CJ’s use of shifting temporal frames allows us to review the persona’s past whilst retaining the present, demonstrating the impact of his childhood experiences on his identity. Jesse Duggan was an influential figure in protagonist’s …show more content…
Ironically, the repetition of ‘my’ implies an illumination of identity, rather than its suppression. It seems the Prufrock is afraid reveal his identity may ‘disturb the universe’: “do I dare, and, do I dare?”
Avoiding this ultimate question, he seeks peace in oblivion: I should have been a pair of ragged claws; scuttling across the floors of silent seas”. We are gregarious creatures, and Prufrock’s desire for isolation is untenable to us. Socialization has trapped him in a rock and a hard place: he may choose the peaceful oblivion of a void anyday, but he is too scared to reject a mask that he despises in case it may change his world: oh the irony!
The 1998 film Pleasantville explores the effects of stepping out of a uniform society. “they just happen to see something inside themselves that’s different”. This shot is taken from below, establishing this as a powerful argument and putting David in a position of power over the crowd. He is persuading Pleasantville that embracing your core values defines you as unique; …show more content…
Now don’t you wish you could tell her that?”
The proxemics in this shot exaggerates David’s emotions and influences his father’s reaction. A shot of David is taken from the court’s POV, which allows for tension to rise before he moves to the side to reveal his ‘coloured’ father. The diagetic tone of shocked voices, coupled with the non-diagetic, soft music that swells at this new revelation, is used to highlight the importance of this scene as unearthing your inner self. It seems to say: this is the moment of epiphany, the moment when you discover this universe holds something wonderful and rare, just for you.
In David’s own words “if you just have the guts” to look inside yourself, you’ll find all that “who am I to be” crap alot easier to handle. WCF’s persona began to confront that ‘song’ or ‘dream’ that had always been with him. Prufrock decided he’d rather drown than face the vast emptiness of his identity. But by giving Pleasantville the choice of change, it instituted profound normative values in people: love, passion, knowledge, peace, expression. All the colours of the