In “To Paint a Water Lily,” by Ted Hughes, the speaker examines the complex aspects of nature by revealing the challenges he faces as an artist in capturing its real meaning. When he looks at the scene, he sees an exciting little world of constant movement and activity, hidden by the peaceful stillness of the water lilies that float at the surface of the pond. Ted knows that to paint the water lily and do it righteousness requires more than a simple description of the plant itself—he must also somehow capture its environment; the busy life that surrounds it. The power with which the speaker describes this incredible task and the appreciation he feels for the outstanding convolution of nature is expressed through the use of tone, language, imagery, diction and figurative language.…
Bonnie Divine’s art piece ‘Figuration of Places’ depicts a unique and animated perspective on Canada. The canvas of the painting consists of deer hide and displays a variety of animals layered strategically on the hide. Additionally, size varies as each animal and its area represent Canada’s bodies of water; Notably, the largest animals being the turtle, bison and rabbit are positioned closely to represent resemble Baffin Bay, Beamfort Sea, and Hudson Bay. Divine’s intention for her image, is to inform the viewer that nature is alive as well, despite the differences between man and wildlife. Furthermore, she proves this notion by substituting lakes for animals, so to animate the substances and materials by insinuating that land is alive and…
Fred William’s successful artwork ‘Upwey Landscape’ displays the plain scenery of the typical Australian bush. The work consists of a plain canvas -without a foreground or a background- with a particularly high horizon of a brown-red, earthy coloured ground spotted with black and green abstract trees. The composer uses distinctively visual features such as the use of high horizon, repetition and colours to paint a picture of the isolated Australian landscape in the reader’s mind.…
The form and shape of the trees created by Glover are strongly organic spreading out past the boarder of the canvas. Glover’s technique of painting trees is one of the key elements his work is recognised by. Glover’s painting shows the trees as both living and not living. The work is dominated by organic forms: the animals scattered in the foreground, the organically flowing lines of the hills, the trees spanning through all layers of the work reaching out of the canvas in the foreground, the man placed in the lower right corner of the work admiring the landscape and tending to the cattle.…
Franklin Carmichael’s “Hilltops” is a 25.4 x 30.4 cm oil on panel painted in 1943 located in the Art Gallery of Ontario. The painting is a depiction of a landscape consisting of rolling hills in the foreground and middle ground and sky with an overcast of clouds. Carmichael used flat areas of colour, bold horizontal lines, and simplification of objects that instils a sense of stability. In contrast, his use of thick, distinguishable lines, bright blue tones in the sky that is starkly juxtaposed with sullen grey clouds, as well as the mix of cool and warm colours of the hilltops in the foreground and middle…
William Robinson and Imants Tillers are both Australian landscape artists. Robinson born in 1936 and Tillers in 1950 both have a completely different stylisation in how they view and capture the land they paint. Imants Tillers Mount Analogue (1985) a mass media appropriation of Eugene Von Guerard’s North-East view from the northern top of Mount Kosciusko (1863) is very alike to William Robinson’s Ridge and gully in afternoon light (1992.) They both use similar methods and materials to construct their artworks and though we in both artworks see a different view of a landscape, several key techniques and meanings both seen and felt are portrayed similarly in both artworks.…
At first look Olivia Peguero’s oil paintings are magnificent and lavish tropical visions of the Dominican Republic and Caribbean. Her art has been inextricably linked to the idea of island life and the splendor of its landscapes and botanical diversity. Peguero only produces a few pieces each year, some taking months to complete. She is often seen in images, flanked by her assistant or with only her easel and set of oils. Spending weeks at a time in the countryside, she has gained a direct relationship with the people and farmers that live and work the landscape she paints.…
2. ‘19th century Australian landscape painting does not represent the physical environment; rather it reflects European painting conventions and Imperial agendas'. Critically discuss.…
| Frames:Structural: * Vibrant imagery * Traditional techniques and contemporary design and illustration. * Foliage * Abstract shapes * Patterns…
Mark Getlein book, Living with Art takes the reader through a journey into understanding the various styles of art throughout time. In chapter fourteen of the book Getlein explains the different time periods of art. The time periods include the Oldest art, Mesopotamia, and Egyptian. The oldest art focuses on art near and around the Mediterranean Sea before 3000 B.C. defined as the prehistoric and Neolithic. The prehistoric era was a period when there was a nomadic lifestyle largely dependent on hunting and gathering. The Neolithic era is also known as time when tools were being developed and there was a large shift towards farming. The oldest art focused heavily on stone figures and paintings of animals on caves. Getlein includes an image of…
In my artwork, I created a batik landscape of Ireland, with the house on the cliff supposed to be a house similar to one on my way to church. When creating this piece, I used a piece of silk, and then dyed it with various colors, ranging from brown to green. I believe this shows the theme, as I have been to Ireland, and I have multiple connections to it, as many ancestors of mine were Irish. Also, the house in the artwork was one that I see every time I go to church. I felt the house had an older and more traditional look to it, as it was covered with dead plants, and slightly broken in. I combined both memories, and created this piece. I believe this item connects with the artist Faith Ringold, as we both used mixed media to represent something…
He works in a wide range of genres, including portraits and still lifes, but also landscapes that reflect his fascination with Australianness, a passion which has its origins in Arthur Streeton’s edict that Australian artists should look to their own backyards for inspiration.…
Contemporary artist Hossein Valamanesh and Janet Lawrence both have a different and diverse cultural background in which informs their practice. Hossein’s cultural background underpins much of his art, intertwining both his Australian and Iranian background. Lawrence’s artworks are a personal comment on her world, she explores contemporary and therefore cultural themes such as history, art, science and memory.…
During his appointment with Art, Pavel the therapist states that, “[M]aybe it’s better not to have any more stories” (Spiegelman 45) in response to Art’s troubles regarding the creation of Maus II. In a sense, this statement about the Holocaust is valid due to the fact that the only stories individuals will ever get to read are of those who were able to survive. As Pavel had also stated, “Life always takes the side of life, and somehow the victims are blamed” (Spiegelman 45), showing that, in all of the stories surrounding the Holocaust, individuals never get to hear the stories of those who perished. As a result, every single story surrounding the Holocaust will technically always be the same because it will almost always be a story of a survivor…
John Gast’s painting is set on an American landscape, with the right half of the painting representing eastern America, and the left half of the painting representing western America. The first thing to notice about the painting is the variations in light seen when comparing the east and the west. The rightmost edge of the painting is bright, but as the painting shifts left it begins to grow darker, with the furthest left edge being marked by a foreboding sky adorned with storm clouds. Similarly, the gentle rolling hills of…