In the late 18th century England, women were demoted to secondary roles in society with respect to property and social responsibilities through the many laws and morals binding women's rights. Rather than being capable of owning property, women were subjected with the role of marrying for economic sustainability. By remaining true to the novel, Pride and Prejudice (film) supported this view throughout the film during the scenes such as immediately after Elizabeth Bennet, the heroine of this romantic comedy, flatly refuses the awkward marriage proposal offered by Mr. Collins, stating fiercely that "[he] could not make [her] happy, and [she is] the last woman in the world who could make [him] happy". Soon after Elizabeth's rejection, her best friend, Charlotte, arrives with the news that "Mr Collins and [she] are... engaged." Pathetic fallacy is employed to portray the dreaded effect of
In the late 18th century England, women were demoted to secondary roles in society with respect to property and social responsibilities through the many laws and morals binding women's rights. Rather than being capable of owning property, women were subjected with the role of marrying for economic sustainability. By remaining true to the novel, Pride and Prejudice (film) supported this view throughout the film during the scenes such as immediately after Elizabeth Bennet, the heroine of this romantic comedy, flatly refuses the awkward marriage proposal offered by Mr. Collins, stating fiercely that "[he] could not make [her] happy, and [she is] the last woman in the world who could make [him] happy". Soon after Elizabeth's rejection, her best friend, Charlotte, arrives with the news that "Mr Collins and [she] are... engaged." Pathetic fallacy is employed to portray the dreaded effect of