Per your request, I have spent the past month, assessing and appraising the real estate property at:…
This particular night he snuck away from his wife in the dead of night. All of this effort and sneaking could possibly suggest the father may have killed his son. Perhaps he knew he would not be able to feed another mouth and wished to take his son out of his misery. The father could have thought this action was justifiable; knowing first hand the hardships this child would have to endure and it was too much to bear for this father to bear. When he gets to the gravesite he digs painstakingly to five feet down into this baron tough ground to let only one foot of the post show above ground. In the poem the post was described as a “half-cross” this could symbolize his internal struggle between right and wrong, good and evil. In his mind, killing his son out of protection from this cruel world was a necessary evil. The amount of effort that the father put into this burial showed that he cared very much for his son. The father leaves off the engravings on…
This is a conversation between the man and the boy. It is talking about how the boy doesn’t know what the big concrete structure is and he is wondering what it is doing. This just shows how the boy doesn’t know much about the world because he was born post apocalypse.…
“All the King’s Men” written by author Robert Penn Warren, takes place in a society with declining morals in 1939 and published 1946. The novel is about a man, Jack Burden, the protagonist and becomes Willie’s “right-hand-man” in doing whatever Willie wants and gets information on others that Willie feels threatened by and uses that information to blackmail people. Other than the corruption that Jack Burden does for Willie, as a reader you are able to see that Jack Burden is a good character who is learning from his surroundings becoming a more wise and moral character. In the beginning of the novel, Jack Burden contains childlike qualities. He believes that Willie is protecting him because Willie and Judge Irwin are the father figure in his life. When Jack realizes that Willie isn’t the right father figure in his life is when Jack gains wisdom and realizes his mistakes and starts to become a man. Closer to the end of the novel when Jack has his realization is when he starts taking responsibility and leaving his Great Twitch idea, that no one person can take the consequences of a single action, he does this by taking responsibility for himself and others. Jack heals from his past hurts to become a better man and develop the morals that their society desperately needs to push through and get rid of all the corruption that Willie Stark brings to their society.…
Throughout The Odyssey, the audience views Odysseus in many ways, one way as a mighty hero. Greek culture strictly defines a hero while modern culture possesses a looser definition of a hero. Joseph Campbell defines a hero as, "someone who has given his or her life to something bigger than oneself... The hero performs a courageous act in battle and saves lives." Through the lens of a Greek, Odysseus mirrors the picture of heroism. However, twenty first century humans consider Odysseus a famed adventurer. While many different people label Odysseus in different degrees of heroism, the readers find themselves both agreeing and disagreeing with Campbell's statement defining Odysseus as a hero, each individual reader must formulate their own personal opinion on how they view Odysseus, agreeing, disagreeing, or a little bit of both.…
The separation of the boy's parents which is leading to the inevitable divorce is the root of the conflict. His father does not help matters with his actions, as in taking the boy to bars previously against his mother's will, and keeping him late this particular Christmas Eve, skiing longer than they should have which leads to being snowed in on the mountain, because the road home is closed due to adverse weather. The father comments that the boy's mother will not forgive him if he does not deliver the boy home in time for dinner. Showing determination, thus planting the seed that he truly does care to make things right with both his son and wife, he breaks the law by passing through a road block put up by local police and makes a fearless run down the mountain road covered with fresh powder from the snowstorm. The boy is filled with worry over the consequences waiting for them at the bottom, but is not afraid for their safety because he trusts his father's driving skills. This is the turning point that makes the…
The little boy, Sarty, is faced with much conflict about his family. His father is a barn burner, and as the name would imply, the story centralizes around this act. Sarty is the younger son of his father, and the story opens with a civil trial between Sarty’s father, Mr. Snopes, and the barn owner, Mr. Harris. They began to question little Sarty, he didn’t answer, save for his name. They decided not to continue the questioning, and to just let him go. The judge released the case claiming that there wasn’t enough evidence against Snopes, the boy’s father, to actually continue with a trial. Nonetheless, the judge recommended that it would be in his best interest if he left town, and never came back. They do, in fact, leave for another location as the judge requested. The family settles into the de Spain mansion, doing work for them. They are only there for four days before Snopes decides that he is going to return to the activities that caused his family to move in the first place. The young boy has been bullied, beaten down, and treated as a punching bag his entire life by his father. Yet his father still has the audacity to speak of things such as family honor. The young boy is being restrained by his mother while his father heads off to the barn. In this entire family the aunt is the only other relative who sees that this situation will only…
