The Anne of the novel is often isolated, particularly in regard to her emotional state, contrasting greatly to Shergold’s film adaptation where Anne is seen to be sharing her upset and feeling more openly. In the novel, Wentworth’s return is not accompanied by a debrief with Lady Russell where Anne expresses her distress and panic, rather, Austen displays her emotion through isolation and lack of communication with others, conveyed to the reader through narration rather than dialogue. Anne is adapted to a film audience to clearly display her state of mind and current emotion as to ensure that her reactions to certain situations are obvious, for example, the various scenes where Anne looks directly into the camera, connecting directly with the audience to show the devastation she is experiencing, pushing the emotion to solidify the facts of her distress that
The Anne of the novel is often isolated, particularly in regard to her emotional state, contrasting greatly to Shergold’s film adaptation where Anne is seen to be sharing her upset and feeling more openly. In the novel, Wentworth’s return is not accompanied by a debrief with Lady Russell where Anne expresses her distress and panic, rather, Austen displays her emotion through isolation and lack of communication with others, conveyed to the reader through narration rather than dialogue. Anne is adapted to a film audience to clearly display her state of mind and current emotion as to ensure that her reactions to certain situations are obvious, for example, the various scenes where Anne looks directly into the camera, connecting directly with the audience to show the devastation she is experiencing, pushing the emotion to solidify the facts of her distress that