The Parthenon temple was a fine example of the Doric order. The columns surround the Cella, and the number of columns on the sides is equal to two times the number across the front, plus an additional column. Each column is alike except the corners; the spacing lessens in an aesthetic adjustment. The column swells are about seven inches, which is called entasis, it tilts upward at the top to appear upright. Stylobate is the foundation that is just right below the columns, rises toward the center so it does not appear saggy from the massive weight of the columns. The inside of the Parthenon is divided into two parts that houses the forth foot tall statue of the goddess Athena. White marble may have been used to compliment and reflect the intensity of the Athenian Sunlight. This temple signifies Classical characteristics of convention, order, balance, idealization, simplicity, grace, and restrained vitality.…
With architectural works of ancient, the design of both Parthenon and Pantheon are still reflected on modern buildings. The both Rome and Greece had great respect for their gods thus building a place of worship. Rome had great respect for Greek architect copying some of design from Greece’s Parthenon. The architectural design of the Parthenon and Pantheon are contributors to many ancient art of the world and are two of the greatest surviving monuments of ancient civilization.…
* One architectural innovation for the Parthenon, is the even spaces between each column, and making the middle of each column a different size than the rest of the column to give a aesthetic effect, also they made the top of the pillars smaller than the bottom to give it a visual illusion that the monuments is a little thinner and little further apart.…
The measurements of the inside stature and the width of the dome are the same. The architect did this intentionally to demonstrate the agreement of the building (Mark & Hutchinson 1986). The marble finish that we see today on the inside was generally included later. Be that as it may, the Roman Pantheon in its present state permits us a look into the wonderful and staggering universe of Roman architecture. The dome would have been plated to resemble the grand circle of the considerable number of gods that the name Pantheon brings out (Mark & Hutchinson 1986). No oculus had even challenged approach in size to the one in the Pantheon. It is still lined with the first Roman bronze and is the primary wellspring of light for the entire building. As the earth turns the light streams into circle the inside making the viewer mindful of the heavenliness of the universe. The oculus was never secured and rain falls into the inside and keeps running off the somewhat convex floor to the as yet working Roman drainpipes underneath. The Pantheon has since artifact been utilized to rouse craftsmen amid the Renaissance and additionally turn into the tomb for imperative figures in Italian history (Mark & Hutchinson…
These two temples was built at different times and locations. The Parthenon of Athens in 432 BC, the Parthenon in Rome is built in 125 AD. The geometry of the buildings is different: Parthenon is rectangular and Pantheon is round (with square front). The Parthenon was built as a temple of one goddess - Athena, while Pantheon was built to resemble the heavens with all the Roman gods. These building also were constructed from different materials: marble, post and lintel for Parthenon and barrel, groin and concrete for Pantheon. The style of temples is also different - Doric in Parthenon and Corinthian in…
The Parthenon building in Athens was started in 447 BC and completed in 432. It represents a tangible and the visible power of the Athenian Empire. Having also the influence from the Athenian politician, Perikles. The Pantheon Building is in Rome, Italy and was constructed in 126 AD. The name Pantheon comes from the Greek language meaning ''every god''. It’s in a circular shape rather than the rectangular shape of the Parthenon Building in Athens. It is currently being used a Church dedicated to St. Mary and has been since the 7th century. For these buildings, I have found that the functionality or use of them has been quite different from each other. The Parthenon was used as both a treasury in the smaller rooms and as cult statues rooms in the larger areas.…
Upon entering The Parthenon, I scaled the columns and classical architecture. The Acropolis offered one of the world’s dramatic landscapes as setting for the Parthenon, constructed entirely of marble from the diggings at nearby Mt. Pentelicon. The sculptures consisted of elaborate religious and historical events of importance to the Athenian self-image. The East pediment told the story of the birth of Athena from the head of Zeus. The west pediment told the story of the competition between Athena and Poseidon for the lands of Attica.…
