In the summer of 1855 a mentally ill woman moves into a secluded estate with her husband. She immediately voices her concerns about the eerie feeling she gets in the house and how much she hates the yellow wallpaper, but like always, her husband disregards her concerns and insists that he knows best because he is a doctor. She also believes that she was born to be a writer, but her husband forbids her from writing or communicating with other people and insists that she stay in bed to rest. Much like a prisoner in solitary confinement, the narrator starts to lose her mind. She begins to fixate her entire life on the wallpaper while she spends her days in bed. She started keeping a journal which he hid from her family, and in it, she writes about how she ‘discovered’ a creeping woman trapped behind the pattern. She centers her life on freeing this woman by locking the door and attempting to tear off all of the wallpaper. When her husband comes home from work, he breaks down the door, sees the mess, and faints. Then the woman crawls out of the room and the story seems to be over, but there has got to be more. This woman is not simply your Martha Stewart of the 1800s that doesn’t like her bedroom wallpaper. The job of the reader is to break down the roles of each character, analyze the major symbols, evaluate the theme and use them like the pieces of a puzzle to understand what the author, Charlotte Perkins Stetson, was trying to say.…
Mrs. Hopkins was the wife of the governor of Hardford. She was depicted as a religiously focused young women with some unusual qualities. She had a physical, mental weakness that left her incapable of understanding or reason. However this disease had been growing for several years. To overcome or distract herself she would fully devote her time to reading and writing and even wrote many books. Mr. Hopkins was a loving man and would tend to his wife’s needs; however, he would never make his grief seen, especially in front of his wife. But because she went looking for trouble in men’s business she got hurt and for that he blames…
In novels written by Henry James, a current theme is replayed over and over again. James is known for making his narrator seem unreliable throughout the novels, making the reader start to question what is true about the novel and what is not. This is shown all throughout James’ classic, The Turn of the Screw. In this novel, the main character, the governess, in counts numerous ghost sightings at her new job at the Bly. She starts to become spectacle that the children who she is caring for are starting to plan against her to get rid of her. Throughout the novel though, many things are brought forth that make it seem that the governess’ story may be flawed. In reality, the governess is true, but she does over exaggerate some parts…
Trying to get to know people is like reading a book; you have to figure out every detail. Shirley Jackson’s story, “The Possibility of Evil”, is a way for the readers to learn more about Miss Strangeworth. She is a woman who loves her town, but can be a bit discouraging to the people in her town. Miss Strangeworth’s character can be analyzed by considering what she does and says, what the narrator says about her, and how other characters interact with her.…
Six o'clock struck on the bells of the church that was so conveniently near to Mr. Utterson's dwelling, and still he was digging at the problem. Hitherto it had touched him on the intellectual side alone; but now his imagination also was engaged, or rather enslaved; and as he lay and tossed in the gross darkness of the night and the curtained room, Mr. Enfield's tale went by before his mind in a scroll of lighted pictures. He would be aware of the great field of lamps of a nocturnal city; then of the figure of a man walking swiftly; then of a child running from the doctor's; and then these met, and that human Juggernaut trod the child down and passed on regardless of her screams. Or else he would see a room in a rich house, where his friend lay asleep, dreaming and smiling at his dreams; and then the door of that room would be opened, the curtains of the bed plucked apart, the sleeper recalled, and lo! there would stand by his side a figure to whom power was given, and even at that dead hour, he must rise and do its bidding. The figure in these two phases haunted the lawyer all night; and if at any time he dozed over, it was but to see it glide more stealthily through sleeping houses, or move the more swiftly and still the more swiftly, even to dizziness, through wider labyrinths of lamp lighted city, and at every street-corner crush a child and leave her screaming. And still the figure had no face by which he might know it; even in his dreams, it had no face, or one that baffled him and melted before his eyes; and thus it was that there sprang up and grew apace in the lawyer's mind a singularly strong, almost an inordinate, curiosity to behold the features of the real Mr. Hyde.…
James seems to think that this whole scandal could be an interesting thing to explore following the “aftershocks of this cultural ‘earthquake.’” (Matheson). Wilde influenced James’s writing by opening a new social gap in that society’s time. It must have been a frightening time too, “of coming to terms with same-sex sexuality, to invent language for its designation, control, and prosecution”, no wonder James choose to write a novella with “suggestive yet sheltering language of euphemism and denotative, confessional discourse that would expose ‘monstrous’ secrets.” (Matheson). In the beginning of The Turn of the Screw there is a Prologue, which is told by an unnamed narrator, where a character that we meet named Douglass, who has a crush on the governess, whose story he will be telling. The setting is at a party around Christmas time and the guests are telling ghost stories. Douglass says “Nobody but me, till now, has ever heard. It’s quite too horrible.” yet when one reads the story, it is quite stirring, nevertheless is it really “quite too horrible”? (115; ch. 1) Maybe if one looks in-between the lines then one can…
