In scene four of “ A Streetcar Named Desire” Blanche attempts to convince Stella that she can get out of her situation with Stanley, but Stella insists she is not in anything she wished to get out of. Stella makes it clear that she is happy about her relationship with Stanley through their sexual chemistry by saying “ But there are things that happen between a man and a woman in the dark”. Stella believes that there is nothing wrong and she can’t understand why Blanche is so frantic. Blanche tries to persuade Stella that her situation with Stanley is just desire by arguing, “ What you are talking about is brutal desire- just- Desire!- the name of that rattle-trap streetcar that bangs through the Quarter, up one old narrow street and down another…”…
Blanche’s fall from grace would not have been as devastating if she had grown up anywhere but the traditional, family-oriented, socially cruel South. And surely strong, confident Stella would not have stuck with the crude, abusive Stanley had she lived elsewhere, somewhere far away from the dirt and commotion of New Orleans in the forties that obscured the chaos and brutality occurring behind its closed doors. But the women are Blanche DuBois and Stella Kowalski, not the Bennet sisters. As the Old South began to die, they looked for salvation in different directions, both ultimately ending in tragedy. That place, that time, was just not hospitable to the women. So Stella became submissive, the archetype that would soon pervade 1950s Americana, the woman that exists to serve her man, who exists to serve himself. And Blanche became an anachronism, a “woman out of time”, literally and figuratively. Her flourishing springtime had long past. And that hot, horrible summer in New Orleans ushered in the fast-approaching fall of regrets and broken dreams, the autumn that doomed Blanche to a mental…
Stanley and Stella are married and live in Elysian Fields. Stella was born into a wealthy family from Belle Reve and married Stanley, who is from the middle class. Stella depends on Stanley for love and to make her feel better. In reality, Stanley is a powerful man and can get any woman he wants. Stella “couldn’t believe her story and [she continues] on living with Stanley” (133). Blanche tries to inform her sister how Stanley is not the man she thinks he is, and how she is living in a fantasy. Stella chooses to believe Stanley, which demonstrates how she is living a lie. Stella does not agree with the accusations that were made. Stanley is abusive to Stella, yet she proceeds to say “I am not in anything that I have a desire to get out of” (65). Stella admits she does not want to leave Stanley even though she is continually…
The main characters in ‘A Streetcar Named Desire’ are Blanche, Stanley and Stella. Blanche is from old world America. She moves to New Orleans with her sister Stella and her husband Stanley after she goes through a bad time in her life and losses her job along with her family house. Blanche has power over her sister, and she abuses this power. This is first demonstrated when Blanche asks her sister to get her a drink from the drug store and she does so ‘Blanche- Honey, do me a favour. Run to the drug-store and get me a lemon-coke with plenty of chipped ice in it! – Will you do that for me, Sweetie?’ This demonstrates the power of fear which Stella feels. She believes that if she does not comply with her sisters ‘orders’ then she will have a more stressful and difficult life so she obeys.…
Throughout life, it is better for a person to tell the truth from the start, so that every individual be accepted the way he or she is. The play A Streetcar Named Desire, written by author Tennessee Williams, one of the main characters is Stanley Kowalski. Stanley Kowalski lives with his amazing Wife Stella Kowalski in an amazing place in New Orleans called the French Quarter. Their marriage is bright, and pleasant. This is until Stella’s sister, Blanche, comes to live with her. This turns Stanley against his wife because he doesn't agree with the things that Blanche is doing. Yet his wife thinks that he should put up with it just because Blanche is Stella’s sister. Stanley is determined to…
When Blanche starts talking to Stella, she…
Throughout the play, Stella avoids confronting the truth about Stanley and shelters herself with the myth that he is what is best for her. Stella can not face the truth when she knows it deep down. Once hearing Blanche’s story that Stanley raped her, Stella admits she “could not believe her story and go on living” the way she had (164). Stella’s life is dependent on the idea of Stanley being what is good for her, and she could not “go on living” if that idea was proved false. Stella is forced to deny the truth in order to keep believing in the myth that Stanley is what is best for her. Stella further denies Stanley’s…
Blanche dwells in illusion; fantasy is her primary means of self-defense, both against outside threats and against her own demons. But her deceits carry no trace of malice, but rather they come from her weakness and inability to confront the truth head-on. She is a quixotic figure, seeing the world not as it is but as it ought to be. Fantasy has a liberating magic that protects her from the tragedies she has had to endure. Throughout the play, Blanche's dependence on illusion is contrasted with Stanley's steadfast realism, and in the end it is Stanley and his worldview that win. To survive, Stella must also resort to a kind of illusion, forcing herself to believe that Blanche's accusations against Stanley are false so that she can continue living with her husband.…
