Religion In Joseph Heller's Catch-22

Context
Joseph Heller was born in Brooklyn in 1923. He served as an Air Force bombardier in World War II and enjoyed a long career as a writer and a teacher. His best-selling books include Something Happened, Good as Gold, Picture This, God Knows, and Closing Time, but his first novel, Catch-22, remains his most famous and acclaimed work. He died of a heart attack in December 1999.
Heller wrote Catch-22 while working at a New York City marketing firm producing ad copy. The novel draws heavily on his Air Force experience and presents a war story that is at once hilarious, grotesque, cynical, and stirring. The novel generated a great deal of controversy upon its initial publication in 1961. Critics tended either to adore it or despise it, and
His disillusionment stems in part from Colonel Cathcart’s constant attempts to use the outward manifestations of religion to further his own ambition. Heller’s treatment of the subject of God is most focused in the Thanksgiving discussion between Yossarian and Scheisskopf’s wife. Both are atheists: Mrs. Scheisskopf does not believe in a just and loving God, whereas the God in whom Yossarian does not believe is a bumbling fool. Yossarian points out that no truly good, omniscient God would have created phlegm and tooth decay, let alone human suffering. Yossarian has experienced so many terrible things that he cannot believe in a God who would create such a wide array of options when it comes to pain and death. But the loss of faith in God does not mean a world without morals for the characters. Instead, it means a world in which each man must make his own morals—as Yossarian does when he chooses to desert the army rather than betray his
He believes that Snowden’s gory death revealed a secret: that man is, ultimately, garbage. The specter of death haunts Yossarian constantly, in forms ranging from the dead man in his tent to his memories of Snowden. Furthermore, Yossarian is always visualizing his own death and is absolutely flabbergasted by the total number of ways in which it is possible for a human being to die. But Yossarian’s awareness of the inevitability of death is not entirely negative: it gives him a sense of how precious life is, after all, and he vows to live for as long as possible. He also lives more fully than he would without his constant consciousness of life’s frailty. He falls in love constantly and passionately, and he laments every second that he cannot spend enjoying the good things in the