Athough from two entirely different cultures and entirely different times, the Pantheon and the Parthenon share similarities, along with a world of differences, in form, function, themes, ideology, and messages about their respective civilizations. By comparing these two structures, it is easy to see why knowledge of context and culture is important to understanding and interpreting art.…
While the Pantheon is made of mostly stone and some metal. The Statue of Liberty is metal. The difference in wearing over time is substantial. The Statue of Liberty is not looking so good when compared to the pantheon. The two are built about one thousand seven hundred to one thousand six hundred years apart. So I had to come up with a cheap, but reliable way to build…
The Parthenon in Nashville, Tennessee is a full-scale replica of the original Parthenon in Athens, Greece. The Parthenon was dedicated to the Greek goddess Athena, the goddess of war and wisdom, by the people of Greece. The replica was made to represent the Athens of the South which is Nashville because at the time it was one of the few places in the south with significant growth of culture and education. While the completion of the original was in 432 B.C., Nashville’s replica was completed in 1897 by architect William Crawford Smith. The original Parthenon is thought of to be the most important surviving building of Classical Greek era. The replica Parthenon was originally built of plaster, wood, and brick, for it was not intended to be permanent.…
Contrasting the outside with the inside we can say that the inside takes a more Roman swing and portrays itself as less idealised than the classical greek architecture of the exterior. The exterior is a lost more basic and unadorned with that much detail contrasted with the inside, inside we see an embellishment of decorations including a dome using the so called honeycombing effect also called coffers which allows the building to appear larger than it actually is. The eight niches to the side indicate where the statues would have gone but have since been lost to history. The marble floors contributing to this idea of simple geometry as they are inlaid with coloured granite making circles and rectangles however sadly much of the original marble and bronze which would have been on the originally has been removed particularly due to Pope Urban VII's who ordered the bronze to be melted to help with…
Again, from an architectural standpoint, this monument began construction around 447 BCE and is one of a kind due to its immense size, columns, pediments, and elaborate design. This building contains both doric and ionic columns, meaning that there would be metopes and triglyphs on the doric columns and bases with scrolled capitals on the ionic columns. The roof is very large and sloped on two sides, allowing for pediments on both the east and west sides. The east pediment depicted the birth of Athena, the west pediment showed Athena and Poseidon competing, and at least one of the metopes showed a centaur and Lapith theme known as centauromachy. This building was strategically placed on one of the highest points in the city and was utilized as a place of worship, made out of limestone and marble. Inside would have been a colossal statue of Aphrodite. This building utilized a classical style of architecture and was built by Itkinos and Kallikrates. From a religious standpoint, this building may have held as much importance as the Apostolic Palace does in Rome. The Parthenon is part of a larger Athenian Acropolis, which has four buildings…
The pantheon is an artistic and imaginative blend of three major architectural focus: the unification of traditional temple form and the new domed space, the technical development of concrete constructions, and the tendency to obscure construction and structural elements. This paper discusses the Pantheon by analyzing the architecture from various aspects such as its three distinctive spaces and the experience they brings, the lighting of the interior, innovation such as coffering, the skillful use of concrete, and the Roman’s attempt to conceal the construction. Furthermore, the potential meanings and implications are evaluated by formal analysis and looking at the cultural context of the empire.…
Many historians believe that the Greek and Roman architecture, known as "classical architecture," evolved from basic Egyptian column design, consisting of a pedestal, column and "equity" or top. The Greeks and Romans out this design by creating five more types of columns to support their many civilian buildings and religious temples. The Romans also borrowed from the Etruscan arch design to create the dome.…
Roman art showed how there was a deep porch at the temple including wide front steps. The Parthenon is an example of the Greek use of a stylobate, along with the floor plan shown for general architectural elements within the Greek temples. Also, the exterior of the Maison Carrée shows engaged columns towards the side of the temple, while the Parthenon doesn’t include any engaged columns.…