Both of these poems talk about the sea, they are both referring to the sea as a human and identifying it in a human characteristic kind of way. As we can see along the sonnet (on the sea), the author uses terms as uproar rude, mighty swell, caverns, and vexed, desolate shores. He also mentions The Greco-Roman goddess Hecate associated with magic and the wild. This is referring to the sea and how ruthless it can be.
This poem deals with nature, focusing on its wild and violent side. This poem also reflects on human actions. The poem is comparing the nature with the human being, because we can also get wild and violent. It seems a criticism of the alienation of the human being -above all when living and working in big cities. So the author may be calling our attention – the speaker of the poem addresses to us (Oh ye!) -And giving us a piece of advice- not to underestimate nature.
John Masefield's poem "Sea Fever" is a work of art that brings beauty to the English language through its use of rhythm, imagery and many complex figures of speech. The imagery in "Sea Fever" suggests an adventurous ocean that appeals to all five senses. Along with an adventurous ocean,
"Sea Fever" also sets a mood of freedom through imagery of traveling gypsies.
These poems both use a rhythmic tone in their stanzas. In the sonnet “sea fever” lines 3 and four, it uses rhythmic language, these lines say “And the wheel’s kick and the wind’s song and the white sail’s shaking, And a grey mist on the sea’s face, and a grey dawn breaking”