Henry James, the author of “The Turn of the Screw”, never meant for the short story to be more than a regular ghost story. In fact, he himself often called it a mere fairy tale. Nevertheless, the short story has become a the source of literary debate that centers around this question: are the ghosts the governess sees real ghosts, or are they simply a part of her wild imagination? There is evidence to go along either side, but it is apparent that most evidence leads to the fact that the governess is indeed insane. The governess should be considered insane because she herself hints at the possibility of her madness, and she is the only one that plainly admits to seeing the ghosts.…
The Queen of Spades is a complicated story about greed, the supernatural, love, desires and secrets. The card game in the story The Queen of Spades is one of the oldest games of chance. What I will try to determine is whether the Countess' seemingly real ghost is authentic only in so much as Hermann's consuming madness produces it, as well as to designate the origin of Hermann's madness.…
In conclusion sexism was a major power relationship that exist within the book. Sexism had a huge infulence on the characters in the book. It created a perception for everyones identity in the book. Sexism built janies peronality which lead to her decision making in…
A topic often brought up in class discussion throughout the semester was sexuality and the many aspects involved; changing my personal perception of sexuality. In September I believed sexuality was just the act of sex and or being promiscuous, but it’s a much broader subject. The Bloody Chamber by Angela Carter is a re-mastered version of the fairy tale Blue Beard with a sexual spin. It perfectly depicts the ideal image of sexuality to one who is more innocent than someone more experienced then alters it and shows us its variations after they’ve gained experience. This essay will explore the deception, dominance and violence surrounding the sexual relationship between the heroine and Marquis. Angela explores the aspect…
Miss Lonelyhearts is the main character of the novel, “Miss Lonelyhearts”. His history is probably the reason for his need for sex and violence. ‘His history’ meaning his childhood, and also the letters that the people send to him for advice. Miss Lonelyhearts has a few encounters with a woman named Fay Doyle. They do have intercourse on one occasion, and she tries to make him have it a second time. However, instead of intercourse, Miss Lonelyhearts decides to beat her violently. His anger and his need for sex are brought about by the letters that he has to read for his job, and his childhood experiences,…
Every tale ever told shares similar formal elements. All of these formal elements have equally important consequence on a story. The setting of a story has direct correlations to the way that the reader consumes the meaning of the story. The setting in Young Goodman Brown allows its author, Nathaniel Hawthorne, to leave the ending ambiguous, without closure. The reader is constantly expected to decide for themselves truth. Literal interpretation, widely accepted after its initial publication, respected the story as a puritan fable. The message of which: Without faith in God you are defenseless against the evils of the world. This paper is written with the understanding that Young Goodman Brown left his faith at home and ventured to meet the devil in the godless wild. The devil has earned a reputation of being the worst of all tricksters. On the worst night of the year, along the scariest path outside of the birthplace of American witches, Young Goodman Brown met the devil and the devil played a terrible trick on him, or did he? Whether this apparition was a dream or a reality, the devil cursed Young Goodman Brown with a life long distrust of all those around him for his troubles. The setting of Young Goodman Brown is essential in achieving the uncertainty of actual events regarding the end of the story.…
In particular, just after one of her more innocent-sounding remarks about marriage, the narrator states, “I get unreasonably angry with John sometimes. I’m sure I never used to be so sensitive. I think it is due to this nervous condition” (Gilman, 71). Although she says it is probably due to her condition, the reader cannot help but wonder why, only a few paragraphs later, she reveals that despite her love for writing, “He hates to have me write a word” (Gilman, 72). This narrator is clearly feeling trapped in a marriage that does not allow her freedom. Meanwhile, as a man, her husband is free to come and go. This inability for her to express herself in a meaningful way eventually leads her to associate herself with the woman in the wallpaper who looks to be, like the narrator, behind bars or in a cage.…
There are numerous symbols in the story; I’m sure I missed some of them, so add any of significance that I unintentionally omitted that you would like to discuss. I’ve listed symbols in alphabetical order.…
The second part of the story, which takes place a hundred years after the first, is both disturbing and mysterious. It involves a group of young people, Mr. and Mrs. Jenny, their pretty sisters and their sisters’ lovers who talk about the possibility of having a ghost inside their house and eventually discover the house’s dreadful secret. This part reveals the secret from the first part. Without it, the first part would have been very vague and incomplete. Along with the characters from the second part, we must attempt to read across a hundred years of silence to reconstruct the first woman’s story. We are forced to discover what traditions, what historical and cultural continuities link the two halves of the story together.…