A complex character is a character that is believable . Homer made Achilles complex , in order to make him realistic . This results in multiple or conflicting motivations . This makes the character realistic because they often portrayed negative or positives reasons . This is the case in Homer’s Iliad When Achilles went from Disrespectful to respectful . For example in the poem hector begged achilles to give his body to be returned to his parents so they could cremate and bury it . Quoted from the poem it says “ I beg you by your soul and by your parents , do not let the dogs feed on me in your encampment by the ships . Accept the bronze and gold my…
Creon, the King of Thebes, and Bernarda, who is the head of her household are the most powerful characters in their plays. Both characters want to have complete control over everything and everyone around them; however both suffer losses as a result of their attitudes and use of power. The main difference between Creon and Bernarda is how they react to these losses and to the challenges to their authority. It is this aspect which the essay will explore.…
King Minos became King of Crete with the help of Poseidon by receiving a bull from the sea. Poseidon ordered King Minos to sacrifice the gleaming white bull to him. However, King Minos, blinded by his own greed, breaks his promise and keeps the beautiful bull while offering a bull from his herd. As a punishment, Poseidon inspires Pasiphae’s strong lust for the bull, and she eventually schemes with Daedalus so that she can mate with the animal. The catastrophic result, the creation of a monstrous half bull-half human, emphasizes King Mino’s’ major folly; he lets his egoism take over, and consequently is labeled a “dangerous tyrant”(15). When Campbell…
Ransom questions the classical interpretation of the hero as a powerful warrior, and instead subverts this understanding by presenting those individuals as anti-heroes. Achilles, the hero of the Iliad and the quintessential embodiment of power and the “warrior spirit”, is presented by Malouf “hunker[ing] down… shoulders hunched” in the opening of the text. From the outset the reader is presented with a weak anti-hero so troubled he is searching for “the voice of his mother”. Hardly an impenetrable hero, he is “darkly divided”. Heracles, a figure from Priam’s early history, too is a hero. “The whole terrible machinery of the man” is just “rank meatiness” unable to understand Hesione, Priam’s sister, and her compassion in trying to rescue her brother destined for a life of slavery. Such love is beyond his realm of understanding, he “expected [Hesione] to choose some gaudy trinket”. Malouf portrays Heracles as “foolish” and a “brute”. Neoptolemus, Achilles’ son and avenger, is like his father a “youthful hero”. He goes to Troy’s palace to kill king Priam in the final section of novel where Malouf travels out of the immediate time frame. In what is supposed to be a triumphant and heroic deed turns awry when Neoptolemus botches the killing of Priam, he is left feeling “heartsickness, animal sadness, despondency”. Neoptolemus, who was supposed to triumphantly avenge his fathers death instead butchers…
Aeneas’ relationship with his own father and son is central to the action of The Aeneid. The image of him fleeing the burning city of Troy carrying his father, Anchises, and accompanied by his own son Iulus is one of the most symbolic images of family devotion and perfectly encapsulates the theme of parental fidelity; the notion of leaving his father and son behind to die in Troy would have been a “sacrilege” (Book 2, pg 44) to Aeneas. An important theme throughout the Aeneid, is the pietas of Aeneas towards his father.The concept of pietas “captures the unity in the Roman attitude that individual lives are part of the whole, that is, the family, the state and the universe ” and highlights the unbreakable bonds between the individual and their family. After saving him from Troy, together they share the leadership of the Trojan expedition until the death of Anchises in Sicily. The funeral…
The stories of Oedipus Rex and Antigone highlight the ups and downs of Oedipus and Creon as they rule over the people of Thebes. Many of their mistakes are similar, but for the most part they were very different in their authority. Both characters show rage, pride and impulsiveness, but the way each character handles their problems as ruler was very different. Another example of differences between the two was how each is ruined and the way they handle their demise. By looking at each ruler's faults and weighing them out, we discover that Oedipus is the better ruler.…
In the play Ajax, one of the main themes is justice. In it two conflicting ideas of justice are stated: first, that it is self-proclaiming, and second, that it is situational and must be worked out. These opposing ideas are very clearly shown in the dialogue between Teucer and Menelaus, where they argue over whether Ajax should be given a proper funeral and the conflicting definitions are exposed. In this essay, I will analyze how this piece of dialogue demonstrates both definitions of justice, without answering which is correct.…
Achilles had humanlike characteristics. He fought and risked his life for the people, many descendants from God themselves. Achilles was one of the most vital characters in the story. Being the ultimate most powerful warrior of all time, he wishes for nothing in his life but to be the most glorious man alive, mortal or immortal. It is this profound desire for glory and honor, that in the end leads to his demise. He helped to raised the Greek soldiers’ moral and was an excellent fighter. He fights to save his city, and believes in preconceived notions of his life, or predetermined destiny. Instead of fulfilling his desires, he fulfills those already given to him. Fate does not determine every action, incident, and occurrence, but it does determine the outcome of life.…
