Every evening, a red lantern is lit in front of the courtyard of the wife Chen chooses to sleep with. Contrary to it's traditional symbolism red is anything but festive in this film. There is no love among the wives only hatred. The relationships between Chen and his wives are purely sexual. Rather than helping each other out and raising their status within the family, the wives are constantly fighting among themselves to win many favors from Chen. The wives who live in separate houses must compete for the affections and privileges of the master in accordance with his customs. Jealousy abounds between the wives and the scheming keeps the tensions high. Each night many red lanterns are lit in favor of whom the master will be with, just to signal the other concubines that they will not enjoy the master's favor this night. The portrayal of female relations is detailed
Every evening, a red lantern is lit in front of the courtyard of the wife Chen chooses to sleep with. Contrary to it's traditional symbolism red is anything but festive in this film. There is no love among the wives only hatred. The relationships between Chen and his wives are purely sexual. Rather than helping each other out and raising their status within the family, the wives are constantly fighting among themselves to win many favors from Chen. The wives who live in separate houses must compete for the affections and privileges of the master in accordance with his customs. Jealousy abounds between the wives and the scheming keeps the tensions high. Each night many red lanterns are lit in favor of whom the master will be with, just to signal the other concubines that they will not enjoy the master's favor this night. The portrayal of female relations is detailed