However, in reality Polonius is an evil, greedy selfish man, who serves not his kingdom but himself. One example of this is how Polonius appears to be happy, concerned and supportive of his son, Laerte’s, journey to France. He seems to be supportive of his son until he sends Reynaldo as an emissary, in order to detect what sort of mischief he stumbles upon in France. In addition, Polonius, again, displays his devious characteristics when he spies on Hamlet and Ophelia in an attempt to analyze Hamlet’s madness. He soon orders Ophelia to stop seeing Hamlet, as he brainwashes her with lies about Hamlets motives, when in reality Hamlet is truly in love with Ophelia. Once again, Polonius proves his scheming behavior when he listens in on Hamlet and Gertrude’s conversation while in the bedchamber. Hamlet finally teaches him his lesson when he unexpectedly murders the “rat.” In reality Polonius is anything but a loving father watching out for his children, he uses everyone to his advantage and for his own purposes; this proves as evidence for his sneaky…
Another reason why Hamlet’s criticisms of women are justified is due to the profound resentment he has for his own mother, which is reflected whenever he talks to any woman. Since he had a very close relationship with his father and thought very highly of him, Hamlet feels personally betrayed by his mother when she gets married to Claudius. He feels that Gertrude should be mourning his father’s death as deeply as he himself does, and thinks her decision to marry again was brash. Since he is expected to behave politely at all times due to his station, Hamlet does not feel as though he can express the hurt he feels to anyone, and instead keeps it bottled up inside. He is only able to release this anger when he is approached by another woman,…
Ophelia was a modern day good girl gone bad. She obeyed her father, Polonius, and brother, Laertes’ wishes to stay away from Prince Hamlet while trying to fight for her love for Hamlet and being herself. Throughout the entire play Ophelia is used as pawn in a game of revenge between Hamlet, Polonius, and King Claudius. Polonius and Laertes forbid Ophelia from seeing Hamlet because they believe that he is only using her for sex, yet Polonius uses her to seek information from Hamlet as though she were his personal spy. Although Hamlet loves Ophelia and genuinely cares for her, he sees the danger he and the royal court pose on her. Hamlet wants to get her away from the corruption while putting on an act for King Claudius to prove that he is really mad, and in that attempt, acts as though Ophelia means nothing to him. He treats her in the same manner he treats his mother and all women for that matter. Hamlet sees all women as ignorant and deceitful. Despite Ophelia’s ability to see through Hamlet’s charade, there is still a sense of pain in the words he speaks to her. “Get thee to a nunnery, go. Farewell...To a nunnery, go, and quickly too. Farewell.” (Act 3.1) This had to have been the largest insult to Ophelia ever spoken, but was not meant in that…
The dismissive behaviour of Polonius and Laertes dehumanizes Ophelia and keeps her separated from the decision making “adults”. In one instance, Polonius instructs her to “think [herself] a baby”. In her interactions with these characters, Ophelia’s opinion is not asked for or valued she is largely cast aside or used as a tool. In Ophelia’s first appearance she is constantly reminded by Polonius and Laertes of the “danger of desire”, Laertes advises her that he “best safety lies in fear”. (Act I, Scene III). It is made clear early on that Ophelia is being taught to fear relationships, leading to long term isolation. These repressed emotions may relate to her fixation on desire during her madness. Polonius also dismisses Ophelia’s opinions on Hamlet’s behaviour saying, ”Affection? Pooh! you speak like a green girl”. Throughout all of Ophelia’s interactions with her father she maintains formal titles and language, referring to Polonius as “my lord”. By submitting to the perception of her inferiority Ophelia alienates herself from others. Even before her becoming insane, Ophelia is marginalized and removed from others, a the true outsider within…