Sophocles dramatizes this integration through the events that are played out for Ajax. Ajax is a typical Greek hero and when he losses the armor of Achilles to Odysseus, he becomes less in the eyes of the community, losing honor, which make him less of a warrior and this leads him to go crazy with revenge. Sophocles dramatizes the integration of a warrior into society by displaying an example of what society’s views can do to a warrior through Ajax’s actions. He displays Ajax as going mad and killing livestock, which brought great shame to…
As Oedipus’s daughter, her devotion to her family is what creates the main conflict. Kreon, as Jocasta’s brother, is close to the situation but not so much so as Antigone. Her relevance in the curse placed on her family continues Oedipus’s tragedy in the “cycle.” Kreon, however, provides a contribution to the cursed family’s distress. Although he does face his own conflicts and in the end suffer his own consequences, the drama focuses mainly on Antigone’s chosen course of action. Antigone is more relevant in both the apparent story and the overlaying Oedipus Rex arc, as opposed to Kreon, who only creates…
Through his encounter with Priam, Achilles is ‘ransomed’ in that he is given the opportunity to make a decision as a father and a man of compassion in order to salvage his identity. Contrary to Priam’s notion that he is offering Achilles the chance “to break free of the obligation of being…
The use of deus ex machina at the end of Sophocles’ ‘Philoctetes’ serves as a final anchor point to tie together the events which unfolded prior. Heracle’s intervention allows us to reflect on the nature of events in the play and the themes of the play. Finally it gives us insight into divine influence and the role of fate.…
‘The true power of Priam’s vision lies in the fact that it challenges the will of the gods and asserts the agency of men.’ Discuss.In David Malouf’s Ransom, the fall of Hector, “the noblest warrior” in all of Troy, causes Priam to become certain of the atrocities soon to befall Troy and its citizens, infusing his responsibilities as a king with a sense of guilt which stems from his “weak protection”. However, after receiving a vision of him from the goddess Iris, with no symbols of “royal dignity”, Priam embarks on the seemingly ill-fated journey to retrieve his sons’ body. While the fate of all men is predetermined by the gods, Priam’s vision challenges the sceptical notion that all are doomed to follow the will of the gods – that is, their assured destinies. Therefore, by carrying out his vision, Priam asserts that the capacity to change one’s self is ultimately dependent on the individual. For Malouf, the true power of Priam’s vision results in his own desire to restore both himself and Achilles, in spite of their inevitable deaths. It can be seen that while the destinies of all characters in Ransom are ordained by divine forces, there is an inherent desire in all human beings to establish control over their assured fates. Priam dismisses his rule as a “mockery” ordained by the gods, believing that his predetermined rule is doomed to end in the violence that will soon consume Troy. By choosing to label his rule as a “foul-smelling mockery”, Priam positions himself to believe that his stature as a king does not reflect who he truly is: the suppressed “child” Podarces, who “suffered [his] first death”, in exchange for power, luxury, and an identity that he gladly took if it meant for survival. The “foul” is pivotal as it demonstrates the progression of his contempt at being manipulated by the gods, and his inner motivation to simultaneously break free of his “obligations” and his responsibilities as king. In doing so, Malouf seeks to convey that all human beings…
Silhouetted against the backdrop of a war-torn Troy, David Malouf’s Ransom explores the inner conflict and grief caused by the loss of loved ones. The rage of Achilles, so central to the dramatic structure of the Illiad, is portrayed by Malouf as an expression of the most deeply instinctive, primal emotions, unmediated by cultural or social code, an innate human response in its most raw “animal” state. The depths of Achilles’ rage, his refusal to be consoled after the death of Patroculus is mirrored in the pain felt by Priam - the sense of loss that he experiences is no less intense. Throughout his novel, Malouf explores the idea that men from starkly different backgrounds can be united through common experience and their underlying humanity the most explicit of these experiences, which all men feel is pain and anguish resulting from the death of a loved one. Malouf suggests that the death of a loved one is a harrowing affair, plunging men into a ‘clogging grey web’, which can only be liberated through the expression of self and the connection to one’s true humanity. The power of death as a common experience for mortals is further compounded as Malouf advocates that men, even from different socio-economic backgrounds can forge a connection based on their similar emotions, as depicted through Priam’s connection with the ‘ordinary’ carter, Somax. Death, as the final experience of all mortals, is shown to be able to catalyse deeply human connections between men, through which Malouf draws an allusion to the cyclical nature of life and death.…
Is kidnapping always seen in a negative way? When you think “kidnapping” your first thoughts are fear. But in The Ransom of Red Chief we see kidnapping in a different light. It is funny and not serious unlike Lindbergh baby kidnapping.…