…