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Representation of Women in Horror

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Representation of Women in Horror
Bella Spooner

Representation of Women in Horror Films.

Since the inventions of television and film, media influences have become extremely important in modern society with people constantly being inundated by images and messages that come from film, television, magazines, internet and advertising. Researchers and theorists such as Carol J. Clover and Jean Kilborne believe that the fact that people are going to be affected by the media is absolutely unavoidable. Films can act as guides to how people, particularly women, should act and look. Women in horror are typically shown as the ‘damsel in distress’ and are usually attacked by the killer after committing a sinful act like having sex or misusing drugs or alcohol. The females are usually very attractive, slim and quite often blonde. These characteristics are usually reinforced by seductive body language, heavy make-up and vulnerability giving the message that women are unable to take care of themselves and have to look a certain way to fit into society. Many directors have tried to change the messages in horror films my introducing the ‘Final Girl’ where it is a female who is a virgin and does not do drugs or consume alcohol that fights back and becomes the ‘hero’ rather than a male, giving the unrealistic message that if people don’t do wrong, nothing bad will ever happen to them but horror films are notorious for presenting women in a particular way, often making them victims of sexualisation. The representation of women not only influences the way that females think they have to be or the way males think that women should be but they also have a great impact on the values in society. Sexualisation in the representation of women is predominantly obvious in horror films, specifically Psycho, directed by Alfred Hitchcock, Rosemary’s Baby, directed by Roman Polanski and Scream, directed by Wes Craven. All three movies display sexualisation using gender stereotyping, victimisation and the male gaze.

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