The motif Nabokov illustrates is the recurring symbol of death and the darkness of the world that the boy seems to be declined into. The signs and symbols all relate to the boys condition and offer insight to the characters emotion. The setting Nabokov illustrates is dark and deathlike. The son has attempted to commit suicide twice and a third on a day his parents travel to the mental institution. While on their way to visit their deranged son there was a rainstorm and the underground train “lost its’ life.” Nabokov’s choice of diction foreshadows that someone will sooner or later lose their life. Before the parents reach the sanatorium Nabokov describes “ a tiny half-dead unfledged bird that was helplessly twitching in a puddle under a swaying and dripping tree”(599). The “tiny half-dead unfledged bird” symbolizes the son and how he is helpless in his own deranged mind. Later that night, the father expresses that he can’t sleep because he is dying. “We must get him out of there quick. Otherwise, we’ll be responsible” (Nabokov 602). The father cares for the son unconditionally that he takes the responsibility for his condition and is emotionally drained from caring.…
Obesity has grown into a rampant issue all over the United States, over the past few decades. Fast foods also have increased their outlets in the nation, in turn, depicting a success in the business venture. It is clear that fast foods have become quite cheap in comparison to healthy, homemade meals. Subsequently, people have turned to eat fast foods for economic reasons. Convenience is yet another reason behind people’s high indulgence in eating fast foods other than healthy, homemade meals. One does not need to prepare meals when dealing with fast foods; it is just a matter of walking into a fast food restaurant. However, the rampant feeding on fast foods in America has adverse effects that seem to affect even children. Obesity is the leading result of feeding on too much fast food. Recently, this has grown into a concern whereby fast food restaurants are being blamed for the high occurrence of obesity in America. Nonetheless, I do not concur with the fact that restaurants are to blame for obesity, but people have the sole responsibility of choosing the food they consume and account for their weight (National Bureau of Economic Research web).…
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy's self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and "musty from being long enclosed." It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He "left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236)." It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the "wild" garden is gloomy and desolate, containing but a lone apple tree…
It suggests that the parents were only giving the boy material possessions not time and love. Perhaps they were always busy working, trying to buy and give the boy material things which he doesn’t need.…
In the story we meet an unnamed woman, her husband, Morton, their son Larry, a brute and his son. The two boys are playing in the sandbox, when suddenly the unnamed boy throws sand at Larry. The unnamed woman – being the protective mother – tells the boy to stop. The boy’s father however, has a bit of a different look on the scene, as he tells his son that he can do whatever he wants. Now, here is where the story’s core lies. Most people are afraid of conflicts and will avoid them at all costs and this calm family is no different. They are used to fixing things with words, not violence, so this man – who clearly has no intend of being any kind of reasonable – frightens them. This man’s reaction towards Larry’s parents is aggressive. His son sees this, sees that it is, indeed, working and copies his father’s actions. We kind of have a Mexican standoff situation, where Morton and the brute are standing face to face with their sons watching. Whoever walks away as victor, the boys will see as the one who makes the decisions - even if the child does not know this person. The fact that the illusion of the indestructible parent has been crushed is enough to make the child contemplate the things they have been taught.…
The boy realized he didn’t even like Mahony, the friend he was running off with. The juvenile spirit of him actually annoyed the boy. He didn’t need to act cool or play hooky or read comics. He enjoyed learning, acting mature, and being a respectable boy and it took talking to this old man for him to realize that.…
We start in medias-res. We hear the story from the boy’s point of view, but with an omniscient narrator. The boy is very thoughtful and he is analysing his father’s steps to the letter. We can see in the text, that his father clearly has some issues with building up a relationship. He takes the boy on a trip, which is in his favour. Which his mother points out very well: “Mad, she was calling it, as he knew she would. “Mad! For the first time in four months he has his eight-year-old son and what does he plan to do? Take him camping up a mountain! Talk about macho avoidance activity!” The boy hears this while getting a torch from his room. He is aware of the situation, but ignore his mother’s worries. - Mostly because of his excitement. But when the leave the house and the boy waves goodbye to his mother, who is in tears, he shortly has a moment of discomfort. Although he have been looking forward to the joy of leaving with his father. Jim feels sorry for his father. His mother is very concerned and has told Jim: “No hope of him relating to his son on a personal, day-to-day level! No hope of him trying to RELATE to him”.…
Upon stepping into the yard, the boy sees the faces of the other boys and girls, but feels “like a stranger who had lost his way.” One boy approaches and asks the narrator who brought him to school; when he replies that it was his father, the other boy states that his own father is dead.…