Just like Ophelia, Gertrude is also dependent but dependent on affection, and is portrayed as weak when she quickly marries Claudius after her husband dies. “Frailty, thy name is woman! A little month, or ere those shoes were old with which she followed my poor father’s body, like Niobe, all tears. Why she, even she O God, a beast that wants discourse of reason would have mourned longer! Within a month, Ere yet the salt of most unrighteous tears had left the flushing in her gallèd eyes” ( 1.2.146-155). Within a month of mourning the king’s death, Gertrude now seeks attention from another man. So desperate for the attention of a man, she marries the king’s brother. An act like this is considered weak minded and submissive. Gertrude fell into the trap of Claudius when given love, affection, and attention ultimately demonstrating how the women in the play are portrayed as extremely weak, passive, and submissive, illustrating the power dynamics between men and…
Throughout history, a strong male lead has been the popular choice in literature. Oftentimes, the females in written works are seen as weaker characters than their male counterparts. This was especially true in the time of Shakespeare. In Hamlet, both Ophelia and Gertrude, the queen, are written in this way. Although they both could have had a large impact on the plot, Shakespeare chose to write them in as small, impotent characters. This may be because that's how women were often viewed in his time.…
Due to Ophelia’s fickle behavior regarding Hamlet, he is unsure of her affection and does not deem her trustworthy. Ophelia is not yet a married woman, meaning she is not admitted to disobey her father, and not able to control her own choices. When her father demands “I would not, in plain terms, from this time forth have you so sander and moment leisure as to give words or talk with the Lord Hamlet.” (I, III, 136-140) Ophelia must heed her father’s commands. When Ophelia is requested to converse with Hamlet by Polonius and Claudius, she must endure. She attempts to return letters that Hamlet wrote for her, this seeming to have a powerful effect on him. Although he has suspicions that their conversation is being eavesdropped on, Hamlet does not restrain himself with his reaction towards Ophelia. Hamlet seems to contradict himself when proclaiming her “Get thee to a nunnery, go.” (III, I, 138). Nunnery, also meaning brothel, shows Hamlet’s indecisive feelings for Ophelia, by using a word that paints her as holy and sinful. As he continues to insult Ophelia, it becomes clear that Hamlet presumes all women to be deceitful, describing that “God has given you one face and you make yourselves another.” (III, I, 145). Although it is not certain whether or not Hamlet truly loves Ophelia, it can be deducted that due to his mother’s actions he cannot be definite in his…
Since the Renaissance, when Shakespeare born and wrote his works, many of the plays and literature styles have gained wide popularity among the readers and influenced many of the readers and the critics. Furthermore, people often say, it is widely believed at this time that role of males stand completely opposite to that of females; however, through the play of Hamlet, Shakespeare portrays a complex representation of human beings including femininity in its protagonist and title character, prince Hamlet. The Women in Literature and Life Assembly states in one of their articles, “Defining masculine and feminine characteristics allowed writers like Shakespeare to draw males with certain ‘feminine’ characteristics and females with certain ‘masculine’…
It shows that Ophelia lacks in her own independence of thought and who continually accepts the thoughts of male figures in her life. From the very beginning of the play, Ophelia is compliant to her fathers will. This is represented through Ophelia’s response to her father when she says 'I did repel his letters, and denied his access to me' (Act II, scene I) were Ophelia complies with her father’s orders. Ophelia’s response to her father suggests that Ophelia lacks her own independence and who is under the authority of her father. Ophelia’s actions show how willingly she is able to sacrifice her feelings for Hamlet under the order of her father and that she will give up her happiness in order to please and obey her father. Throughout the play, Ophelia continuously portrays her obedience to her father. In particular, Ophelia decides that she will no longer insist on seeing Hamlet anymore after the request from her father with her response, ‘I shall obey, my lord’ (Act I scene III.) The actions of Ophelia show that Polonius is in control over her as she sacrifices her feelings for Hamlet to satisfy her father.…
