Othello:
Othello, the principle character, at the beginning seems to have power- whether it is physical, psychological, political or military. He is portrayed to the audience as a symbol of power and strength. As an experienced soldier, a General to be precise, Othello has had little experience with women. Even though he is a high ranking military official, he is less respected because of his dark skin and being a foreigner. His stature and tone of voice, along with his self-confidence and belief, lead the audience to think of Othello as the main representation of power in the play. However, further into the play, Othello's power seems to diminish, revealing his insecurity and susceptibility. He is very naive and strongly believes those close to him are honest- even deeper in the play when Iago’s doings make Othello despise those around him, he still believes Iago. Psychologically, Othello also seems to have power, mainly a result of his military rank. Between his soldiers and his friends, he is also very highly respected, this too being a form of power.
Desdemona:
Desdemona is Othello’s wife and the daughter of Brabantio. Desdemona secretly married Othello, against her father’s wishes. Throughout the play, Desdemona’s power is not clearly conveyed to the audience, but her presence has an effect. Roderigo is in love with her and her presence has an effect on him- he wants Othello out of the way, so to speak, so he can once again attempt to win Desdemona’s love. As the play unfolds, different aspects of Desdemona’s character are revealed, and blend into a unique personality. Throughout the play, Desdemona is loyal to her husband, but once again, her presence (with Cassio) leads Othello to believe that she is disloyal to him. Her handkerchief plays a pivotal role in the play- by Desdemona dropping it, Emilia gives it to Iago, who then stealthily gives it to Cassio. Othello sees Cassio with the handkerchief and believes Desdemona gave it to