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Racism In Joseph Conrad's Heart Of Darkness

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Racism In Joseph Conrad's Heart Of Darkness
Raymond Cortes
English 3 Honors
Mr. Horner
10/19/15
Racism Presented in Joseph Conrad’s Heart of Darkness The Heart of Darkness by Joseph Conrad is regarded as one of the most superlative novels of English literature written in the twentieth century. However, the ideas and notions presented by Conrad in this story has generated quite a bit of controversy among academic scholars and literature experts who believe the novel creates a sense of racial animosity towards the African continent and its people. With further analyzation it can be inferred that this novel does indeed show signs of racial enmity and presents a rather deplorable situation in which one must evaluate if Conrad himself is a racist. Some would argue that his novel was
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He outwardly castigates Conrad’s novel as being racist and demeaning to non-white cultures. Chinua Achebe criticizes Conrad’s depiction of Africa as being stereotypical in the views of Western culture. One of Achebe’s fundamental arguments is that Conrad is advertising a false version of the African continent and its people. He portrays them as being hostile and uncivilized through the accounts of the main character, Marlow. Achebe is infuriated at this notion because Conrad’s style of writing covers up the true nature of its meaning. He believes that this form of writing emanates from Conrad’s own racist beliefs and upbringings as a child. Specific citations from the story indicate that Conrad put the Europeans on a higher pedestal as he characterizes them as being “illuminating”, and “twinkling” with brilliant ideas (Achebe 3). Conrad’s racism is delineated perfectly when there is an encounter with a black man and he describes his feelings as being “blind, furious, and unreasoning rage” when he encountered this man (Conrad 11). This vast disparity of descriptions of the two races show his inner thoughts and his hatred towards non-whites. According to Achebe "Conrad appears to go to considerable pains to set up layers of insulation between himself and the moral universe of his story”(Conrad 14). This is exactly how Conrad uses his stylistic form of writing to cover up these feelings of hatred and detest towards the African continent and its population. Achebe also points out that Conrad’s depiction of the rivers is a symbolic sign of his inherent racism. He states in his story that "going up that river was like traveling back to the earliest beginnings of the world” (Conrad 9). This is referencing the Congo River that led to Africa and Conrad uses a negative connotation in describing

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