Cited: Shakespeare, William. The Tempest. New York: Dover, 1999.
Cited: Shakespeare, William. The Tempest. New York: Dover, 1999.
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Prince Prospero's actions proved to be cowardly, as he and his selection of knights, dames, and nobles, retreated into his castle. He thought that in doing this, he would in some way, escape the wrath of the Red Death. He could care less about his people, locking them out of his home and leaving them uncared-for.…
Ultimately, Prospero loses his daughter to Ferdinand and Milan, which I think parallels how he was harshly treated by Milan's politics. Prospero becomes expresses his helplessness:…
Prospero tries to build an alternate reality in which he thrives from clouded judgement and false sense of security. Excluding himself from the world along with the presences of a thousand of his knights and friends Prospero locks the world out. “With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself ”(Poe). Abandoning those in need and trying to save himself Prince Prospero selfishly runs from the problem. This false sense of security creates somewhat of a bubble blinding the people and Prospero from seeing that they do not control their fates.…
One could say Prospero makes this decision because he has no more need for his magic in Milan. Prospero’s goal was to have revenge on his brother and those that followed him, and to reclaim his high status. He was able to accomplish this goal through the help of magic, but as he will no longer need this power in Milan. Prospero instead plans to use political and social power to hold his status over others, instead of using magic to assert his dominance. However, Prospero may have also decided to rid himself of his magic, although it gave him great power, it…
The Tempest by William Shakespeare was written in the 17th century, a time where exploration and colonialism were of high priority in Europe and the people were fascinated with the discovery of new lands. In the play, Propsero, once the Duke of Milan, resides on a remote island in the Caribbean with his daughter Miranda where he has spent many years ever since his brother Antonio dethroned him. Prospero possesses magical powers which allow him to control the entire island. Caliban, the only native to the island, exchanged his knowledge of the land for the knowledge of language. Prospero takes advantage of his inherit powers and makes Caliban his slave. The story begins when Prospero uses his magic to coordinate a storm called, The Tempest, which causes a shipwreck that leaves his brother Antonio and the rest of the crew abandoned on the same island. All members of the ship end up in different areas of the island. Assuming it is unsettled, the characters become power hungry and aim towards ruling the island themselves until they find out the daunting news that Prospero resides there. This play addresses colonization and prejudice towards the indigenous people, the dependance of the native people to the survival of the colonizer, and can relate to today's endeavors the West has in the Middle East.…
Prospero is a protagonist in “The Tempest” because he has been attacked and betrayed by the people around him. Even though this puts him in a sympathetic position, he is ultimately cruel because he uses his advantages in order to get vengeance and stay in power over others. In particular, Prospero tournaments, Caliban, whom he catches trying to rape his daughter Miranda. He resorts to vengeance in Act 1, telling Caliban, “If thou neglectest or dost unwillingly what I command, I’le wrack thee with old Cramps, fill all thy bones with Aches, make thee roar, that Beasts shall tremble” (Shakespeare 1:2:21). Prospero threatens Caliban by imposing torture on him. To punish Caliban for his actions Prospero threatens to cause physical pain to Caliban by giving him painful cramps during the night. The fact that Prospero's idea of justifying the problem through torture demonstrates his standing in his sense of morality.. Prospero is wrong in the way he uses his social standing as a mean to torture others. Prospero feels a sense of authority. And this makes him like he is able to inflict suffering Caliban so that Caliban can pay for his actions towards his daughter. It is important to understand that authority figures such as Prospero's often turn to torture and cruelty to keep their subordinate figures in order. This contradicts the fact that all humans were created equally with the…
Despite the similar critique of power, morality and human nature in Julius Caesar and The Prince, their differing contexts, form, purpose and audience create unique outlooks on these underlying concerns. Niccolo Machiavelli’s 1513 political treatise, The Prince analyses the methods which individuals may obtain and maintain principalities in response to the political instability of Italy during the chaotic times of the Renaissance. The Prince also critiques conventional morality, the unpredictability of fate as well as humanity’s inability to sustain control. William Shakespeare’s 1599 historical tragedy, Julius Caesar examines the conspirators behind Caesar’s assassination as well as the infighting that followed Rome’s transition from a republican…
In order to understand the characters in a play, we have to be able to distinguish what exactly makes them different. In the case of "The Tempest," Caliban, the sub-human slave is governed largely by his senses, making him the animal that he is portrayed to be and Prospero is governed by sound mind, making him human. Caliban responds to nature as his instinct is to follow it. Prospero, on the other hand, follows the art of justifiable rule. Even though it is easy to start assessing "The Tempest" in view of a colonialist sight. I have chosen instead to concentrate on viewing Caliban as the monster he is portrayed to be, due to other characters that are not human, but are treated in a more humane fashion than Caliban.…
In “The Tempest”, William Shakespeare leads the reader into an island in a realm beyond reality, which generates obstacles and challenges that aid the characters in their self-discovery process. During their time on the island, they are encouraged to expand themselves and become more than what they think they are. This journey is especially evident within the protagonist, Prospero, as he is able to grow in many aspects of his entire being. Comparing his initial plans of retribution and punishment towards his brother Antonio, with his attitudes of reconciliation and resolution at the end of the play, it is apparent that he has undertaken a journey of self-discovery. Somewhere along the way, Prospero has arrived at a realisation, during which he comprehends that “the rarer action is in virtue, than in vengeance” (Act 5, Scene 1), meaning that it is both rare and ultimately more admirable to exonerate, than to hate one’s enemies. This sense of illumination and enlightenment is achieved through the island’s magical properties that stimulate growth within the characters, and also Prospero’s love for his daughter, Miranda, which humbled him greatly.…
The premise of, ‘Othello’, and its 2001 contemporary film adaption, ‘O’, is that those who seemingly sit atop the social hierarchy, dominate power, and therefore have control and authority throughout society. The theme of ‘power’ in the form of status and position is explored throughout Shakespeare’s ‘Othello’ and Nelson’s ‘O’. Reputation is a very important value held by all characters in ‘Othello’ and also by the people of Shakespeare’s time. The film ‘O’ has been able to…
The heroes of the play, Othello and Claudios, are both important men in the military, they are both in love, and they both have insecurities. It’s from their insecurities that they are manipulated by the villains. After seeing what they believe is their partners cheat on them, they both decides to take action to restore their honors, although what they do is…
Othello is the almighty, respected, and victorious General of the Venetian forces, but finds himself defeated in his most important battle. Othello past triumphs are proof of his strength and reputation, “For since these arms of mine had seven years’ pith” (Act I, Scene 3). Othello loyalty to the people of Venice is shown throughout the play, and the trust he…
Throughout William Shakespeare's play, The Tempest, many different themes and motifs are present. However, power and gender roles strongly influence the directionality of the plot. Specifically, the characters Prospero and Sycorax tend to represent two opposing ideas of what it means to be male versus a female and to have power versus not having power. The patriarchy is one that seems to be led and determined largely by Prospero, however, is a coherent system which is opposite of the system Sycorax represents. By analyzing the actions of the male characters in conjunction with the analysis of the way Sycorax character affects the others in the play, the opposition of gender from the patriarchy is evident. Furthermore, even though Sycorax exists only in the perspective from the male characters, she is thus able to threaten the power of men through her absence.…
The tempest is a comedy even though the play is filled with moments that can end in chaos but are greatly avoided. The story begins with the ship of Alonso king of Naples in a huge storm, which is called a “Tempest”. Which is conjured by the story’s protagonist Prospero who is the resident witch of the island and who is also the rightful duke of Milan.…