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Nora and Torvald are a married couple and been taking on many challenges in their relationship.Torvald basically takes care of and provides for Nova and their children. During their conversation in Act 3 it talks about how she was been transferred from her father’s hands to torvald hands. Nora feels like torvald is treating her like a poor women from hand to mouth. This means that he is treating her like she can’t do for herself. Torvald is taking over her life and when her father was alive he did the same that’s why her life consist of nothing. Torvald is very physically controlling, treats Nora like she’s a child and doesn't trust her with money. The expression Nora used as “ doll child” and “doll wife” is that her life was controlled by her husband and father. By expression her feelings she tells torvald how she feels. She says, “You and Papa have committed a great sin against me. It is your fault that I have made nothing of my life.”. She doesn’t have anything to fall back on besides what her husband gives her. She can’t do anything on her own without getting an approval from Torvald.…
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Nora is in an interesting relationship with her husband Torvald. When readers first get an image of how their relationship is, it would not seem that bad. Once further into the play you see that it is just because Nora is submissive, and lets it be that way. The only reason she is loving her husband is because that is what she thinks she is supposed to do. Her husband will not let her expand as a person, and she just lets it happen. Women are constantly treated as a lower class among men. Nora is just as capable as her husband Torvald, with all of the talents that could lead her into being an important or meaningful person to society just like her Husband. Throughout the play Torvald says over and over again that his wife cannot possible understand…
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This only seeks to reduce her place as a human being while further digging her into the belief that her existence is to be Torvalds eye candy and plaything. In the end, the stoic anger that has accumulated from Torvalds constant arrogance and belittlement boils over. Nora…
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Nora made the right decision to leave a man who controlled and treated her like an object. While talking seriously to her husband for the first time, Nora admits, “I’ve been your doll-wife” (Ibsen 1120), which she used to show how he controlled her every move. Aside from being a “doll-wife” (Ibsen1120), Nora also confesses, “You arranged everything the way you wanted it, so that I simply took over your taste in everything” (Ibsen 1120). All these things demonstrate how since the beginning of their marriage, Torvald controlled Nora’s everything.…
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In Act 1, it’s made clear that Torvald has redeeming qualities. In the story it is Christmas, the glorious holiday season. Torvald is all about keeping his wife happy as it seems, Nora wants an extravagant Christmas this year. He isn’t too fond of the idea, he tells her they don’t have money to waste, yet she insists his salary is large and they could always borrow. Torvald called her irresponsible. Of course he wants her to be happy, but poor torvald is failing miserably to realize that Nora is very materialistic. He has good intentions, but he’s a little dumb founded to what his wife is trying to do. He caves in and gives her money just like she wanted; he gave her forty dollars, not even ten minutes later she was asking for more. Torvald said to her “You’re always looking for ways to get money, but as soon as you do, it runs through your fingers and you can never say what you spent it for.” Yet he still continues to give her what she wants. I myself would have to put Torvald in the category of being weak. He doesn’t really seem to have much of a back bone when it comes to Nora and her constant wants and demands.…
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This oral presentation helped me deepen my understanding of the role of women during the time period that the play takes place in. Compared to our current society, women are extremely limited in terms of what they are allowed to do overall. Most women are subjects of their husband, and must conform to their demands and requests. Nora is a great example of this, as Torvald controls most aspects of her life. He forbids Nora from doing basic things, such as checking the mail. This raised the question discussed in the oral: Is Nora a coward or brave for leaving Torvald and her family? One could argue that it was a cowardly move because she is leaving Torvald to support his children by himself, therefore taking away any influence a mother figure…
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The theme that women have a low status in society is one of the main aspects of the play. Though Nora is economically advantaged in comparison to the play’s other female characters, she still lives a difficult life because society dictates that Torvald be the marriage’s dominant partner. Torvald issues decrees and condescends to Nora, and Nora must hide her loan from him because she…
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In A Doll House, written by Henrik Ibsen, Nora Helmer spends the entire play trying to keep a big secret from her husband, Torvald Helmer. This secret is that she borrowed money to pay for Torvald to get better, but she told her husband that she got the money from her father. After consulting her friend Kristine and lawyer Krogstad, Nora allowed Torvald to find out the truth, which leads to her leaving him and their children. Throughout the play, it is obvious that Nora has different characteristics, some of which are good and bad. In A Doll House, Nora shows the characteristics of being loving, deceitful, and selfish.…
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The major conflict of the play becomes apparent to the audience when Nora’s childhood friend comes and visits. While visiting Nora shares a secret with Mrs. Linde that she has borrowed money from someone. Everything seems fine until Krogstad blackmails Nora and threatens to expose her to her husband. When talking to Mrs. Linde, Nora expresses how hurtful and embarrassing for Torvald and his macho self-reliance if he was to find out he is in debt to his wife (Act I). Being emasculated because his wife helps him in a situation shows Torvald’s arrogance.…
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That possibly Torvald will look down upon her as he does Nils. His character causes Nora to re-evaluate how her life may turn out. She also begins to fear that she will corrupt her children as her husband believes Nils is “poisoning his own children with lies and pretense” (Ibsen 1124). She fretfully states as she becomes pale with terror, “Hurt my children- ! Poison my home? That’s not true.…
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Seemingly, it is very strange to see a husband speaking towards his wife in that demeanor, but it is not an uncommon conversation a parent would have with their child when trying to discipline them. Furthermore, Torvald's treatment of Nora belittles and downgrades her well-being by giving her outlandish nicknames, including "squirrel", "skylark", “featherhead”, and “featherbrain” which generates the feeling that Nora is vulnerable and fragile. Moreover, Torvald always makes the addition of the word "little" to further depreciate her role in the relationship, which can be seen what Tolvald says, “come, come, my little skylark must not droop her wings. What is this! My little squirrel out of temper" (Ibsen, 4).…
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The lies that Nora hid from Torvald reveals when he reads the letter from Krogstad. Before Torvald found out the lies behind Nora he said he would protect her from everything but when something does happen he did not. Nora realizes he does not love her as much as he says he does and decides to leave. She says, “I am going to see if I can make out who is right,the world or I.”(79) A woman during that time would probably stay with her husband because she needs to rely on a man, but Nora has her own opinions and believes she is better off…
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Nora’s character and the exploration of gender roles in the nineteenth century Norway Nora is the main protagonist of the play and the play mainly focuses on her feelings and actions. She is the only one whose character develops throughout the play. In the initial stages of the play she displays some childish qualities when she interacts with her husband as the audience can see when Torvald calls her by different names such as “my little squirrel”, “my little lark”, “my little spendthrift”, “extravagant little person”, “little featherhead”, etc. she seems to enjoy it.…
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He exclaims that Nora is dancing “wild” and as if her “life depended on it”, and he wants her to dance slow and calm. Society has put pressure on Torvald here, instead of Nora, for him to want Nora and himself to appear to others as a happy, stable, married couple. He believes that if he can keep Nora under his control and not let her dance the way she wants, it would come across to everyone else that he is the dominant figure in their marriage. This in turn forces Nora to have to shrink away and be the “little skylark” that Torvald so often calls…
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Torvald, also uses Nora to gain a higher position at work. He believes herto be…
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