“When it came to property, a woman gave up all of her rights to own land and such things to her husband. He became not only the owner of her physical possessions, but of her as well.” (“Rights of Women” 1). In the play, Ophelia has been under the control of male characters by being used for her possessions, status and lust. "Come, go with me: I will go seek the king./ This is the very ecstasy of love,/ Whose violent property fordoes itself/ And leads the will to desperate undertakings/ As oft as any passion under heaven/ That does afflict our natures.” (2.1.101-106) as mentioned by Polonius. Here it is evident that Polonius uses his daughter for his own desires. When Ophelia talks about Hamlet's unusual behaviour towards her, Polonius immediately depicts this to his advantage. He speculates his daughter's description as madness from love which is in his advantage because it can mean that Ophelia will marry into royalty which would bring him up in status. Polonius's intentions are seen through his desperate actions. Secondly, when Ophelia sings a song "Before you tumbled me,/ You promised me to wed.", he answers: "So would I ha' done, by yonder sun,/ And thou hadst not come to my bed." (4.5.62-66). Ophelia's song indicates the mistake she made of losing her virginity to Hamlet. With the loss of her father, virginity and…
Ophelia is introduced to the audience as naïve young girl hopelessly submerged in affection for her beloved Hamlet, the son of the former king. She is the daughter of the current king’s most trust advisor, Polonius. Ophelia’s first plank of madness is laid with the departure of her brother for France. This early “loss” of a loved one is similar in many ways that Hamlet’s father is also gone. However both Laertes and Hamlet Sr. inevitably return.…
William Shakespeare’s Hamlet is an intricate literary masterpiece, made up of a conglomeration of different techniques that add dimension, color, and texture to the story. There are countless uses of characterization, dark humor, and many other literary components in Hamlet, all of which are used to give the reader a more emotional and thought provoking reading or listening experience, and insight into the twisted storyline. One of the most interesting of Shakespeare’s techniques is the characterization of each gender as a separate entity. He seems to give the main characters traits that will lead them to follow certain trends for their gender. In Hamlet, Shakespeare characterizes the main male characters as men with power who tend to exercise…
“Women may fall, when there’s no strength in men” –William Shakespeare. William Shakespeare conveys this message about women being inferior to men through all his plays. He says that men are women’s strength and are the reason for women’s survival. Shakespeare shows women to be obedient and weak, whereas, men to be strong and independent. Once again, Shakespeare continued this trend of showing women to be dominated and influenced figures in his play Hamlet. Hamlet was written in 160 set in Denmark during the Elizabethan era. A very significant part of the play Hamlet is gender roles where the men are powerful, dominant, and revengeful but, the women are fragile, manipulated, and simply weak. There are many examples throughout Hamlet in…
Her weak mindedness and cowardice eventually leads to her suicide; however, the cause of her of emotional weakness is due to forces beyond her control. Ophelia’s subjection to the loss of two loved ones at the same time allocates an overwhelming feeling of devastation that she is incapable of coping with due to her lack of mental strength. Claudius recognizes the intensity and overpowering nature of her suffering as he states that “when sorrows come, they come not single spies, but in batallions,” (IV, iv, 77). Ophelia’s immense losses include the Polonius’ murder, in addition to the Hamlet rejecting her feelings. The death of Polonius not only means the death of her dad additionally the one whom she derives all of her guidance from. The lack of support for Ophelia during this vulnerable period of her life further weakens her emotional stability; furthermore, Hamlet’s unusual conduct leaves Ophelia feeling more isolated and disliked. Hamlet illuminates his unorthodox demeanor to her by denying her mementos and by blatantly denies having ever loved her as states, “I loved you not” (III, i, 118). Denying the remembrances, he alludes to the…
Hamlet vs Shakespeare’s Portrayal of Women Hamlet and Shakespeare interpret women in two different ways. Some say that hamlet is a misogynist while some say he may not be. In the play “Hamlet” He feels that he is betrayed by his mother gertrude which leds him to treat women the way that he does. Shakespeare portrays it all in a completely different way. Shakespeare's view of it is that they are normal, weak and not trying to turn against him in any way.…