Popular Music Counterculture Essay

hesis

Popular music was recorded and marketed as a Counterculture which opposed the normal, functional, and unexciting Culture that was dominant in society; by being outside of that which was in power, Counterculturalists argued, they were able to see what was "real" and to implement a "progressive" worldview in which moral correctness brought us gradually closer to a utopian state.

This marketing mirrored the process of adolescents, the main audience for popular music, who first reject the world of their parents, then once independent re-assess their own values, and finally, rejoin society on the terms of these recreated values. This determines "reality" as they will act to create it, based upon their values system.

While dominant
This attitude, over the course of four generations of music, took metal beyond the grounds of "good" versus "evil" into nihilism, where nothing had inherent value or classification, but could be described in terms of
Much of this relates to the desire of new American immigrants to both fit in and be accepted for what they were, as, lacking the cultural affectations of Northern Europeans, they demanded a "tolerant" society such that their own customs might not come into conflict with any dominant or consensus-oriented cultural standards. Thus non-consensus became consensus through the vehicle of absolute individual autonomy, and a depletion of any standards for the goals of individual