This can easily be seen when he is talking to Clarisse, “’that’s why I think it’s so strange you’re a fireman, it just doesn’t seem right for you, somehow.’ He felt his body divide itself into a hotness and a coldness, a softness and a hardness…” (Bradbury 21). This novel thoroughly benefits from being told in third person limited omniscient because the omniscient narrator greatly helps the novel develop through describing the world around the characters and the main character, Guy Montag’s,
This can easily be seen when he is talking to Clarisse, “’that’s why I think it’s so strange you’re a fireman, it just doesn’t seem right for you, somehow.’ He felt his body divide itself into a hotness and a coldness, a softness and a hardness…” (Bradbury 21). This novel thoroughly benefits from being told in third person limited omniscient because the omniscient narrator greatly helps the novel develop through describing the world around the characters and the main character, Guy Montag’s,