Rebellion Against Oppression
How Does Oppression Within “Like Water for Chocolate” and “The House of Bernarda Alba” Lead To Unnatural Consequences?
In both ‘Like Water for Chocolate’ and ‘The House of Bernarda Alba’ rebellion against oppression is a strong theme, with both Tita and Adela struggling to break free of their mother’s authoritarianism. However, it is important to realise that with both characters, the authors are using them to symbolise their own journeys. Federico Garcia Lorca uses Adela’s strong willed fight against Bernarda Alba to represent the costs of repressing the freedom of others. Likewise, in Like Water for Chocolate, Laura Esquivel uses Tita’s constant battle against Mama Elena to show how women struggle to be heard and how both men and tradition can be strong oppressors. Laura Esquivel employs magic realism throughout ‘Like Water For Chocolate’ to show how Tita’s emotions are transmitted and exaggerated through food. Laura Esquivel presents the supernatural as an everyday event, however not all the characters accept it in the same way as reality, for example Mama Elena remains convinced that Tita is somehow doctoring the food to her own liking, instead of it being ‘magical tears’.
Tita lives in a traditional female role, she enjoys cooking and is a selfless nurturer but she lives under a matriarchal rule. A woman who has “never needed a man for anything”, which leaves the reader questioning why Tita seems to require a man in her life in order to “alight her matches”. Adela, although fighting for her right for freedom again Bernarda Alba, still believes that she must take orders from Pepe. The traditional roles the mothers have created for their daughters continue even in their rebellion. The men in both books are not particularly strong characters. All leaving the women to suffer for the mess they have created themselves. When Librada’s daughter kills her newborn baby in order to avoid the shame of having sex with someone out of wedlock, “a big crowd” gather in
In both ‘Like Water for Chocolate’ and ‘The House of Bernarda Alba’ rebellion against oppression is a strong theme, with both Tita and Adela struggling to break free of their mother’s authoritarianism. However, it is important to realise that with both characters, the authors are using them to symbolise their own journeys. Federico Garcia Lorca uses Adela’s strong willed fight against Bernarda Alba to represent the costs of repressing the freedom of others. Likewise, in Like Water for Chocolate, Laura Esquivel uses Tita’s constant battle against Mama Elena to show how women struggle to be heard and how both men and tradition can be strong oppressors. Laura Esquivel employs magic realism throughout ‘Like Water For Chocolate’ to show how Tita’s emotions are transmitted and exaggerated through food. Laura Esquivel presents the supernatural as an everyday event, however not all the characters accept it in the same way as reality, for example Mama Elena remains convinced that Tita is somehow doctoring the food to her own liking, instead of it being ‘magical tears’.
Tita lives in a traditional female role, she enjoys cooking and is a selfless nurturer but she lives under a matriarchal rule. A woman who has “never needed a man for anything”, which leaves the reader questioning why Tita seems to require a man in her life in order to “alight her matches”. Adela, although fighting for her right for freedom again Bernarda Alba, still believes that she must take orders from Pepe. The traditional roles the mothers have created for their daughters continue even in their rebellion. The men in both books are not particularly strong characters. All leaving the women to suffer for the mess they have created themselves. When Librada’s daughter kills her newborn baby in order to avoid the shame of having sex with someone out of wedlock, “a big crowd” gather in