Kazan’s A Streetcar Named Desire: A Key to Confusion? Tennessee Williams’s A Streetcar Named Desire and Elia Kazan’s film version of the play share the same characters and the same story. Except for the opening scene, Kazan doesn’t change the plot at all. To emphasize the meanings of death and desire, the movie shows Blanche taking different streetcars in the area surrounding where Stanley and Stella live—and the viewer can imagine how difficult it is for Blanche to adjust.…
Blanche, waiting in the bedroom to be taken away, has succumbed in mind and body to Stanley’s brutality” (Brooks 179). Blanche and Stanley are constantly trying to receive approval and affection from Stella. It is confirmed in the final poker scene that Stella betrays Blanche. Once Stella realizes that Blanche is accusing Stanley of rape, “I couldn’t believe her story and go on living with Stanley” (Williams 165). Stella is forced to choose between her sister or husband. Blanche’s lifestyle and behavior does not compete between the traditional gender roles establish during this time period. Therefore, Blanche is taken away and Mitch and Stella betray Blanche in her time of what she believes was going to be a time to rebuild her life and reputation. Blanche is taken away while Stanley continues to play poker, “This game is seven-card stud” (Williams 179) symbolizing that life goes on and Stanley is still…
Perception plays an integral role in the fabric of human existence, simply because it affects how we view ourselves and also others view us. Blanche Dubois, Stanley Kowalski, Harold Mitch, and Stella Kowalski all learned this through their continuous evolution throughout “A Streetcar Named Desire” by Tennessee Williams, however by focusing on Blanche's relations and also her past we are able to see the role that that perception plays in her life. When Blanche says,“A woman's charm is fifty percent illusion” this becomes increasingly significant because it is a demonstration of her self-perception about the role of a proper, woman in society. With that being said Blanche does not only believe this general perception, rather she embraces it so…
Stanley Kowalski struggles to cope with Stella's background as she seems to appear somehow “superior” to him because of her past and where she comes from. He believes he has finally managed to bring Stella into his world when Blanche storms into their lives and tries to win Stella over. This initiates a tug of war between Stanley and Blanche.…
The relationship between Stella and Stanley was indifferent. As evening began to approach, Stanley and his friends were having a poker night at the Kowalski resident. Stanley and his friends were beginning to get a little more foolish and outrageous because alcohol was involved. Stella said to Stanley “Couldn’t you call it quits after one more hand.” Then Stanley stands up and smacks his wife in her thigh. As hours and hours pass by, Stella says to Stanley and his friends “Drunk, Drunk, animal thing, you!” Then Stanley charges after Stella and smacks her again, but this time the pain made Stella cry. Blanche and Stella exited the house after this fiasco. Stella wants to be able to have some wife and husband time with Stanley, but all…
In the play, A Streetcar Named Desire, by Tennessee Williams, Blanche and Stanley are well-known, as opposite characters with symbols of conflicting deals, but these two characters also have many similarities with each other. For example, Stanley and Blanche both have a well-built desire for love. Stanley, has no need to seek for love because he yearns, his marriage life with his wife Stella. Blanche, on the other hand, is seeking for respect and love for a new husband, since she lost her last husband. Also, Stanley and Stella are a couple that appears to be loving and compassionate with each other, until Blanche comes for a visit to New Orleans to live with the couple. With conflicting issues dealing with Blanche and Stanley, it causes an unhealthy, abusive problems with Stella and Stanley’s marriage.…
There is a lot of fighting and then love making in their relationship, as well. For example, in scene three when Stanley is drunk and Stella is being loud, Stanley gets frustrated with her and throws her radio out of the window. Stanley charges at Stella when she yells at the other men to get out. “There is a sound of a blow. Stella cries out… Something is over turned with a crash” (57). Later that night Stanley forgets about everything that happened and lets out his famous, “STELL-LAHHHHH” (60)! Stella came down from upstairs they embrace each other, like nothing happened. Secondly in scene eleven when Stella sends Blanche a mental institution because she doesn’t believe Blanche when she says she was raped by Stanley, Stanley comforts Stella with sex. Like Stanley said, he is the king, and he got his way. I predict that in the future, nothing will change with Stanley and he will continue to be his aggressive self and Stella will eventually leave him for the sake of herself and her child. It will not be good for the child to be raised by parents like that. It is clear that the Kowalski relationship is proven to be very unhealthy and filled with lies. Stella’s dependence on Stanley and Stanley’s brutality leads to their weak…