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Pride And Prejudice Change Essay

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Pride And Prejudice Change Essay
The presentation of the theme of change is what draws the reader in. Explore the methods by which the writers develop the theme of change in the light of this statement.
The theme of change is used by writers to draw a reader in. Through the use of narrative techniques such as narrative structure and voice, use of speech, symbols and motifs the writer is able to develop this theme of change. In Pride and Prejudice Jane Austen uses authorial voice, free indirect style and third person narrative to create a sense of change. Change in the way characters feel or act, change in their attitudes and changes in setting all contribute to keeping the reader engaged. In The Yellow Wallpaper Charlotte Perkins
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The grounds also symbolise Darcy’s character. The “stream of some natural importance . . . swelled into greater” reminds the reader of his pride, but the fact that it lacks “any artificial appearance” indicates his basic honesty, as does the fact that the stream is neither “formal, nor falsely adorned.”
Ironically, Elizabeth realises the pleasure that being mistress of Pemberley must hold and she sees what she has lost. The repetition on the word ‘regret’ emphasises this loss.

In The Yellow Wallpaper the setting is also important to the theme of change. The yellow wallpaper is used as a motif to show change in the mental state of the main characters mind.
‘There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!’
The narrator is being drawn further and further into her fantasy which is now revealing certain truths about her own life. Gilman’s irony is clear here, the ‘things’ paper she is talking about symbolises the narrator. She is trapped within a suffocating domestic “pattern” from which no escape is

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